If one film could be said to have established a new high-bench mark for special effects, it would be 1968's 2001: A Space Odyssey, directed by Stanley Kubrick, who assembled his own effects team ( Douglas Trumbull, Tom Howard, Con Pedersen and Wally Veevers ) rather than use an in-house effects unit.

Stanley Kubrick wanted to use the album's title track in A Clockwork Orange.

Author Arthur C. Clarke was coincidentally visiting friend and colleague John Pierce at the Bell Labs Murray Hill facility at the time of this remarkable speech synthesis demonstration and was so impressed that he later told Stanley Kubrick to use it in 2001: A Space Odyssey, in the climactic scene where the HAL 9000 computer sings while his cognitive functions are disabled.

Due to budget limitations, Kubrick improvised in the use of his equipment.

For the cafeteria scene in the film, Kubrick chose a long, sideways-shooting dolly shot to establish the life of the seafarer's community ; this shot is an early demonstration of a signature technique that Kubrick would use in his feature films.

Stanley Kubrick wanted to use this track for his film A Clockwork Orange ; however, the band refused permission.

Years later, Kubrick refused Roger Waters permission to use audio samples from his film 2001: A Space Odyssey on Waters ' solo album Amused to Death.

Film director Terrence Malick has used this technique in films such as Days of Heaven ( Singleton 2000, 176 ), The New World, and The Tree of Life ( in the latter the entire film was shot in this hour ); and film director Stanley Kubrick made extensive use of the golden hour in Full Metal Jacket, among others.

Michael Cooper also introduced Southern to the Anthony Burgess novel A Clockwork Orange, and Southern later encouraged Stanley Kubrick to make his film version of the book after MGM refused to back Kubrick's planned film on Napoleon.

The Magic Christian was one of Peter Sellers ' favourite books — his gift of a copy to Stanley Kubrick led to Southern being hired for Dr Strangelove – and a film version of the book had long been a project for the actor, who intended to play the lead role of Guy Grand.

Due to interest in nuclear themes sparked by Stanley Kramer's film version of On the Beach in 1959, the film rights to Red Alert were sold that year, only to be handed around until Stanley Kubrick bought them in 1962, reportedly for as little as $ 3, 500.

The chorus ' refrain " I'm spasticus, autisticus " was inspired by the response of the rebelling gladiators of Rome, who — at least in the version of the story portrayed in the Stanley Kubrick film Spartacus — answered to the name of their leader, " I am Spartacus ", to protect him.

In 2005 Baron appeared in the film Colour Me Kubrick opposite John Malkovich and in 2007 starred in a stage version of In Celebration, opposite Orlando Bloom and Tim Healy.

The story is a close adaptation of the events of the film, but differs in the fact that Kirby incorporated additional dialog from two other sources: the Clarke / Kubrick novel, and a copy of an earlier draft script of the film that included the more colloquial-sounding version of HAL 9000, as originally voiced by actor Martin Balsam before Douglas Rain took over.

Leigh has never commented publicly on the experience of working with Kubrick nor of being cut from the film.

The film adaptation, directed by Stanley Kubrick, is based on the American edition of the book ( which Burgess considered to be " badly flawed ").

The opening scene with the ridiculously long, wide angle continuous shot of Spaceball One is an homage to the opening scene of Star Wars — which itself is an homage to the first shot of the Discovery One in Stanley Kubrick ’ s 2001: A Space Odyssey.

All his works feature his distinctive smooth camera movements, complex crane and dolly sweeps, and tracking shots, which influenced the young Stanley Kubrick at the beginning of his filmmaking career.

In 2007, the college became the home of the University Archives and Special Collections Centre which holds the Stanley Kubrick Archive and the Tom Eckersley collection among other film, printing and graphic design related archives and collections.

Kubrick actually met Kahn personally, and Kahn gave him the idea for the Doomsday Machine, which would immediately destroy the entire planet in the event of a nuclear attack.

Anthony Burgess is especially remembered for his dystopian novel A Clockwork Orange ( 1962 ), set in the not-too-distant future, which was made into a film by Stanley Kubrick in 1971.

The large hexagonal monolithic black structure, which intentionally echoed the structure seen at the beginning of the Stanley Kubrick ’ s film 2001: A Space Odyssey, hummed with the banks of computers concealed inside.

*" The Sentinel ", the short story from which Arthur C. Clarke developed the film 2001: A Space Odyssey with Stanley Kubrick, takes place on the Mare Crisium.

The group refused permission, primarily because Kubrick was unsure of exactly which pieces of music he wanted and what he wished to do with them.

In 2005, Arte TV broadcast a documentary about Brienen in which they compared his work and intensity with Kubrick ’ s Clockwork Orange.

The film was the first of three on which Harris and Kubrick collaborated as producer and director in a span of less than ten years ; Harris got the rights to the novel after Frank Sinatra, who had approached the author before Harris, hesitated during negotiations.

Medicom continued to support the franchise with the release of Kubrick figures for Snake Eater and Guns of the Patriots, which also included seven-and 12-inch versions of the game's characters.

Also Stanley Kubrick ( in Paths of Glory, and Dr. Strangelove, among others ) as well as Orson Welles ( in The Trial, partly Orson Welles ' London, segment Four Clubmen ), Sam Peckinpah ( in Straw Dogs ), and Sidney Lumet ( in The Offence ) have occasionally done the same in the past, though mostly in moderation, for single shots or sequences only, while Gilliam hardly ever uses any lens longer than 14mm, which has garnered lenses of that particular focal length the informal nickname " The Gilliam " among film-makers.

Fear and Desire was not a box office success, and Kubrick had to take a for-hire job directing the promotional short The Seafarers on behalf of the Seafarers International Union in order to raise funds for his next planned feature, Killer's Kiss ( 1954 ), which would be co-written by Kubrick and Howard Sackler and star Frank Silvera, one of the Fear and Desire actors.

The film was based on the Cold War thriller Red Alert ( 1958 ) by Peter George, the rights to which Kubrick had secured for $ 3, 000.

Kubrick and George's original screenplay ( which was to be called Edge of Doom ) was a straight political thriller.

Williamson went on to work with Burstall on three more films, Petersen ( for which Stanley Kubrick praised Burstall for his direction and Jack Thompson for his acting ), Eliza Fraser ( the first major Australian period drama ) and Duet for Four.

He is well-known, and in some circles reviled, for the stridency with which he attacks artists as diverse as Steven Spielberg, Brian De Palma, the Coen Brothers, Stanley Kubrick, Orson Welles and Quentin Tarantino, whom he perceives as tricksters, using empty style and pseudo-intellectualism to score points with an " in " crowd ( he often refers to Spielberg's output after Schindler's List as Steven " Please take me seriously " Spielberg movies.

Just after the split, Kubrick would make Dr. Strangelove ( 1964 ), which raises similar issues to The Bedford Incident.

The museum is known for its comprehensive collection of photographs, which includes works by Stanley Kubrick, Jacob Riis and Berenice Abbott, as well as many Depression-era Federal Art Project photographs.

Parker and Stone said that shooting with McDowell was a positive experience, and that he told old stories about the 1971 film A Clockwork Orange – which McDowell starred in –, and its director Stanley Kubrick.

The " happy ending " which resulted incorporated footage from the Stanley Kubrick film The Shining.

Eventually she was cast in several prominent film roles, including Gustav von Aschenbach's wife in Luchino Visconti's 1971 film Death in Venice, the Jewish department store heiress Natalia Landauer in the 1972 film Cabaret, for which she received some acclaim ( including two Golden Globe nominations, a BAFTA nomination and an award from the National Board of Review ), and the tragic beauty Lady Lyndon in the Stanley Kubrick film Barry Lyndon ( 1975 ).

It is revealed on the DVD documentary that after having shot many takes of any given scene, Stanley Kubrick would frequently ask Scott to redo it in an " over the top " fashion.

* TCM Remembers 1999: Iron Eyes Cody, Betty Lou Gerson, Huntz Hall, Susan Strasberg, film critic Gene Siskel, Richard Kiley, director Stanley Kubrick, Garson Kanin, composer Ernest Gold, Ellen Corby, Charles " Buddy " Rogers, Rory Calhoun, Dirk Bogarde, Oliver Reed, DeForest Kelley, Bobs Watson, director Allan Carr, Sylvia Sidney, screenwriter Mario Puzo, screenwriter Norman Wexler, Ruth Roman, director Edward Dmytryk, director Charles Crichton, Victor Mature, editor Harold F. Kress, George C. Scott, Ian Bannen, Mabel King, Madeline Kahn and Desmond Llewelyn.

On nearly all occasions, only established and bankable directors are given such a privilege ( such as Stanley Kubrick, Ridley Scott, Joel & Ethan Coen, Martin Scorsese, James Cameron, Quentin Tarantino, Wolfgang Petersen, Steven Spielberg, Robert Zemeckis, David Fincher, Francis Ford Coppola, M. Night Shyamalan, Peter Jackson, George Lucas, Christopher Nolan, Tim Burton, and Joe Dante ).