Robert X. Cringely did an hour long interview with Engelbart on December 9, 2005 in his NerdTV video podcast series.

* The Moscow Center for Consciousness Studies video interview with Daniel Dennett 2010-03-05 ( with transcript )

Two archive recordings of Orton are known to survive: a short BBC radio interview first transmitted in August 1967 and a video recording, held by the British Film Institute, of his appearance on Eamonn Andrews ' ITV chat show transmitted 23 April 1967.

The most comprehensive video interview online is produced by The Danish Broadcasting Corporation.

On March 19, 2010, the CBC posted a video interview with Lee and Lifeson where they discussed Rush's induction into the Canadian Songwriters Hall of Fame on March 28, 2010, at the Toronto Centre for the Arts ' George Weston Recital Hall.

In a November 2010 video interview with Perez Hilton, Robyn revealed that she was returning to the studio in January, 2011, and had enough material to release a new album later in the year.

* Online video interview with Max Perutz, provided by the Vega Science Trust.

* JewReview. net video interview with Luc Besson and Rie Rasmussen about Angel-A

* Online video interview with Pinker

In a video interview on Blender, bassist and vocalist Ben Kenney said, " It's almost something that will happen whether or not we want to do it.

* Charlie Rose video interview 3 February 2003

* Interview with Eckert Transcript of a video interview with Eckert by David Allison for the National Museum of American History, Smithsonian Institution on February 2, 1988.

* In-depth video interview with Timothy Freke on The Alcove with Mark Molaro

It included two audio commentaries, one featuring actor-director-writer Dennis Hopper, the other Hopper, actor-writer Peter Fonda, and production manager Paul Lewis, Born to Be Wild ( 1995 ) and “ Easy Rider ”: Shaking the Cage ( 1999 ), documentaries about the making and history of the film, television excerpts showing Hopper and Fonda at the Cannes Film Festival, and a new video interview with BBS cofounder Steve Blauner.

It includes audio commentary featuring director Bob Rafelson and interior designer Toby Rafelson, Soul Searching in “ Five Easy Pieces ,” a 2009 video piece with Rafelson, BBStory, a 2009 documentary about the BBS era, with Rafelson, actors Jack Nicholson, Karen Black, and Ellen Burstyn, and directors Peter Bogdanovich and Henry Jaglom, among others, and audio excerpts from a 1976 AFI interview with Rafelson.

* Interview with Eckert Transcript of a video interview with Eckert by David Allison for the National Museum of American History, Smithsonian Institution on February 2, 1988.

James Wong Howe: Cinematographer, a 1973 documentary about the Oscar-winning director of photography, featuring lighting tutorials with Howe, a new video interview with film critic and historian Neal Gabler ( Winchell: Gossip, Power and the Culture of Celebrity ) about legendary columnist Walter Winchell, inspiration for the character J. J. Hunsecker, and a new video interview with filmmaker James Mangold about Mackendrick, his instructor and mentor.

* Coraline video interview

* A video interview with Bruce Lundvall on Blue Note Records

* Jean-Bedel Bokassa video interview while exiled at Abidjan in 1983 ( French )

* " This Man Turned Blue ( video )", NBC Today Show, Matt Lauer interview, aired January 7, 2008.

In October 2010, Eric Avery released a 16-part video interview on Xiola. org discussing his time spent within the reunited band.

* Aliens ( Kaypro video game ), a text-only clone of Space Invaders written for the CP / M operating system

The lab explores and creates digital entertainment prototypes for film, television, video games, broadband and mobile phones.

* Featured in the music video for Deep Forest's ' Sweet Lullaby '

* Atmosfear ( series ), also known as Nightmare, a video oriented boardgame famously known for introducing " The Gatekeeper "

Some frequent users of this ability included wedding videographers, TV stations and their weather forecasting divisions ( for weather graphics and radar ), advertising channels, music video production, and ' desktop video '.

The Amiga was one of the first home computers for which inexpensive sound sampling and video digitization accessories were available.

As a result of this and the Amiga's audio and video capabilities the Amiga became a popular system for editing and producing both music and video.

Other upgrades include genlocks, network cards for Ethernet, modems, sound cards and samplers, video digitizers, extra serial ports, and IDE controllers.

Video cards are designed for inputting and outputting video signals, and processing and manipulating video.

* I / O ports: Expansion port, tape recorder connector ( 1200 baud variation on the Kansas City standard for data encoding ), aerial TV connector ( RF modulator ), composite video and RGB monitor output

The ansible is also featured in the video game Advent Rising, for which Card helped write the story.

All units ran much faster than the original TRS-80, at 4 MHz, ( with a software selectable throttle to the original speed for compatibility purposes ) and the display supported upper and lower case, hardware snow suppression ( video ram bus arbitration logic ), and an improved character font set.

* A very High resolution monochrome video card with blitter and hardware text line and arc drawing capability, was designed for CAD applications, based on the NEC µPD7220 chip designed for graphic terminals, but was also used by some personal computers like the DEC Rainbow, and notably also for the Tulip System I.

* A colour video card with sprite capability based on the same video chip ( the TMS9918 ) as the TI99 / 4 and MSX computers, designed for gaming, and more creative and colorful educational software.

* A replacement card for the original TRS-80 compatible video card, software compatible to the original one, but with added color and very high resolution capabilities.

Because the characters were 8 x 12 pixels this meant that video resolutions of 512 x 192 pixels ( in 64x16 character mode ), or 640 x 300 pixels ( in 80x24 character mode ) were created, which was quite high for the time.

This video card would also support fast scrolling of high resolution color screens for games, because it had the indirection of the character pointers, so it was possible to quickly scroll the high resolution display, ( or use other effects ) by simply manipulating the 1920 / 1024 bytes of text video instead of the 24. 576 bytes of high resolution video memory.

In 2002 she had a solo show at Tate Modern, and in 2006 her multi-screen video piece The Wind ( 2006 ) was exhibited at Museum of Modern Art ( MoMA ).

Sally Potter had full career retrospectives of her film and video work at the BFI Southbank, London, and Filmoteca, Madrid, in 2009, and MoMA, New York, in 2010.