A relative newcomer in outdoor signs is Mylar polyester film, now used as a printed overlay for trans-illuminated signs ( see below ).

The copy itself, including any text or illustrations, is reproduced in full color directly on a thin Mylar polyester film by a photo screen process.

For example, when the film is only four minutes old, Neitzbohr refers to a small, Victorian piano stool as `` Wilhelmina '', and we are thereupon subjected to a flashback that informs us that this very piano stool was once used by an epileptic governess whose name, of course, was Doris ( the English equivalent, when passed through middle-Gaelic derivations, of Wilhelmina ).

The effect, needless to say, is almost terrifying, and though at times a bit obscure, the film is certainly a much-needed catharsis for the `` repressed '' movie-goer.

Since the removal force is a function of coating thickness, a differential transformer pickup has been incorporated into the instrument to accurately measure film thickness.

If the force required to remove the coatings is plotted against film thickness, a graph as illustrated schematically in Fig. 5 may characteristically result.

Here, H is the coatings removal force measured parallel to the surface of the substrate and T is the film thickness.

If the cutting force, Af, is plotted against film thickness, a straight line should result passing through the origin and having slope Af.

This signifies that **yc, the rake angle, is no longer a constant to zero film thickness.

The resultant friction force, Af is thus directly proportional to Af and consequently also to film thickness.

The first two forces are directly interrelated and depend upon film thickness, whereas Af is independent of these two and is a constant for a given knife/coating combination.

Of the two, Porter is justly the better known, for he went far beyond the vital finding of fiction for films to take the first step toward fashioning a language of film, toward making the motion picture the intricate, efficient time machine that it has remained since, even in the most inept hands.

In a series of fairy tales and fantasies, Melies demonstrated that the film is superbly equipped to tell a straightforward story, with beginning, middle and end, complications, resolutions, climaxes, and conclusions.

In narrative, time is essential, as it is in film.

Almost everything about the movies that is peculiarly of the movies derives from a tension created and maintained between narrative time and film time.

The Great Train Robbery is a one-reel film.

The material of the Porter film is simplicity itself ; ;

The plane of the action in the scene is not parallel with the plane of the film in the camera or on the screen.

The physical film is cut with a knife at the end of one complete sequence, and the cut edge is joined physically, by cement, to the cut edge of the beginning of the next sequence.

The `` chase '' as a standard film device probably dates from The Great Train Robbery, and there is a reason for the continued popularity of the device.

The film was a commercial success, but was highly controversial owing to its portrayal of African American men ( played by white actors in blackface ) as unintelligent and sexually aggressive towards white women, and the portrayal of the Ku Klux Klan ( whose original founding is dramatized ) as a heroic force.

Despite all this, the film is also one of the most widely seen Godzilla films in the United States — it was popular in its initial theatrical release, largely due to an aggressive marketing campaign, including elaborate posters of the two title monsters battling atop New York City's World Trade Center towers, presumably to capitalize on the hype surrounding the Dino De Laurentiis remake of King Kong, which used a similar image for its own poster.

The British film 28 Days Later ( 2002 ) featured an update on the genre with The Return of the Living Dead ( 1985 ) style of aggressive zombie.

Elliott Baker's 1964 novel and 1966 film version, A Fine Madness, portrays the dehumanizing lobotomy of a womanizing, quarrelsome poet who in the end is just as aggressive as ever.

He also appeared in The Big Knife as an overly aggressive film studio boss who berates film star Jack Palance ; as Al Capone in Al Capone ( 1959 ); as Mr. Joyboy in The Loved One ; as the serial killer in No Way to Treat a Lady ; and as a repressed gay NCO in The Sergeant ( 1968 ); as Rabbi Saunders in The Chosen ( 1981 ).

The film contrasts each man's personality, home environment, and training style: Schwarzenegger is extroverted, aggressive, and works out with other bodybuilders at Gold's Gym and Muscle Beach, whereas the quiet, reserved Ferrigno-who went partially deaf after a childhood ear infection-trains with his father in a dimly lit, private basement gym.

The film was shot in an aggressive, highly kinetic style, with sweeping crane shots, fast dolly moves, and jump cuts.

The film was based on the true story of an abusive husband who drives his wife to drastic measures with his aggressive ways.

It was soon apparent to the filmmakers that the aggressive shooting schedule developed by the inexperienced Rossellini and Guccione was unrealistic for a film of such scope.

This may be due to a number of factors, including fear stigma against certain breed types, attraction to ads and the fact that black dogs often do not photograph as well as lighter coated ones, and the fact that black dogs are often portrayed as aggressive in film and on television.

The original story, called Ten Soldiers, was more akin to Lord of the Flies, the classic novel about the aggressive nature of man, than to the action film it eventually became.

", to which the protagonist will react in an annoyed or aggressive manner, ( e. g. ' oh sod off, fatty ' in the period drama, and being shot by Schwarzenegger in the action film ).

Many of his movies, like the short film Down to the Cellar, are made from a child's perspective, while at the same time often having a truly disturbing and even aggressive nature.

" When DDLJ toured the United States in 2004 as part of the Cinema India showcase, " The Changing Face of Indian Cinema ", Charles Taylor reviewed the film for Salon. com and said: " It's a flawed, contradictory movie — aggressive and tender, stiff and graceful, clichéd and fresh, sophisticated and naive, traditional and modern.

He is always confrontational and aggressive, frequently picking fights with his staff and guests while on-air, and his efforts to resolve problems ( such as airing the BBC's emergency all-purpose propaganda film ) frequently make bad situations even worse.

Rotten Tomatoes gave the film a rating of 88 % " Fresh " and a consensus that states " Extraordinarily daring for a Hollywood film, Altered States attacks the viewer with its inventive, aggressive mix of muddled sound effects and visual pyrotechnics.

His aggressive driving style and outspoken demeanor earned him the nickname " Jaws ", a reference to the 1975 film about a killer shark.

Social learning theory ( e. g., Bandura, 1986 ) suggests that playing aggressive videogames would stimulate aggressive behavior in players in particular because the player is an active participant ( as opposed to a passive observer as the case of aggression in film and television ).

* The film also plays at reversing gender roles with the male characters — Simon, Rory, Malcolm — needing emotional connection in their sexual relationships, while the female characters experiment sexually and are sexually aggressive, with Chance possessing something of a " get some, get gone " attitude.

The sheep in the film was to have played a larger role as a running gag, being surprisingly aggressive and chasing " The Boys " at various points throughout.

One of the most memorable scenes of the film involved Beatty's weak-willed, flaccid character being ordered to strip at gunpoint, humiliated for being overweight and sodomized by the smaller but stronger and more aggressive mountain man.