Its common name is derived from Tupi ka ' apiûara, a complex agglutination of kaá ( leaf ) + píi ( slender ) + ú ( eat ) + ara ( a suffix for agent nouns ), meaning " one who eats slender leafs ", or " grass-eater ".

Its overall appearance is more slender and graceful looking than that of a grey wolf.

Its trunk is usually columnar, with a long, branch-free bole forming a compact, rather than open, conical crown of slender branches.

Its leaves are 40 – 60 cm long, the fruits are oval, the shell has very tall, very slender ridges, and the kernel is especially high in fat.

Its long slender body and limbs give it a body length of and an added tail length of.

Its slender but compressed pages of imagery, symbolism and associative thought are evidence of Sir Thomas Browne's complete understanding of a fundamental quest of Hermetic philosophy, namely proof of the wisdom of God and advocation of intelligent design.

Its most visible characteristic feature is its conical head and slender nose ; other dolphins either have a shorter snout or a more visibly bulging melon on the forehead.

Its bill is short and slender.

Its bill is long, straight and slender.

Its long legs, small arms, and slender tail all suggest that it was a fast runner ; it would have resembled a large lizard walking bipedally.

Its circular peripteral portico, capped with a smaller peripteral tower, in turn capped with an anomalous slender cone, giving the appearance of a 20th century three-stage space rocket suggesting he may have envisaged the structure as a futurist vehicle for transporting all souls to heaven, is of an enriched Ionic order that substitutes winged cherub's heads for the usual rosettes on the abacus, possibly symbolically representing divine offspring of the Olympian god, Hermes / Roman god, Mercury, as the means of propulsion ; the prominent portico is attached to the reticent main church by the width of a single intercolumniation.

Its leaves do not subdivide into leaflets but are slender and tapered to a point, so that it is often overlooked and mistaken for a grass.

Its grey coat, white belly, and slender physique distinguish them from their cousin, the harbor seal ( Phoca vitulina ).

Its blossoms appear singly at the end of a slender stalk.

Its rhizomes are slender and scaly, and stems are simple or branched.

It has a length of and the female weighs and the male weighs Its bill is long and slender with a slight down-curve.

Its stipe is slender, but bulbous at the base, is coloured uniformly and bears no patterns.

Its slender, erect, grey-green columns can reach a height of 3 m ( 10 ft ), but are only about 6 cm ( 2. 5 in ) across.

Its illustrations by Stanley L. Wood have proved more significant, providing the first depictions of slender, super intelligent aliens with large, bald heads — the archetype of the famous Greys of modern science fiction.

Its slender, flat body is carved from kiri ( Paulownia tomentosa ) wood.

Its proportions are elongated on purpose to make its outline seem more slender, although this architectural solution made its interior too dark for holding divine services.

Its loins are more slender, its legs longer, feet narrower, and its tail is more thinly clothed with fur.

Its original appearance is shown in an engraving published in the `` Massachusetts Magazine '' in May 1793, which is reproduced herewith ( Fig. 1 ).

Its flexible design enabled it to play games which used display list manipulation to generate a pseudo 3D appearance such as Ballblazer ( 1987 ) and F-18 Hornet ( 1988 ).

Its appearance resembles that of gold.

Its seeming appearance and disappearance gave it its common name, which means " the amazing one ".

Its external appearance is evidenced only by paintings and written accounts from the 17th century.

Its feet turned inwards like a wombat ’ s, giving it a pigeon-toed appearance.

Its species name refers to its camel-like appearance and the patches of color on its fur.

Its appearance and habits are almost unknown today because no complete specimens can be found and no systematic contemporary studies were conducted.

Its first appearance dates to the early 1930s and it is sometimes credited to Geoffrey Mott-Smith.

Its last appearance in the Merovingian chancery is with a document of 692, though it was known in Gaul until the middle of the following century.

Its abilities and overall appearance varied greatly during the classic series.

Its appearance was cheered by the crowd.

Its success has led to the appearance of numerous rivals crudely copying the format Viz pioneered ; none of them has managed seriously to challenge its popularity.

Its appearance is subsequently recorded in the Bayeux Tapestry.

Its current appearance dates from this remodeling.

Its districts differ in their structure and appearance.

Its rare appearance is said to foreshadow a great event or bear testimony to the greatness of a ruler.

Its first appearance is on a Constantinian silver coin from c. 317, which proves that Constantine did use the sign at that time, though not very prominently.

Its appearance is similar to that of an upright piano ( four-or five-octave ) or of a large wooden music box ( three-octave ).

Its appearance in the new phase of Classicism brought with it new connotations of high-minded primitive simplicity, seriousness of purpose, noble sobriety, and, in the United States, republican virtues.

Its grassland appearance invites the unwary to walk on it, but even the most solid muskeg is spongy and waterlogged.

Its only known contemporary appearance is in the first name of the poet and translator Amasai Levin.

Its large round eyes, short snub nose, sweet facial expression, and small ears give it a highly neotenic appearance that some people may consider cute.

Its greyer tones, giving a cloudy appearance to the underside, and lack of the Nightingale's obvious red tail side patches are the clearest plumage differences from that species.