After this essay was circulated in samizdat and then published outside the Soviet Union ( initially on July 6, 1968, in the Dutch newspaper Het Parool through intermediary of the Dutch academic and writer Karel van het Reve, followed by The New York Times ), Sakharov was banned from all military-related research and returned to FIAN to study fundamental theoretical physics.

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One of the first prominent countercult apologists was Jan Karel van Baalen ( 1890 – 1968 ), an ordained minister in the Christian Reformed Church in North America.

* Karel van de Woestijne, writer ( 1878 – 1929 )

Karel van het Reve ( 19 May 1921, Amsterdam – 4 March 1999, Amsterdam ) was a Dutch writer, translator and literary historian, teaching and writing on Russian literature.

In 1978 Karel van het Reve delivered the Huizinga Lecture, under the title: Literatuurwetenschap: het raadsel der onleesbaarheid ( Literary studies.

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* 1999 – Karel van het Reve, Dutch writer, translator and literary historian ( b. 1921 )

* May 19 – Karel van het Reve, Dutch writer ( died 1999 )

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In the early seventeenth century, the Dutch art historian Karel van Mander described Bosch ’ s work as comprising " wondrous and strange fantasies "; however, he concluded that the paintings are " often less pleasant than gruesome to look at.

Hals studied under another Flemish-émigré, Karel van Mander.

He worked on their large art collection that Karel van Mander had described in his book The Painting-Book ( Middle Dutch: Het Schilder-Boeck ), published in 1604.

He studied under the painter and historian Karel van Mander ( Hals owned some paintings by van Mander that were amongst the items sold to pay his bakery debt in 1652 ).

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Jo had previously been married to art critic and journalist Dr. C H. de Boer ( Karel de Boer ), and she brought their daughter, Viola, into the van Meegeren household.

Gijsbert Karel van Hogendorp, Frans Adam van der Duyn van Maasdam and Leopold van Limburg Stirum, monument at 1813 Square, The Hague

Legend states that Matsys abandoned his career as a blacksmith to woo his wife, who found painting to be a more romantic profession, though Karel van Mander claimed this to be false, and the real reason was a sickness during which he was too weak to work at the smithy and instead decorated prints for the carnival celebrations.

Around 1600 flower paintings in oils became something of a craze ; Karel van Mander painted some works himself, and records that other Northern Mannerist artists such as Cornelis van Haarlem also did so.

However no theorists emerged to champion the new genres, and the relatively small amount of Dutch theoretical writing, by Karel van Mander, Samuel Dirksz van Hoogstraten, Gerard de Lairesse and others, was mostly content to rehash Italian views, so that their writings can seem oddly at variance with the Dutch art actually being produced in their day.

* Karel van Mander ( Flemish born Dutch, 1548 – 1606 )

This writer refers to texts of the Florentine Lodovico Guicciardini, the Schilderboeck of Karel van Mander and the ( lost ) notes of the Ghent jurist Dionysius Hardwijn ( or Harduinus, 1530 – 1604 ).

Teachers at the Academy were Hendrick Goltzius, engraver, painter and humanist, Karel van Mander, painter, writer, humanist and Cornelis Corneliszoon of Haarlem.

Though Heda would clearly not be included in Het schilder-boeck of Karel van Mander, as its 1604 publishing fell before his rise to prominence, it would be expected that he would be included in the work of the next great Dutch art biographer Arnold Houbraken Houbraken briefly mentioned Heda in the third volume of his work based on the biography by Schrevelius.

According to his biography, written by Karel van Mander, he was apprenticed to Cornelis Willemsz in Haarlem.

One of his earliest biographers, Karel van Mander, claimed he was from a small town in Artois or Henegouwen ( County of Hainaut ) called Maubuse.

Karel van Mander ( May 1548 – 2 September 1606 ) was a Flemish-born Dutch painter and poet, who is mainly remembered as a biographer of Netherlandish artists in his Schilder-boeck.

Karel van Mander is considered the founder of the Haarlem drawing academy, although it is very unclear what this involved at this period-it was certainly not a regular school offering classes, probably an informal discussion group which may have sat for life-drawing together.

Aside from his son Karel van Mander the Younger and Frans Hals, his registered pupils were Cornelis Engelsz, Everard Crynsz van der Maes, Jacobus Martens ( landscape painter and father of the painter Jan Martszen de Jonge ), Jacob Martsen ( genre painter ), Jacob van Musscher, Hendrik Gerritsz Pot, and François Venant.

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" Reilly has stated that she learned the most as an actor from Karel Reisz, who directed her in The Yalta Game in Dublin in 2001.