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Let and correspond
Let the mutation rate correspond to the probability that a j type parent will produce an i type organism.
Let the samples of be represented by the sequence, and let be represented by the sequence which correspond to the same points in time.
Let the samples of be represented by the sequence, and let be represented by the sequence which correspond to the same points in time.
Let the vertices correspond to points on the real axis.

Let and #
# " Live and Let Live " – 5: 26
# Let P ( x ) be a first-order formula in the language of Presburger arithmetic with a free variable x ( and possibly other free variables ).
Hi Infidelity spawned four hit singles written by Richrath and Cronin, including the # 1 " Keep On Loving You " ( Cronin ), the # 5 " Take It on the Run " ( Richrath ), " In Your Letter " (# 20 ) ( Richrath ), and " Don't Let Him Go " (# 24 ) ( Cronin ), and remained on the charts for 65 weeks, 32 of which were spent in the top ten, including 15 weeks atop the Billboard 200.
# " Let the Music Play " – Carroll Thompson
# Let e1 be an edge that is in A but not in B.
# Let p = ( p < sub > 1 </ sub >, p < sub > 2 </ sub >) and q = ( q < sub > 1 </ sub >, q < sub > 2 </ sub >) be elements of W, that is, points in the plane such that p < sub > 1 </ sub > = p < sub > 2 </ sub > and q < sub > 1 </ sub > = q < sub > 2 </ sub >.
# Let p = ( p < sub > 1 </ sub >, p < sub > 2 </ sub >) be an element of W, that is, a point in the plane such that p < sub > 1 </ sub > = p < sub > 2 </ sub >, and let c be a scalar in R. Then cp = ( cp < sub > 1 </ sub >, cp < sub > 2 </ sub >); since p < sub > 1 </ sub > = p < sub > 2 </ sub >, then cp < sub > 1 </ sub > = cp < sub > 2 </ sub >, so cp is an element of W.
Other chart hits by White included " Never, Never Gonna Give Ya Up " (# 2 R & B, # 7 Pop in 1973 ), " Can't Get Enough of Your Love, Babe " (# 1 Pop and R & B in 1974 ), " You're the First, the Last, My Everything " (# 1 R & B, # 2 Pop in 1974 ), " What Am I Gonna Do with You " (# 1 R & B, # 8 Pop in 1975 ), " Let the Music Play " (# 4 R & B in 1976 ), " It's Ecstasy When You Lay Down Next to Me " (# 1 R & B, # 4 Pop in 1977 ) and " Your Sweetness is My Weakness " (# 2 R & B in 1978 ).
Let It Ride was invented by John Breeding ( US Patent # 5, 288, 081 ) of Shuffle Master, which owns the trademark to both the name of the game and the logo.
# Let B < sub > 1 </ sub >, B < sub > 2 </ sub > be base elements and let I be their intersection.
# Let be a maximally consistent set of formulas and contain witnesses.
Weeks later the group's success broke wide open, with " Aquarius / Let the Sunshine In " from the musical Hair topping the Hot 100 in April and May and " Wedding Bell Blues " doing so in November, with a U. S. # 20 cover of Neil Sedaka's " Workin ' On A Groovy Thing " in-between.
# " Please, Please, Please Let Me Get What I Want " ( instrumental ) by The Dream Academy ( a cover of a song by The Smiths )
# " Let There Be Light " (: 37 )
# Let be an-tuple, and let.
# Opening: Let There Be Light
# Baha Men — " Who Let the Dogs Out?
# " Don't Let the Flowers Die "
Its first single was " Let Me Hold You ", featuring Omarion, and peaked at # 1 on the rap chart and # 4 on the Hot 100.

Let and 1
Let S ( fig. 5 ) be any optical system, rays proceeding from an axis point O under an angle u1 will unite in the axis point O ' 1 ; and those under an angle u2 in the axis point O ' 2.
Let denote the Bézier curve determined by the points P < sub > 0 </ sub >, P < sub > 1 </ sub >, ..., P < sub > n </ sub >.
Let e be the error in b. Assuming that A is a square matrix, the error in the solution A < sup >− 1 </ sup > b is A < sup >− 1 </ sup > e.
Genesis 1: 9 " And God said, Let the waters be collected ". Letters in black, < font color ="# CC0000 "> niqqud in red </ font >, < font color ="# 0000CC "> cantillation in blue </ font >
* Let D < sub > 1 </ sub > and D < sub > 2 </ sub > be directed sets.
" Let X be the unit Cartesian square ×, and let ~ be the equivalence relation on X defined by ∀ a, b ∈ (( a, 0 ) ~ ( a, 1 ) ∧ ( 0, b ) ~ ( 1, b )).
Moving to groups in general, let H be a subgroup of some group G. Let ~ be an equivalence relation on G, such that a ~ b ↔ ( ab < sup >− 1 </ sup > ∈ H ).
The sentiment is summarized in a line from Ovid's Amores I. 1. 27 Sex mihi surgat opus numeris, in quinque residat-" Let my work rise in six steps, fall back in five.
Gloria Gaynor ( born September 7, 1949 ) is an American singer, best known for the disco era hits ; " I Will Survive " ( Hot 100 number 1, 1979 ), " Never Can Say Goodbye " ( Hot 100 number 9, 1974 ), " Let Me Know ( I Have a Right )" ( Hot 100 number 42, 1980 ) and " I Am What I Am " ( R & B number 82, 1983 ).
Let k >= 1.
Let φ be a formula of degree k + 1 ; then we can write it as
Let r be a non zero real number and let the r < sup > th </ sup > power mean ( M < sup > r </ sup > ) of a series of real variables ( a < sub > 1 </ sub >, a < sub > 2 </ sub >, a < sub > 3 </ sub >, ... ) be defined as
Let x < sub > 1 </ sub >, ..., x < sub > n </ sub > be the sizes of the heaps before a move, and y < sub > 1 </ sub >, ..., y < sub > n </ sub > the corresponding sizes after a move.
Let s = x < sub > 1 </ sub > ⊕ ... ⊕ x < sub > n </ sub > and t = y < sub > 1 </ sub > ⊕ ... ⊕ y < sub > n </ sub >.
Let w < sub > j </ sub > be the ' price ' ( the rental ) of a certain factor j, let MP < sub > j1 </ sub > and MP < sub > j2 </ sub > be its marginal product in the production of goods 1 and 2, and let p < sub > 1 </ sub > and p < sub > 2 </ sub > be these goods ' prices.
Let the line of symmetry intersect the parabola at point Q, and denote the focus as point F and its distance from point Q as f. Let the perpendicular to the line of symmetry, through the focus, intersect the parabola at a point T. Then ( 1 ) the distance from F to T is 2f, and ( 2 ) a tangent to the parabola at point T intersects the line of symmetry at a 45 ° angle.
These assumptions can be summarised as: Let ( Ω, F, P ) be a measure space with P ( Ω )= 1.
Let ( q < sub > 1 </ sub >, w, x < sub > 1 </ sub > x < sub > 2 </ sub >... x < sub > m </ sub >) ( q < sub > 2 </ sub >, y < sub > 1 </ sub > y < sub > 2 </ sub >... y < sub > n </ sub >) be a transition of the GPDA

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