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Keaggy returned to the studio in 1976 with Love Broke Thru, an album which included his version of a song that would eventually be considered a classic in Christian Music: " Your Love Broke Through.
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Keaggy and studio
On August 6, 1972 ( shortly before their third studio album It Makes Me Glad was released ) Phil Keaggy played his final show with Glass Harp at My Father's Place, Roslyn, NY before embarking on a solo career.
Keaggy and with
Aside from the obvious influence on artists that Taylor has worked with over the years, numerous notable people have named Taylor and DA as musical heroes over the years including artists like U2, The Ocean Blue, Randy Stonehill, The 77s, Phil Keaggy, Steve Taylor, Jimmy Abegg, Phil Madeira, Crystal Lewis, This Train, Carolyn Arends ( Arends actually used to perform DA songs in one of her early bands ), Ventriloquist Terry Fator, Brian Healy, The Throes, The Choir, Mortal, Larry Norman, Animator and Musician Doug TenNapel, Amy Grant, Michael W. Smith, Isaac Air Freight, Deliverance, Starflyer59, Jonathan Coulton ,< ref >
Mark Heard released 16 records in his lifetime, and produced and performed with many other artists as well, such as Sam Phillips ( aka Leslie Phillips ), Pierce Pettis, Phil Keaggy, Vigilantes of Love, Peter Buck of R. E. M.
In 1968, Keaggy and longtime friend drummer John Sferra, along with bassist Steve Markulin, formed the band Glass Harp.
The songs were written while Keaggy was still with Glass Harp Keaggy performed all the instruments on the album.
During the summer of 1977 Keaggy went on an eighteen-city tour of the western United States with 2nd Chapter of Acts and " a Band called David.
Also in 1988, Keaggy and Stonehill would team up with singer Margaret Becker, former Wings drummer Joe English and others as the Compassion All Star Band.
In 1989, Keaggy teamed up with Randy Stonehill, vocalist Russ Taff, bassist Rick Cua, Derri Daugherty, Mark Heard, Steve Taylor and other musicians to create Phil Keaggy and Sunday's Child.
Also in 1989, Keaggy hit the road with Stonehill for a tour by The Keaggy / Stonehill Band, which included Swirling Eddie drummer David Raven and Daniel Amos bassist Tim Chandler.
After the wedding, Keaggy fulfilled a lifelong dream by jamming with McCartney in a bedroom at the Eastman family estate, site of the wedding.
Keaggy says, " I started Crimson & Blue with a two-fold purpose: To record something more aggressive and to work with John again.
Shacklock's production work on the album was a departure in style and sound for Keaggy ; this would prove to be Keaggy's lone work with Shacklock.
In November, Phil released The Uncle Duke project, a collaboration with his uncle Dave " Duke " Keaggy, with Phil setting his uncle's eclectic poetry to music.
Keaggy and Love
Artists lending their talents to the project included Phil Keaggy, Victoria Williams, Chagall Guevara, Buddy Miller, Julie Miller, Daniel Amos, The Choir, Bruce Cockburn, and the Vigilantes of Love.
Also that year, Stonehill with Todd Fishkind and Keith Green wrote " Until Your Love Broke Through ", which would be recorded by numerous artists over the years including Stonehill himself, Phil Keaggy, Russ Taff and others.
2002's Edge of the World ( this time on Fair Oaks Records ) followed, which brought together a number of musical friends including Phil Keaggy, Barry McGuire, Noel Paul Stookey, Love Song, Phil Madeira, Mike Roe, Russ Taff, and Sara Groves, and Larry Norman.
Many music groups developed out of this, and some became leaders within the Jesus movement, most notably Barry McGuire, Love Song, Second Chapter of Acts, All Saved Freak Band, Servant, Petra, Resurrection Band, Phil Keaggy, Dion DiMucci, Paul Stookey of Peter, Paul, and Mary ; Randy Stonehill, Randy Matthews, Andraé Crouch ( and the Disciples ), Nancy Honeytree, Keith Green, and Larry Norman.
Keaggy and Thru
In 1982, Keaggy released Play Thru Me, noted for its upbeat classic, " Morning Light " as well as the slide-guitar instrumental workout entitled " Happy.
Keaggy and album
Phil Keaggy was a member of a mid-1960s garage rock band called the Squires ; one of their songs, which he co-wrote, appears on the compilation album Highs in the Mid-Sixties, Volume 9.
Comprising Keaggy, guitarist Lynn Nichols, keyboardist Phil Madeira, bassist Dan Cunningham and drummer Terry Andersen, the Phil Keaggy Band released their lone album in 1977, Emerging.
In 1978, Keaggy released his first critically acclaimed instrumental album entitled The Master and the Musician.
Keaggy would later re-record two of the album's songs: a rearranged version of " I Will Be There " appears on 1993's Crimson and Blue while " Passport " received an update for the 2009 Christian Progressive Rock compilation album CPR 3.
One track, " I've Just Begun ( Again )," was first written when Keaggy was 17, and was updated for this album.
In addition to his own material, Keaggy recorded two Mark Heard songs for the album: " I Always Do " and " Everything is Alright.
Years later, in reflecting on the album, Keaggy would say that True Believer " is really the most unlike me of any album I ’ ve ever done, in my personal opinion.
The following year Keaggy released another critically acclaimed instrumental album, Acoustic Sketches.
Comprising mainly Keaggy originals, the album features a cover of " Swing Low, Sweet Chariot ," and would later win Keaggy another Dove Award.
Keaggy says, " that was a very cool album that ... Christians and Christian bookstores and ... the marketplace ... couldn ’ t make the connection, because it ’ s electric guitar music.
Lacking the slick production style of the previous vocal album, True Believer, Phil Keaggy was a strong return to form for Keaggy in terms of recapturing his usual organic, live sound.
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