Melpomene is Greta Garbo, and Terpsichore is prima ballerina Lydia Lopokova, Lady Keynes.

Among Keynes's Bloomsbury friends, Lopokova was, at least initially, subjected to criticism for her manners, mode of conversation and supposedly humble social origins – the latter of the ostensible causes being particularly noted in the letters of Vanessa and Clive Bell, and Virginia Woolf.

Yet close friends, brothers, sisters, and even sometimes partners of the friends were not necessarily members of Bloomsbury: Keynes ’ s wife Lydia Lopokova was only reluctantly accepted into the group, and there were certainly " writers who were at some time close friends of Virginia Woolf, but who were distinctly not ' Bloomsbury ': T. S. Eliot, Katherine Mansfield, Hugh Walpole ".

However, its authorized premiere on that continent, by Diaghilev Ballets Russes, was at the Century Theater, New York City, 20 January 1916, with Lopokova ( who also featured in the unauthorized production five years earlier ).

After the war, Roberts's subject matter turned to the documentation of urban life and portraiture – portrait subjects included T. E. Lawrence ( 1922 ; Ashmolean Museum, Oxford ) and John Maynard Keynes and his wife, Lydia Lopokova ( 1932 ; National Portrait Gallery, London ) – as well as some scenes from ' Greek Mythology Christian Mythology ', as he put it.

Besides being involved in the early days of English ballet, Lopokova appeared on the stage in London and Cambridge from 1928, and was broadcast on the BBC as a presenter and in a number of acting roles ; she read " The Red Shoes " over the BBC in 1935 ( and a few years later reprised it for BBC television ).

In 1921, Keynes fell " very much in love " with Lydia Lopokova, a well-known Russian ballerina, and one of the stars of Sergei Diaghilev's Ballets Russes.

For the first years of the courtship, Keynes maintained an affair with a younger man, Sebastian Sprott, in tandem with Lopokova, but eventually chose Lopokova exclusively, on marrying her.

In her novel Mrs Dalloway ( 1925 ), Woolf bases the character of Rezia Warren Smith on Lopokova.

His widow, Lydia Lopokova, lived on until 1981.

Lydia Lopokova, Baroness Keynes ( born Lidia Vasilyevna Lopukhova ) (; 21 October 1892 – 8 June 1981 ) was a famous Russian ballerina during the early 20th century.

Lopokova was born into a Russian family in St. Petersburg.

" She stayed with the ballet only briefly, knowing that she had little future in Russia (" she was the wrong size and shape for the grand roles and there were already plenty of prima ballerinas in St. Petersburg "), she accepted an American offer of ₤ 16, 000 per month and after the summer tour left for the United States, where she remained for six years, enjoying tremendous success and legally changing her name to Lopokova in April 1914.

In 1921, Diaghilev staged a lavish production of The Sleeping Beauty in which Lopokova danced the Lilac Fairy and Princess Aurora.

" Lopokova was partner in founding the Cambridge Arts Theatre, and in advising him on the constitution for the Arts Council ; with his financial input she became a moving spirit in the Camargo Society, which led to the creation of a national ballet company.

" After her husband's collapse from an attack of angina in 1937, Lopokova devoted herself increasingly to taking care of his health.

Lopokova died in 1981, aged 88.

Her husband's nephew Milo Keynes wrote a biography, Lydia Lopokova ( St. Martin's Press, 1983 ); more recently Judith Mackrell has published Bloomsbury Ballerina: Lydia Lopokova, Imperial Dancer and Mrs John Maynard Keynes ( Weidenfeld, 2008 ).

Lydia and Maynard: letters between Lydia Lopokova and John Maynard Keynes.

The hero, who is himself, is represented as a pilgrim in the storied lands of the East, a sort of Faustus type, who, to quote from Professor Book again, `` even in the pleasure gardens of Sardanapalus can not cease from his painful search after the meaning of life.

With Rex Stout's Nero Wolfe, alienation is represented on a purely physical plane.

There is, of course, nothing new about dystopias, for they belong to a literary tradition which, including also the closely related satiric utopias, stretches from at least as far back as the eighteenth century and Swift's Gulliver's Travels to the twentieth century and Zamiatin's We, Capek's War With The Newts, Huxley's Brave New World, E. M. Forster's `` The Machine Stops '', C. S. Lewis's That Hideous Strength, and Orwell's Nineteen Eighty-Four, and which in science fiction is represented before the present deluge as early as Wells's trilogy, The Time Machine, `` A Story Of The Days To Come '', and When The Sleeper Wakes, and as recently as Jack Williamson's `` With Folded Hands '' ( 1947 ), the classic story of men replaced by their own robots.

The first capability is represented by a combination of manned bombers, carrier-based aircraft, and intercontinental and intermediate range missiles.

The second capability is represented by our deployed ground, naval, and air forces in essential forward areas, together with ready reserves capable of effecting early emergency reinforcement.

From the volume standpoint, the total market represented by the sign industry is impressive.

Hard-surface cleaning in household application is represented by two classes of alkaline products: ( 1 ) the formulations made expressly for machine dishwashers, and ( 2 ) the general-purpose cleaners used for walls and woodwork.

Type 1, is represented by the cow, sheep, and pig ; ;

The second situation is illustrated by the operator T on Af ( F any field ) represented in the standard basis by Af.

Each form represented by the dictionary is looked up in the text-form list.

The differentiation, however, is not very much greater, as shown by the fact that Athabascan shows 3.46 stems per meaning slot as against 2.75 for Yokuts, with a slightly greater number of languages represented in our sample: 24 as against 21.

Finally, the gyro-stabilized platform characteristic is represented by Af.

One way to do this is by `` proxy sittings '', wherein the person seeking a message does not himself meet with the medium but is represented by a substitute, the proxy sitter.

In another sense, it is represented in the arguments of the `` true believers '' who seek to disprove the validity of all other beliefs and ideas in order to retain confidence in theirs.

For we have said, in effect, that of the two alternatives to his position variously represented by the other participants in the demythologizing discussion, only one is really an alternative.

Whereas Bultmann's `` center '' position is structurally inconsistent and is therefore indefensible on formal grounds alone, the general position of the `` right '', as represented, say, by Karl Barth, involves the rejection or at least qualification of the demand for demythologization and so is invalidated on the material grounds we have just considered.

It follows, then, provided the possibilities have been exhausted, that the only real alternative is the general viewpoint of the `` left '', which has been represented on the Continent by Fritz Buri and, to some extent at least, is found in much that is significant in American and English theology.

It will be recalled from the discussion in Section 7 that the position of the `` right '', as represented by Barth, rests on the following thesis: The only tenable alternative to Bultmann's position is a theology that ( 1 ) rejects or at least qualifies his unconditioned demand for demythologization and existential interpretation ; ;

*" Terpsichore " is the title of a large collection of dance tunes collected by Michael Praetorius, some originating with Pierre-Francisque Caroubel.

* Terpsichore is also found in François Couperin's " Second Ordre " from the Pièces de clavecin.

* Terpsichore is also found in the third version ( HWV 8c ) of Handel's opera Il pastor fido ( 1712 ).

* Terpsichore in Sneakers is the title of a 1980 study of postmodern dance by dance historian and critic Sally Banes.

* Terpsichore is a technique used by the royal guard Neferpitou in the manga Hunter × Hunter.

* In the 1947 movie Down to Earth Terpsichore is annoyed and visits earth to change a musical that depicts her in a bad light.

* The Winter Theater ( 1934 – 1937 ) is another rigorously Neoclassical edifice, surrounded by 88 Corinthian columns, with a pediment bearing the statues of Terpsichore, Melpomene and Thalia, all three cast by Vera Mukhina.

( In more recent times the chaconne, like the passacaglia, need not be in 3 / 4 time ; see, for instance, Francesco Tristano's Chaconne / Ground Bass, where every section is built on seven-beats patterns ) from the Terpsichore prologue added to the second revision of the opera Il pastor fido, HWV 8c ( rev.

(" Kira "' s real name is Terpsichore, and she is the Muse of dancing and chorus.

In the musical, Kira is the Muse Clio, not Terpsichore.

Terpsichore is one of the nine Muses, representing dancing and dramatic chorus.

This story alternates between the point of view of Terpsichore Melpomene Murray (" Teri "), an ecoprospector who's approaching adulthood on Mars and seeks to follow in her father's footsteps, and the unnamed psychiatrist who is listening to her story.

1244 ) chorale and song arrangements ; many other works for the Lutheran church ; and Terpsichore ( 1612 ), a compendium of more than 300 instrumental dances, which is both his most widely known work, and his sole surviving secular work.

The crest at the top of the coat of arms is a figure of Terpsichore, one of the Muses from Greek mythology, representing dance.

As the son of Apollo and a Muse, either Calliope or Terpsichore, he is considered the inventor of melody and rhythm.