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Laurents and was
The show was first announced in The New York Times on October 5, 1961: " For the winter of 1962, Laurents is nurturing another musical project, The Natives Are Restless.
A meager description was furnished by Mr. Laurents, who refused to elaborate.
In 1955, theatrical producer Martin Gabel was working on a stage adaptation of the James M. Cain novel Serenade, about an opera singer who comes to the realization he is homosexual, and he invited Laurents to write the book.
Laurents, however, was committed to Gabel, who introduced him to the young composer / lyricist Stephen Sondheim.
Laurents liked the lyrics but was not impressed with the music.
Laurents was soon hired to write the screenplay for a remake of the 1934 Greta Garbo film The Painted Veil for Ava Gardner.
Bernstein suggested they rework East Side Story and set it in Los Angeles, but Laurents felt he was more familiar with Puerto Ricans and Harlem than he was with Mexican Americans and Olvera Street.
In New York, Laurents went to the opening night party for a new play by Ugo Betti, and there he met Sondheim, who had heard that East Side Story, now retitled West Side Story, was back on track.
Meanwhile, Laurents had written a new draft of the book changing the characters ' backgrounds: Anton, once an Irish American, was now of Polish and Irish descent, and the formerly Jewish Maria had become a Puerto Rican.
Laurents ultimately invented what sounded like real street talk but actually was not: " cut the frabba-jabba ", for example.
With the help of Oscar Hammerstein, Laurents convinced Bernstein and Sondheim to move " One Hand, One Heart ", which he considered too pristine for the balcony scene, to the scene set in the bridal shop, and as a result " Tonight " was written to replace it.
Laurents felt that the building tension needed to be alleviated in order to increase the impact of the play's tragic outcome, so comic relief in the form of Officer Krupke was added to the second act.
Another song, " Kid Stuff ", was added and quickly removed during the Washington, D. C. tryout when Laurents convinced the others it was helping tip the balance of the show into typical musical comedy.
Robbins was involved with Bells Are Ringing, then Bernstein with Candide, and in January 1957 A Clearing in the Woods, Laurents ' latest play, opened and quickly closed.
The film was adapted by Millen Brand, Arthur Laurents ( uncredited ) and Frank Partos from the novel by Mary Jane Ward.
1876 The first rice mill was built by Gustave Laurents and D. Derouen.
* Stage ( Musical ): In 1991, a Broadway musical, Nick & Nora with a book by Arthur Laurents, lyrics by Richard Maltby, Jr., and music by Charles Strouse was based on the characters.
Gypsy's memoir, titled Gypsy, was published in 1957 and was taken as inspirational material for the Jule Styne, Stephen Sondheim, and Arthur Laurents Broadway musical Gypsy: A Musical Fable.
It later was reported she was negotiating with Daniel Mann instead, and Laurents would be adapting his play for the screen.
Laurents ' screenplay allegedly was unsatisfactory, and newly hired director David Lean tried to improve it with associate producer Norman Spencer and writers Donald Ogden Stewart and S. N.
The movie was adapted by Guy Bolton and Arthur Laurents from the play by Bolton and Marcelle Maurette.

Laurents and asked
When the producer of The Painted Veil replaced Gardner with Eleanor Parker and asked Laurents to revise his script with her in mind, he backed out of the film, freeing him to devote all his time to the stage musical.
Laurents asked Sondheim if he would be interested in tackling the task.
The following year, Stark asked Laurents if he was interested in adapting the original film for a stage musical starring Kathie Lee Gifford.
By the time the project began to jell, however, Hammerstein had died, and Stephen Sondheim was asked by Laurents and Mary Rodgers, Richard Rodgers ' daughter, to write the lyrics.

Laurents and did
Sondheim did not care for Laurents ' opinion.
It failed at the box office, as did his next project, Roseanna McCoy, during which he and Laurents parted ways.

Laurents and so
The two characters and their former professor, played by Jimmy Stewart, were supposed to be homosexual, and Granger and Dall discussed the subtext of their scenes, but because The Hays Office was keeping close tabs on the project, the final script was so discreet that Laurents remained uncertain of whether Stewart ever realized that his own character was gay.
Finally, just before opening night, Laurents directed him always to look into Hearn's eyes, whenever the two men were on stage, so the audience would sense the depth of the couple's feelings for each other.

Laurents and only
Remick appeared in the 1964 Broadway musical Anyone Can Whistle, written by Stephen Sondheim and Arthur Laurents, which ran for only a week.
The looks and personality came from two primary sources: writer Peter Viertel and a man Laurents referred to only as " Tony Blue Eyes ," an acquaintance who inspired the scene where the creative writing instructor reads Hubbell's short story to his class.

Laurents and after
The fiery campus radical organized rallies and a peace strike, and the memory of her fervor remained with Laurents long after the two lost touch.
A decade after the film was released, Redford, having made peace with Laurents, contacted him to discuss the possibility of collaborating on a new project, and eventually the two settled on a sequel to The Way We Were.
Laurents rued the casting-he felt Allen was too young and colorless and Franchi couldn't act-and ignored all the ongoing problems in favor of making his dream a reality, but most of all he regretted the break in his friendship with Sondheim after the show.

Laurents and receiving
Laurents sent Redford the completed script but, aside from receiving a brief note acknowledging the actor had received it and looked forward to reading it, he never heard from him again.

Laurents and money
In a letter to Bloomgarden from Laurents, he wrote, " I beg you not to mention the money problems or any difficulties to Steve anymore.

Laurents and .
Anyone Can Whistle is a musical with a book by Arthur Laurents and music and lyrics by Stephen Sondheim.
" This behavior is considered unusual for Laurents, which runs contrary to his current reputation.
Sondheim discovered that Laurents hated doing backers ' auditions and he took over that responsibility, playing and singing more than 30.
Eager to work with both Laurents and Sondheim, Angela Lansbury accepted the lead role as Mayoress Cora Hoover Hooper, despite her strong misgivings about the script and her ability to handle the score.
Laurents had wanted Barbra Streisand for the role of Fay, but she turned it down to star in Funny Girl.
Laurents, ignoring criticism about the show's message being trite and its absurdist style difficult to comprehend, poured his energies into restaging rather than dealing with the crux of the problem.
Howard Taubman in his New York Times review wrote that Laurents ' " book lacks the fantasy that would make the idea work, and his staging has not improved matters.
Sondheim worked closely with book writer Arthur Laurents to create the show.
West Side Story is an American musical with a book by Arthur Laurents, music by Leonard Bernstein, lyrics by Stephen Sondheim, and conception and choreography by Jerome Robbins.
In 1949, Jerome Robbins approached Leonard Bernstein and Arthur Laurents about collaborating on a contemporary musical adaptation of Romeo and Juliet.
Eager to write his first musical, Laurents immediately agreed.
Bernstein wanted to present the material in operatic form, but Robbins and Laurents resisted the suggestion.
They described the project as " lyric theatre ", and Laurents wrote a first draft he called East Side Story.
Laurents accepted and suggested Bernstein and Robbins join the creative team.

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