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Kenneth and Turan
* Turan, Kenneth, Sundance to Sarajevo: Film Festivals and the World They Made, Los Angeles, University of California Press, 2002, hardback, ISBN 0-520-21867-1.
" In the Los Angeles Times review, critic Kenneth Turan noted that Dunst and Maguire made a real connection on screen, concluding that their relationship involved audiences to an extent rarely seen in films.
* Criterion Collection essay by Kenneth Turan
Kenneth Turan of The Los Angeles Times said Rickman " as always, makes the most lasting impression ," while Peter Travers of Rolling Stone called Rickman " sublime at giving us a glimpse at last into the secret nurturing heart that [...] Snape masks with a sneer.
Los Angeles Times film critic Kenneth Turan, agreed, writing " The only criterion for an award like this is the work ".
Kenneth Turan of the Los Angeles Times said the actors coped " faultlessly " with what were difficult roles ; he called Spacey's performance " the energy that drives the film ", saying the actor commanded audience involvement despite Lester's not always being sympathetic.
Kenneth Turan of the Los Angeles Times stated that " Starting with Tom Hanks, who brings an invaluable heft and believability to Woody, Toy Story is one of the best voiced animated features in memory, with all the actors ... making their presences strongly felt.
" Kenneth Turan, film critic for the Los Angeles Times, praised the film for being "... Compelling ....
" Kenneth Turan, of the LA Times, was a little more forgiving, saying, " If The Core finally has to be classified as a mess, it is an enjoyable one if you're in a throwback mood.
Kenneth Turan, in his review for the Los Angeles Times, praised Tom Cruise's performance: " Mackey gives Cruise the chance to cut loose by doing amusing riffs on his charismatic superstar image.
Kenneth Turan of the Los Angeles Times wrote, " The Truman Show is emotionally involving without losing the ability to raise sharp satiric questions as well as get numerous laughs.
Kenneth Turan of the Los Angeles Times noted that the film " was really full of easy humor, an impeccable sense of milieu that is the result of knowing the culture intimately enough to poke fun at it while understanding its underlying integrity.
Los Angeles Times film critic Kenneth Turan gave the film a mixed review.
Fifty years later, Kenneth Turan of the Los Angeles Times was much more positive, saying East of Eden is " not only one of Kazan's richest films and Dean's first significant role, it is also arguably the actor's best performance.
Peter Travers of Rolling Stone wrote that " fierce, funny, exasperating and deeply affecting portrayal commands attention "; James Berardinelli claimed, " There are times when it's uncomfortable to watch this performance because it's so powerful ", while Kenneth Turan of the Los Angeles Times said " Leigh ’ s exceptional performance tears you apart ... we've never seen anything like it before.
" Kenneth Turan of the Los Angeles Times complained that the film " should be fun but isn't ... worst of all perhaps is its smug air of pleasure at how clever it thinks it's being.
In his review for the Los Angeles Times, Kenneth Turan wrote, " But the ringmaster of this circus, the man without whom nothing would be possible, is director De Bont, who now must be considered Hollywood's top action specialist.
* Kenneth Turan ( film ; also a critic for the Los Angeles Times )
Although he disliked the film, critic Kenneth Turan enjoyed Depp's performance, but Mark Kermode wrote it was some of Depp's " worst work to date ... under Gore Verbinski's slack direction Depp defaults to an untrammelled showiness not seen since the sub-Buster Keaton antics of Benny & Joon.
" Kenneth Turan of the Los Angeles Times said " Toy Story 2 may not have the most original title, but everything else about it is, well, mint in the box.
Kenneth Turan of The Los Angeles Times praised the film for its sophisticated style and said it was " the cinematic equivalent of a mind-expanding drug " while Film Threat Tim Merrill described it as " a priceless historical record.
Pakn Treger began as a newsletter, " Book Peddler ", but it published work by serious journalists, including film critic Kenneth Turan.
Kenneth Turan of the Los Angeles Times called it " a startling film, but not for the obvious reasons.
In his review for the Los Angeles Times, Kenneth Turan wrote, " As always with the best of Leonard, it's the journey, not the destination, that counts, and director Soderbergh has let it unfold with dry wit and great skill.
Kenneth Turan of The Los Angeles Times praised the lack of romanticization and dramatization of the characters and reported that " Peirce and Bienen and the expert cast engage us in the actuality of these rootless, hopeless, stoned-out lives without sentimentalizing or romanticizing them " and said that " Boys Don't Cry is an exceptional — and exceptionally disturbing film ", while Mike Clarke of USA Today commended Peirce's depth of knowledge of the case and the subject matter: " Peirce seems to have researched her subject with grad-school-thesis intensity ".

Kenneth and film
Nin appeared in the Kenneth Anger film Inauguration of the Pleasure Dome ( 1954 ) as Astarte ; in the Maya Deren film Ritual in Transfigured Time ( 1946 ); and in Bells of Atlantis ( 1952 ), a film directed by Guiler under the name " Ian Hugo " with a soundtrack of electronic music by Louis and Bebe Barron.
In David Lynch's 1984 film, Baron Harkonnen was portrayed by Kenneth McMillan.
Other contemporary British film directors include Paul W. S. Anderson, Andrea Arnold, Richard Attenborough, Kenneth Branagh, Danny Boyle, Terence Davies, Mike Figgis, Terry Gilliam, Tom Hooper, Mike Leigh, Ken Loach, Sam Mendes, Alan Parker, Sally Potter, Lynne Ramsay, Guy Ritchie, Michael Winterbottom, Edgar Wright, Joe Wright and Matthew Vaughn.
The most notable examples in cinema are Laurence Olivier's 1944 version and Kenneth Branagh's 1989 film, both of which draw additional material from the Henry IV plays.
On January 2, 1930, Hawks's brother Kenneth Hawks died while shooting the film Such Men Are Dangerous.
His brothers were director / writer Kenneth Neil Hawks and film producer William Bettingger Hawks.
Even today the play is rarely performed in its entirety, and has only once been dramatised on film completely, with Kenneth Branagh's 1996 version.
Shakespeare experts Sir John Gielgud and Kenneth Branagh consider the definitive rendition of the Bard's tragic tale to be the 1964 Russian film Gamlet () based on a translation by Boris Pasternak and directed by Grigori Kozintsev, with a score by Dmitri Shostakovich.
Joe Orton was played by the actor Kenny Doughty in the 2006 BBC film Kenneth Williams: Fantabulosa !, starring Michael Sheen as Kenneth Williams.
Kenneth " Ken " Loach ( born 17 June 1936 ) is a Palme D ' Or winning English film and television director.
When Jesus does appear in the film ( on the Mount, speaking the Beatitudes ), he is played straight ( by actor Kenneth Colley ) and portrayed with respect.
Michael Kenneth Mann ( born February 5, 1943 ) is an American film director, screenwriter, and producer.
He also appeared in the film comedy Raising a Riot, starring Kenneth More, which featured his five-year-old daughter " Fusty ".
Melvin Kenneth " Mel " Smith ( born 3 December 1952 ) is an English comedian, writer, film director, producer and actor.
* In the commentary for the 2011 film Thor, director Kenneth Branagh hypothesized that Thor's Hammer is composed of neutronium, since it is explicitly stated in the film that the hammer was forged from a dying star.
The British artists Brian Cosgrove and Mark Hall ( Cosgrove Hall Films ) produced a full length film The Wind in the Willows ( 1983 ) and later a multi-season TV series The Wind in the Willows based on Kenneth Grahame's classic children's book of the same title.
In 1967, Warner Bros .- Seven Arts producers Kenneth Hyman and Phil Feldman were interested in having Peckinpah rewrite and direct an adventure film, The Diamond Story.
* April 27 – Kenneth Macgowan, American film producer ( b. 1888 )
Peter Rogers, producer of the series, recollected, " Kenneth was worth taking care of because, while he cost very little – £ 5, 000 a film, he made a great deal of money for the franchise.

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