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Its Baroque-Roccoco interior houses some notable canvasses by artists such as Giovanni Lanfranco, Stefano Marucelli and Vincenzo Meucci.
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Its and interior
Its sources include building exterior and interior lighting, advertising, commercial properties, offices, factories, streetlights, and illuminated sporting venues.
Its terrain is mostly low, flat to rolling plain, with mountains in the south-central interior.
Its non-uniformities reveal the unpredictable components of Earth rotation, due to atmospheric weather, plate tectonics, and currents in the interior of the Earth.
Its interior is energized by ultraviolet ( UV ) light and stellar winds from hot stars in the Orion OB1 association.
Its behaviour on a table, or with various modes of suspension or support, serves to illustrate the curious reversal of the ordinary laws of static equilibrium due to the gyrostatic behaviour of the interior invisible flywheel when rotated rapidly.
Its interior can be divided in supraglottis, glottis and subglottis.
Its interior was extensively renovated by Maltese architect Richard England alongside Michael Ellul.
Its purpose is to cushion occupants during a crash and provide protection to their bodies when they strike interior objects such as the steering wheel or a window.
Its body design was altered from the 44 by a new front which accommodated the longer engine and radiator, bigger taillights, and a more plush interior.
Its interior is decorated with a number of reliefs detailing events during his reign as well as a number of inscriptions.
Its interior held the cameras and the photographic film processing system, radio transmitter, storage batteries, gyroscopic units, and circulating fans for temperature control.
Its eastern boundary was the Atlantic Ocean, but the western boundary in the South Jersey interior was not fixed until 1761.
Its interior contains hand-carved woodwork on the altar, pulpit and altar rail.
Its interior features decorations of sea waves and shells.
Its interior pedestrian concourse was roofed over about 1957, making it the first indoor, climate-controlled shopping mall in Central New York.
Its interior was designed to be extremely user-friendly, with all of its controls designed to be recognizable by touch, allowing drivers to operate them without taking their eyes off the road.
Its interior was declared a New York City landmark in 1978.
Its interior is not open to the general public, although the exterior of La Ruche alone is worth a visit.
Its interior was declared a city landmark in 1978.
Its French gardens and pond are a haven of calm, while the interior of the castle harbours a permanent exhibit of ancient furniture and a small pharmacy museum.
Its facade is made of the green cantera stone commonly found in Oaxaca's buildings, and the interior is in Neoclassical style.
Its atrium serves as a cemetery and its interior has a mural depicting the baptism of the four indigenous lords of Tlaxcala in the 16th century.
Its interior, divided in a total of six rooms arranged in galleries whose proportions will allow visitors to make an interactive tour that will switch themes of the art museum with samples of science and technology.
Its interior was painted by the local Baroque painter Anton Čebej.
Its and houses
Its Provisions Library houses special collections focusing on social change and the arts.
Its lobby also houses a large Foucault pendulum.
Its 26-storey, 103-metre-high " Bahn Tower " is so named because it houses the corporate headquarters of Deutsche Bahn AG, the German state railway system.
Its secretariat was in the building that houses the Congregation for the Doctrine of the Faith.
Its principles challenge old assumptions in urban planning, such as the value of detached houses and automobile use.
Its population shrank from some 2, 000 before the war, to 395 in 1660, with only 37 houses still standing.
Its has many older wooden and brick houses and several canals.
Its name was previously La Hetherewe ( about year 1410, first known mention ), Hithero, Hetherow, Hetherowfeyld, Hitherowe, and Heath Row, and came from the Middle English spelling of " heath row " (" row of houses on or by a heath ").
Its later development as a passenger line led to the redevelopment in the 1880s of the medieval core of the village on Homerton High Street with Victorian dwellings and public houses, and speculative building on the lands either side of Homerton High Street.
Its population was very small, the village being no more than a few isolated houses in the mid 17th century.
Its small population live in houses scattered through a number of blocks of rustic streets interspersed with fields and agricultural buildings.
Its middle school, Paul Hadley Middle School, named after the designer of the Indiana State Flag, houses grades 7 and 8.
Its riverside location has made it subject to flooding, including a devastating incident on April 4, 1977, in which a floodwall built in 1952was overwhelmed and 200 houses were destroyed or damaged.
Its large houses on generous lots attracted wealthy families from Newark and New York City during the decades from 1870 to 1900.
Its ante-chapel houses a stained-glass window depicting William Tyndale, made in 1911 for the British and Foreign Bible Society, and installed at Hertford in 1994.
Its chief buildings consist of adjacent houses in St Giles.
Its powers are similar to those of lower houses under many other bicameral parliamentary systems and it is by far the dominant branch of the Oireachtas.
Its production was expedited by having several animation houses working simultaneously on different segments, including CinéGroupe and Atkinson Film-Arts.
Its original building in midtown Haifa, in use by the Technion until the mid-1980s, now houses the Israel National Museum of Science, Technology and Space.
Its wealth was tapped by Archbishop Melton of York to make good his own losses in 1319, and in 1320 it had to take in refugees from other monastic houses that had been forced to disperse to escape the raiders.
Its massive Roman walls still survive, and excavations have revealed a forum, a temple, baths, amphitheatre, shops, and many comfortable houses with mosaic floors, etc.
Its inhabitants lived in nuclear family houses as well as larger compounds, a pattern that suggests weaker government but stronger nongovernmental organizations.
Its main tower houses a 50-bell carillon.
Its many performances in all other of the world's major opera houses give it a claim to being the most successful opera of the 19th century.
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