In 1838 Delacroix exhibited Medea about to Kill Her Children, which created a sensation at the Salon.

Wiertz submitted the work for the Paris Salon of 1838, but it arrived too late and was refused.

In 1864, she exhibited for the first time in the highly esteemed Salon de Paris.

When her friend Margaret Bush-Brown insisted that Les Derniers was good enough to be exhibited at the famed Paris Salon, Beaux relented and sent the painting abroad in the care of her friend, who managed to get the painting into the exhibition.

Beginning in 1737 Chardin exhibited regularly at the Salon.

At the Salon of 1759 he exhibited nine paintings ; it was the first Salon to be commented upon by Denis Diderot, who would prove to be a great admirer and public champion of Chardin's work.

Historian Isabelle Dervaux has described the reception this painting received when it was first exhibited at the official Paris Salon of 1874: " Visitors and critics found its subject baffling, its composition incoherent, and its execution sketchy.

Gris exhibited with the painters of the Puteaux Group in the Salon de la Section d ' Or in 1912.

In the Salon of that year, he exhibited Shepherdess Sitting at the Edge of the Forest, a very small oil which marked a turning away from previous idealized pastoral subjects, in favor of a more realistic and personal approach.

At that year's Salon, he exhibited Haymakers and The Sower, his first major masterpiece and the earliest of the iconic trio of paintings that would include The Gleaners and The Angelus.

Despite mixed reviews of the paintings he exhibited at the Salon, Millet's reputation and success grew through the 1860s.

In 1914 Malevich exhibited his works in the Salon des Indépendants in Paris together with Alexander Archipenko, Sonia Delaunay, Aleksandra Ekster and Vadim Meller, among others.

His showdowns with the establishment culminated in 1794, when his allegorical painting " Jupiter Weighs the Fate of Mankind " ( Jupiter vejer menneskenes skæbne ) was exhibited at the Salon.

The first organized group exhibition by Cubists took place at the Salon des Indépendants in Paris during the spring of 1911 in a room called ‘ Salle 41 ’; it included works by Jean Metzinger, Albert Gleizes, Fernand Léger, Robert Delaunay and Henri Le Fauconnier, yet no works by Picasso and Braque were exhibited.

But " this view of Cubism is associated with a distinctly restrictive definition of which artists are properly to be called Cubists ," writes the art historian Christopher Green: " Marginalizing the contribution of the artists who exhibited at the Salon des Indépendants in 1911 [...]"

" At the 1910 Salon d ' Automne, a few months later, Metzinger exhibited his highly fractured Nu à la cheminée ( Nude ), which was subsequently reproduced in Les Peintres Cubistes by Apollinaire ( 1913 ).

At the Salon d ' Automne of the same year, in addition to the Indépendants group of Salle 41, were exhibited works by André Lhote, Marcel Duchamp, Jacques Villon, Roger de La Fresnaye, André Dunoyer de Segonzac and František Kupka.

Juan Gris, a new addition to the Salon scene, exhibited his Portrait of Picasso ( Art Institute of Chicago ), while Metzinger's two showings included La Femme au Cheval ( The Rider, Woman with a horse ) 1911-1912 ( Statens Museum for Kunst, National Gallery of Denmark ).

This technique of representing simultaneity, multiple viewpoints ( or relative motion ) is pushed to a high degree of complexity in Gleizes ' monumental Le Dépiquage des Moissons ( Harvest Threshing ), exhibited at the 1912 Salon de la Section d ' Or, Le Fauconnier ’ s Abundance shown at the Indépendants of 1911, and Delaunay's City of Paris, shown at the Indépendants in 1912.

< div align =" center "> Portrait of Marie-Jeanne Buzeau ( 1716-1796 ) by Alexander Roslin ( exhibited at the: en: Salon ( Paris ) | Salon of 1761 ).< BR /> Munich, Nymphenburg Palace </ div > In 1733 François Boucher married her and had three children.

The Vow of Louis XIII, exhibited at the Salon of 1824, finally brought Ingres critical success.

After only six months ' work he completed his first picture, which was exhibited at the Paris Salon of 1890.

In 1907 he exhibited at the Salon des Indépendants and the Salon d ' Automne.

In 1905, Matisse and a group of artists now known as " Fauves " exhibited together in a room at the Salon d ' Automne.

The phallic shape of the piece scandalized the Salon, and despite Brâncuși's explanation that it was an anonymous portrait, removed it from the exhibition.

After his first painting, a portrait, was accepted at the Salon of 1840, Millet returned to Cherbourg to begin a career as a portrait painter.

The queen attempted to fight back with her own propaganda that portrayed her as a caring mother, most notably with the portrait of her and her children done by Élisabeth Vigée-Lebrun, which premiered at the Royal Académie Salon de Paris in August 1787.

A Gallery leads to the Petit Salon hung with five Flemish tapestries and a portrait attributed to Maurice-Quentin de La Tour.

The portrait was refused for exhibition at the conservative Royal Academy, but in 1863 it was accepted at the Salon des Refusés in Paris, an event sponsored by Emperor Napoleon III for the exhibition of works rejected from the Salon.

Sargent enjoyed international acclaim as a portrait painter, though not without controversy and some critical reservation ; an early submission to the Paris Salon, his " Portrait of Madame X ", was intended to consolidate his position as a society painter, but it resulted in scandal instead.

Sargent's first major portrait was of his friend Fanny Watts in 1877, and was also his first Salon admission.

Its showing at the Paris Salon was both a tribute to his teacher and an advertisement for portrait commissions.

Pradier's importance as an artist in his day is demonstrated by the fact that his portrait is included in François Joseph Heim's painting Charles X Distributing Prizes to Artists as the Salon of 1824, now in the Louvre Museum, Paris.

Corot exhibited one portrait and several landscapes at the Salon in 1831 and 1833.

self portrait etching by Alphonse LegrosHe sent two portraits to the Paris Salon of 1857: one was rejected, and formed part of the exhibition of protest organized by Bonvin in his studio ; the other, which was accepted, was a profile portrait of his father.

In 1868 he had sent to the Salon a life-size portrait of a lady in which he had made one of the first attempts to render the actual character of fashionable modern life.

Exhibited at the 1906 Salon d ' Autome ( Paris ) along with a portrait of Delaunay by Jean Metzinger

In his Vie Anecdotique of 16 October 1911, the poet proudly states: " I am honoured to be the first model of a Cubist painter, Jean Metzinger, for a portrait exhibited in 1910 at the Salon des Indépendants.

Depew was painted by a number of artists, including George Burroughs Torrey, but most frequently by the Swiss-born American artist Adolfo Müller-Ury who first painted Depew in 1889-90, the three-quarter length portrait of Depew seated on a bale of furs which was exhibited at the Paris Salon in 1890, and is now in the Yale Club of New York City.

For Sargent, the scandal resulting from the painting's controversial reception at the Paris Salon of 1884 amounted to the failure of a strategy to build a long-term career as a portrait painter in France.

" Sargent was also impressed, and anticipated that a portrait of Gautreau would garner much attention at the upcoming Paris Salon, and increase interest in portrait commissions.

To the great Exhibition of 1878 he contributed sixteen pictures: the portrait of Alexandre Dumas, fils which had been seen at the Salon of 1877, Cuirassiers of 1805, A Venetian Painter, Moreau and his Staff before Hohenlinden, a Portrait of a Lady, the Road to La Salice, The Two Friends, The Outpost of the Grand Guard, A Scout, and Dictating his Memoirs.

By late 1828 he was in Paris, where his portraits of English society members ( some exhibited at the Salon in 1831 ) were stylistically akin to the work of recent French portrait painters such as François Gérard.

Manet is said to have begun a portrait of her at once which was completed on 12 March 1870 and exhibited at Salon in that year.