In the Kannakatthala Sutta ( MN 90 ), Ananda is identified with the meaning of his name:

In the Bahudhātuka Sutta (" Many Kinds of Elements Discourse ," MN 115 ), the Buddha tells Ven.

Satipatthana Sutta: Frames of Reference ( MN 10 ).

Kayagata-sati Sutta: Mindfulness Immersed in the Body ( MN 119 ).

Culavedalla Sutta: The Shorter Set of Questions-and-Answers ( MN 44 ).

Dvedhavitakka Sutta: Two Sorts of Thinking ( MN 19 ).

These are also enumerated in the Brahmāyu Sutta of the Majjhima Nikāya ( MN 91 ).

In addition, see MN 44, Cavedalla Sutta, trans.

The Visuddhimagga ′ s structure is based on the Ratha-vinita Sutta (" Relay Chariots Discourse ," MN 24 ), which describes the progression from the purity of discipline to the final destination of nibbana in seven steps.

Ratha-vinita Sutta: Relay Chariots ( MN 24 ).

Maha-hatthipadopama Sutta: The Great Elephant Footprint Simile ( MN 28 ).

Incorporating facets of the above textual methods in a series of increasingly vivid similes, the Parable of the Saw Discourse ( Kakacupama Sutta, MN 21 ) provides the following culminating scenario:

This tension is best exhibited in the Cakkavatti Sihanada Sutta ( Digha Nikaya 26 of the Sutta Pitaka of the Pāli Canon ), the story of humanity's decline from a golden age in the past.

In Buddhism, in the Kevattha Sutta ( Digha Nikaya 11 ), the term " ancient of days " is referred to the creator God Brahma,

Although the Buddha was not represented in human form until around the 1st century AD ( see Buddhist art ), the Physical characteristics of the Buddha are described in one of the central texts of the traditional Pali canon, the Digha Nikaya, in the discourse titled " Sutra of the Marks " ( Pali: Lakkhana Sutta ) ( D. iii. 142ff.

The Anapanasati Sutta specifically concerns mindfulness of inhalation and exhalation, as a part of paying attention to one's body in quietude, and recommends the practice of ānāpānasati meditation as a means of cultivating the seven factors of awakening: sati ( mindfulness ), dhamma vicaya ( analysis ), viriya ( persistence ), which leads to pīti ( rapture ), then to passaddhi ( serenity ), which in turn leads to samadhi ( concentration ) and then to upekkhā ( equanimity ).

In the Mahāparinibbāna Sutta ( 1. 33-34 ), Shakyamuni Buddha relates a profound teaching story on ' vehicles ' of conveyance utilizing the sacred river Ganges, all of which may be engaged as a metaphor for " yana " and a gradual or direct path:

Especially the Tathagatagarbha Sutra, the Shrīmālādevi-simhanāda Sūtra ( Srimala Sutra ), the Angulimaliya Sutra, the Anunatva-Apurnatva-Nirdesa Sutra, and the Mahayana Mahaparinirvana Sutra ( which differs in character from the Pali Mahaparinibbana Sutta ).

The Khaggavisānasutta ( Rhinoceros Sutra ), also in the Sutta Nipāta, similarly seems to reveal an earlier mode of Buddhist monasticism, which emphasized individual wandering monastics, more in keeping with the Indian sannyāsin tradition.

Similarly, in the Sagārava Sutta ( SN 46. 55 ), the Buddha compares sensual desire with looking for a clear reflection in water mixed with lac, tumeric and dyes ; ill will with boiling water ; sloth-and-torpor with water covered with plants and algae ; restlessness-and-worry with wind-churned water ; and, doubt with water that is " turbid, unsettled, muddy, placed in the dark.

In the Satipatthana Sutta, sati and sampajañña are combined with atappa ( Pali ; Sanskrit: ātapaḥ ), or " ardency ," and the three together comprise yoniso manisikara ( Pali ; Sanskrit:

*" Mahaparinibbana-sutta and Cullavagga ," article by Louis Finot, published in the " Indian Historical Quarterly " ( 8: 2, 1932 June 1, pp. 241-46 ), concerning the Mahaparinibbana Sutta and a related text.

Sunday, March 27: Main Stage: The Chemical Brothers ( live ), David Guetta, Erick Morillo ( live ), Jessica Sutta, will. i. am, Laidback Luke, Wolfgang Gartner, Gui Boratto.

The Kālāma Sutta ( also known as the Kālām Sutta ; ; Kalama thoke ;, Kalama Sut, or Kesamutti Sutta ; Pāli: Kesamuttisuttaṃ ; Kethamotti thoke ), is a discourse of the Buddha contained in the Aṅguttara Nikaya of the Tipiṭaka.

Citing the Devadaha Sutta (' Majjhima Nikaya 101 ), Hayes remarks that " while the reader is left to conclude that it is attachment rather than God, actions in past lives, fate, type of birth or efforts in this life that is responsible for our experiences of sorrow, no systematic argument is given in an attempt to disprove the existence of God.

He acted opposite top heroines like Padmini, Nutan, Meena Kumari, Vyjayantimala, and Nargis in films like Bindya ( 1960 ) Seema ( 1955 ), Sone Ki Chidiya ( 1958 ), Sutta Bazaar ( 1959 ), Bhabhi Ki Chudiyaan ( 1961 ), Kathputli ( 1957 ), Lajwanti ( 1958 ) & Ghar Sansaar ( 1958 ).

He is the subject of a special panegyric delivered by the Buddha just before the Buddha's Parinibbana ( the Mahaparinibbana Sutta ( DN 16 )); it is a panegyric for a man who is kindly, unselfish, popular, and thoughtful toward others.

At the First Buddhist Council, convened shortly after the Buddha died, Ananda was called upon to recite many of the discourses that later became the Sutta Pitaka of the Pāli Canon.

Texts like the Cula-Malunkyovada Sutta and Anuradha Sutta, show Buddha as insisting that the truths about dukkha and the way to end dukkha are the only ones he is teaching as far as attaining the ultimate goal of nirvana is concerned.

In the Brahmajala Sutta, the Buddha is recorded as stating that the teachings of other sects of his day were based on one or more of 62 erroneous theories, and that falling into those errors would prevent attaining permanent liberation from suffering:

* Sutta ( Pali ; Sanskrit: sūtra ) refers to a " discourse " in the Pali canon attributed to the Buddha or one of his disciples.

The Buddha said ( in DN1-the Brahmajala Sutta or The Net of Views ) that their view of being the creator of the world is a misconception, and that these Brahma-gods actually have a cause which lead their origination ( taking birth as a Brahma-god ).

In the Vanapattha Sutta ( Majjhima, chapter 17 ) the Buddha describes life in the jungle, and the attainment of awakening.

In the Maha Samaya Sutta, the defeated antagonist of the Buddha, Mara also known as " Namuci " or the " Dark One " is described as an Asura whose army consisted of " Sensual passions, Discontent, Hunger and Thirst, Craving, Sloth and Drowsiness, Terror, Uncertainty, Hypocrisy and Stubbornness, Gains, Offerings, Fame and Status wrongly gained, and whoever would praise self and disparage others " ( Sn 3. 2 Padhana Sutta ).

The Alavaka Sutta ( SN 10. 12 ) of the Pali Canon details a story where the Buddha was harassed by a Rakshasa, who asked him to leave and then come back over and over.

Similarly, in the Anuradha Sutta ( SN 44. 2 ) Buddha is described as

In the Vakkali Sutta ( SN 22. 87 ) Buddha identifies himself with the Dhamma:

Within Theravada Buddhism emerges the view that the Buddha was human, endowed with the greatest psychic powers ( Kevatta Sutta ).

In the Sutta Nipata, the Buddha is recorded as having said the following about selling luck:

In the Sutta Nipáta ( vs. 683 ) it is stated that the Buddha was born in a village of the Sákyans in the Lumbineyya Janapada.

The Buddha stayed in Lumbinívana during his visit to Devadaha and there preached the Devadaha Sutta.

In the Pali Canon of Theravada Buddhism, the expression Middle Way is used by the Buddha in his first discourse ( the Dhammacakkappavattana Sutta ) to describe the Noble Eightfold Path as a path between the extremes of austerities and sensual indulgence.

The term Middle Way was used in the Dhammacakkappavattana Sutta, the first teaching that the Buddha delivered after his awakening.

According to the scriptural account, when the Buddha delivered the Dhammacakkappavattana Sutta, he was addressing five ascetics with whom he had previously practiced severe austerities.

VI. 63 Nibbedhika Sutta ) the Buddha said “ Intention, monks, is kamma I say.

In the Mahaparinibbana Sutta the Buddha, as part of his last teaching, tells the bhikkhus that they can abandon some minor rules, but that they should stick to the major ones, but there appears to have been some confusion over which was which.

In the Mahaparinibbana Sutta ( DN 16 ) the Buddha is quoted as saying: