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Page "Worcester College, Oxford" ¶ 10
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Its and stained
Its most notable feature is its original and largely unchanged Norman church, St Mary the Virgin, which has a modern stained glass Nativity window designed by John Piper.
Its main aisle leads up to an altar, behind which a stained glass window of the Blessed Virgin Mary ( the Saint Mary of its name ) is visible.
Its histology was poorly differentiated adenocarcinoma with signet ring cells. Left above = Normal, right above = FICE, left low = acetate stained, right low = AIM stained
Its most notable building is the Church of England parish church of Saint John the Baptist, which is known for its merchants ' guild chapel, memorial to Henry VIII's barber-surgeon, Edmund Harman, featuring South American Indians and Kempe stained glass.
Its larger stained glass windows depict scenes and academic majors at St. Lawrence, and the smaller, head-height, windows depict historical figures who have influenced the university and world in some way, including Emily Dickinson and Gandhi.
Its west portal, the decoration of the spire of the tower, and its stained glass are among the features which make it one of the finest churches of the Rouen diocese.
Its stained glass windows and extensive mosaics are based on religious paintings the Stanfords admired in Europe.
Its stained glass windows show the castles of historical Hungary.
Its Romanesque architecture, as well as its fine ecclesiastical appointments such as stained glass windows and pipe organ, are attractive to prospective couples seeking nuptial rites.
Its stained glass windows have been recently restored.
Its pages are stained with wine, evidence that it was used at many Passover Seders.
Its most distinctive feature is the number of stained glass windows in relation to its size.
Its almost 1, 800 square meters of stained glass windows are one the main touristic attractions of the cathedral.
Its stained glass windows are one of the few remaining collections from the renowned D ' Ascenzo Studio.

Its and glass
Its facade, appearing to vanish in the sky, changed as it rose, from charcoal-colored granite to paler stone, then to aluminum and finally to glass that became increasingly reflective, all to enhance the illusion of dematerialization.
Its Alamo Plaza Restaurant is gone, its pool long since filled in, its original color scheme painted over, its front desk now behind bulletproof glass and its rooms infested with roaches, vermin and a clientele engaged in enough criminal activity that the property averages more than one call for service to police daily.
Its plan has a single nave divided into four sections, highlighting the retables of Juan Sánchez Cotán and the chancel's glass doors, adorned with mother-of-pearl, silver, precious woods and ivory.
Its original Golden Fleece ornament can be seen today in the Treasury of the Residenz Palace in Munich, a blue glass replica of the Wittelsbach in place of where the diamond was set.
Its " brain " consists of a series of glass tubes filled with ants, which form its processor, and a beehive in a back room, which comprises its hard drive.
Its striking buildings in glass and concrete by the Danish architect Arne Jacobsen marry modern materials with a traditional layout around a quadrangle.
Its novelty was its revolutionary modular, prefabricated design, and use of glass.
Its architectural identity was radically changed in 1989 by Ian Ritchie with the addition of three glass circulation towers.
Its glass transition temperature is much colder and harder to determine, but studies estimate it at about 165 K (− 108 ° C /− 162. 4 ° F ).
Its charred steel skeleton remains were demolished in 1975 and then rebuilt on a smaller scale, construction commenced in 1976, with a lot less glass area than the original and with a highly advanced fire extinguisher and alarm system, it re-opened in 1978.
Its glass and steel structure made " free use of fresh air and sunlight " according to local newspaper reports, whilst other modern features included a well-equipped gymnasium, automated central heating and synchronised clocks across the school, operated from the secretary's office.
Its most distinctive feature is a row of-long roof spans cantilevered from a row of central columns supporting a-long glass and aluminium canopy.
Its styling seemed stubby, and in a final unfortunate flourish, for the first time the Eldorado abandoned its " hardtop " heritage and featured framed door glass.
Its pipes may be viewed from the rear through glass panels in Longwood's organ museum.
Its output include machinery, motor vehicles, chemicals, textiles, glass, petroleum products, and cement.
Its spire does not reflect from the outside like the Chrysler Building or any others ; it shines from within and instead of stainless steel there is glass illuminated by floodlights, making it stand out from the many world skyscrapers.
Its canopy consists of white-painted, steel plate trusses and glass sheathing rather than concrete.
Its offices ( made out of glass bricks ) were on the lot of 20th Century Fox in Los Angeles, previously the home of Chris Carter's Ten Thirteen Productions.
Its signature glass façade doubles up as a giant media screen as well.

Its and windows
Its front was windowless, but irregularities in the masonry might be an indication that windows, now blinded, had once looked out upon the street.
Its windows glowed with lamplight.
Its most striking feature is the massive, square-planned bell tower with double orders of mullioned windows.
Its pointed arched windows and battlements marked it as America's first public building in the Gothic revival style.
Its maze-like design and tall and narrow windows become almost burlesque in the final black room, so oppressive that " there were few of the company bold enough to set foot within its precincts at all.
Its penchant for waiting by hotel windows for food is popular with tourists, but less so with hotel owners.
Its final design shows a mix of influences from the various Gothic architectural styles of the Middle Ages, identifiable in its pointed arches, flying buttresses, a variety of ceiling vaulting, stained-glass windows and carved decorations in stone, and by its three similar towers, two on the west front and one surmounting the crossing.
Its aim is simply to manage windows in the most flexible and attractive manner possible.
Its architecture is dominated by thick walls, and round-headed windows and arches, with much carved decoration.
Its windows could be closed with louvered shutters — the original " venetian blinds ".
Its Baroque facade of golden limestone is enlivened by windows set into blind arches that march across its front and busts in oval reserves, all under a richly-sculptured pediment that is pierced by an oval window.
Its sandstone structure contains thirty rooms and a number of stained-glass windows.
Its five-bay facade features sculptured masonry designs over the five high arched windows.
Its crossing tower with eight triangular head windows has a battlemented top of later date and there is a well known 14th century effigy of a knight in chainmail.
Its north aisle ( formerly a chapel dedicated to Stephen Harding ) is dedicated as the Musicians ' Chapel, with four windows commemorating John Ireland, the singer Dame Nellie Melba, Walter Carroll and the conductor Sir Henry Wood respectively.
Its tower is 27 meters tall, and its stained-glass windows are from New York City.
Its seven windows are used to conduct experiments, dockings and observations of Earth.
Its interior has three naves separated by 36 stained-glass windows, donated by families of Acre.
Its larger windows indicate its superior status compared to the rooms on the floor below
Its scheme of single and paired Corinthian pilasters alternating with arch-headed windows and recessed doorways echoes the articulation of the exterior, which is reached through the French doors on either side, to a plain terrace dropping by broad stairs to the lawn facing the ocean, or to a planted terrace garden with a central fountain.
Its maturity stems from its use as windows and in semiconductor industry.
Its notable decorative features include a painted ceiling with numerous coats of arms and other symbols, stained-glass side windows, and a small rose window in the east wall, above the altar.

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