The only contemporaneous mention of Hippocrates is in Plato's dialogue Protagoras, where Plato describes Hippocrates as " Hippocrates of Kos, the Asclepiad.

In the dialogue Protagoras, Protagoras asserts that the gods created humans and all the other animals, but it was left to Prometheus and his brother Epimetheus to give defining attributes to each.

These texts depict the sophists in an unflattering light, and it is unclear how accurate or fair Plato's representation of them may be ; however, Protagoras and Prodicus are portrayed in a largely positive light in Protagoras ( dialogue ).

Plato, in The Republic, numbered Simonides with Bias and Pittacus among the wise and blessed, even putting into the mouth of Socrates the words " it is not easy to disbelieve Simonides, for he is a wise man and divinely inspired ," but in his dialogue Protagoras, Plato numbered Simonides with Homer and Hesiod as precursors of the sophist.

542 ), quoted in Plato's dialogue, the Protagoras, and reconstructed here according to a recent interpretation, making it the only lyric poem of Simonides that survives intact:

* Protagoras ( dialogue )

In Plato's Protagoras ( dialogue ), Prodicus labelled the Aeolic dialect of Pittacus of Mytilene as barbarian ( barbaros ), because of its difference from the Attic literary style:

Protagoras () is a dialogue by Plato.

Protagoras answers the second but avoids engaging in dialogue and digresses into a rhetoric which does not answer the question sufficiently but still manages to arouse the excitement of their young public.

Menos theme is also dealt with in the dialogue Protagoras, where Plato ultimately has Socrates arrive at the opposite conclusion, that virtue can be taught.

In Protagoras ( dialogue )

# redirect Protagoras ( dialogue )

Uncle of Plato, Charmides appears in the Platonic dialogue bearing his name ( Charmides ), the Protagoras, and the Symposium, as well as in Xenophon's Symposium, Memorabilia, and Hellenica.

However, Socrates, in Plato's dialogue Protagoras, noting Spartans ' ability to seemingly effortlessly throw off pithy comments, appears to reject the idea that Spartans ' economy with words was simply a consequence of poor literary education: "... they conceal their wisdom, and pretend to be blockheads, so that they may seem to be superior only because of their prowess in battle ...

The usual meaning of gnostikos in Classical Greek texts is " learned " or " intellectual ", such as used in the comparison of " practical " ( praktikos ) and " intellectual " ( gnostikos ) in Plato's dialogue between Young Socrates and the Foreigner in his The Statesman ( 258e ).

In his dialogue Republic, Plato uses Socrates to argue for justice that covers both the just person and the just City State.

In Plato's dialogue Euthydemus, Socrates describes the labyrinthine line of a logical argument:

Larissa was indeed the birthplace of Meno, who thus became, along with Xenophon and a few others, one of the generals leading several thousands Greeks from various places, in the ill-fated expedition of 401 ( retold in Xenophon's Anabasis ) meant to help Cyrus the Younger, son of Darius II, king of Persia, overthrow his elder brother Artaxerxes II and take over the throne of Persia ( Meno is featured in Plato's dialogue bearing his name, in which Socrates uses the example of " the way to Larissa " to help explain Meno the difference between true opinion and science ( Meno, 97a – c ) ; this " way to Larissa " might well be on the part of Socrates an attempt to call to Meno's mind a " way home ", understood as the way toward one's true and " eternal " home reached only at death, that each man is supposed to seek in his life ).

Plato, in his dialogue The Republic Book 6 ( 509D – 513E ), has Socrates explain through the literary device of a divided line his fundamental metaphysical ideas as four separate but logically connected models of the world.

Western humour theory begins with Plato, who attributed to Socrates ( as a semihistorical dialogue character ) in the Philebus ( p. 49b ) the view that the essence of the ridiculous is an ignorance in the weak, who are thus unable to retaliate when ridiculed.

His attitude towards the Sophists was by no means oppositional ; in one dialogue Socrates even stated that the Sophists were better educators than he was, which he validated by sending one of his students to study under a sophist.

The Parmenides shows Parmenides using the Socratic method to point out the flaws in the Platonic theory of the Forms, as presented by Socrates ; it is not the only dialogue in which theories normally expounded by Plato / Socrates are broken down through dialectic.

* Plato's dialogue Euthyphro, in which Socrates seeks a definition of piety.

The framing of the dialogue begins when Euclides tells his friend Terpsion that he had written a book many years ago based on what Socrates had told him of a conversation he'd had with Theaetetus when Theaetetus was quite a young man.

In this dialogue, Socrates and Theaetetus discuss three definitions of knowledge: knowledge as nothing but perception, knowledge as true judgment, and, finally, knowledge as a true judgment with an account.

Perhaps the most delightful talk in the dialogue comes near the end, when Socrates compares the human mind to a birdcage.

Socrates concludes the dialogue by announcing that all the two have produced is mere " wind-eggs " and that he must be getting on now to the courthouse to face his trial being brought against him by Meletus.

In this dialogue, Socrates refers to Epicharmus of Kos as " the prince of Comedy " and Homer as " the prince of Tragedy ", and both as " great masters of either kind of poetry ".

In the ensuing dialogue Dionysodorus denies the existence of " contradiction ", all the while that Socrates is contradicting him:

* Cephalus, son of Lysanias from Syracuse ( 5th c. BC ), a wealthy metic and elderly arms manufacturer living in Athens who engages in dialogue with Socrates in Plato's Republic.

* Apollodorus of Phaleron, follower of Socrates and narrator of the dialogue described by Plato in his Symposium

* Lycon, a prosecutor in the trial of Socrates mentioned in Plato's dialogue, the Apology

It is written as a dialogue narrated by Plato's friend Socrates and Plato's brother Glaucon at the beginning of Book VII ( 514a – 520a ).

In Plato's fictional dialogue, Socrates begins by describing a scenario in which what people take to be real would in fact be an illusion.

In her discussion of thinking, she focuses mainly on Socrates and his notion of thinking as a solitary dialogue between Me and Myself.

The Aristophanic Socrates is much more interested in physical speculations than is Plato's Socrates yet it is possible that the real Socrates did take a strong interest in such speculations during his development as a philosopher and there is some support for this in Plato's dialogue Phaedo 96A.

He began the dialogue by having his wife announce that one does not invade people's homes without warning them that one is coming, and went on from that with the entire catalogue of his social gaucheries.

The dialogue is sharp, witty and candid -- typical `` don't eat the daisies '' material -- which has stamped the author throughout her books and plays, and it was obvious that the Theatre-by-the-Sea audience liked it.

The purpose of the composition is to allow complex dialogue scenes to be played out without changes in camera position.

* International Jazz Day, organized by UNESCO, first observed in 2012, " is intended to raise awareness in the international community of the virtues of jazz as an educational tool, and a force for peace, unity, dialogue and enhanced cooperation among people.

The first part of Snorri Sturluson's Skáldskaparmál is a dialogue between Ægir and Bragi about the nature of poetry, particularly skaldic poetry.

Michael Giltz of Entertainment Weekly gave the book a " C -", feeling that " only hardcore fans will be satisfied by this tale " and saying that Jeter's " habit of echoing dialogue and scenes from the film is annoying and begs comparisons he would do well to avoid.

The " shock ending " finale is effective even while it upholds horror-film convention, its suspense sequences are buttressed by teen comedy tropes, and its use of split-screen, split-diopter and slow motion shots tell the story visually rather than through dialogue.

It is common to see films that feature dialogue with English words ( also known as Hinglish ), phrases, or even whole sentences.

( A fourth, Elihu the Buzite ( Heb: Alieua ben Barakal the Buzite ), begins talking in Chapter 32 and plays a significant role in the dialogue, but his arrival is not described ).

Job 3: 1-42: 6 is poetry that consists of a cycle of speeches between Job, Eliphaz, Bildad, Zophar and later Elihu, and then the dialogue between Yahweh and Job.

It is classified as a Menippean satire, a fusion of allegorical tale, platonic dialogue, and lyrical poetry.

However, the plot is generally less important than its witty dialogue.

Another logician, Gongsun Long, told the famous When a White Horse is Not a Horse dialogue.

In the Timaeus, Plato's major cosmological dialogue, the Platonic solid he associated with fire was the tetrahedron which is formed from four triangles and contains the least volume with the greatest surface area.

In the Timaeus, his major cosmological dialogue, the Platonic solid associated with air is the octahedron which is formed from eight equilateral triangles.

In the Timaeus, his major cosmological dialogue, the Platonic solid associated with water is the icosahedron which is formed from twenty equilateral triangles.

Guest and Levy write backgrounds for each of the characters and notecards for each specific scene, outlining the plot, and then leave it up to the actors to improvise the dialogue, which is supposed to result in a much more natural conversation than scripted dialogue would.

Rhyming slang is used, then described and a number of examples suggested as part of dialogue in one scene of the 1967 film To Sir With Love starring Sidney Poitier.

Her other major work is The Dialogue of Divine Providence, a dialogue between a soul who " rises up " to God and God himself, and recorded between 1377 and 1378 by members of her circle.

She enters into a dialogue, a movement between question and answer, with these allegorical figures that is from a completely female perspective.

In one dialogue, Rabelais speaks of coprophagia as a Christian gesture, saying that monks swallow the shit of the world, that is the sins, and for this they are ostracized by society.

HyperScope is perceived as the first step of a process designed to engage a wider community in a dialogue, on development of collaborative software and services, based on Engelbart's goals and research.