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Lugalbanda and is
The king is styled as a shepherd from earliest times, e. g., the term was applied to Sumerian princes such as Lugalbanda in the 3rd millennium BC.
Lugalbanda is a character found in Sumerian mythology and literature.
Lugalbanda is listed in the postdiluvian period of the Sumerian king list as the second king of Uruk, saying he ruled for 1, 200 years, and providing him with the epithet of the Shepherd.
Whether a king Lugalbanda ever historically ruled over Uruk, and if so, at what time, is quite uncertain.
In these two stories, Lugalbanda is a soldier in the army of Enmerkar, whose name also appears in the Sumerian King List as the first king of Uruk and predecessor of Lugalbanda.
In the earliest god-lists from Fara, his name appears separate and in a much lower ranking than Ninsun < ref > Ninsun (< sup > d </ sup > Lamma-Nin-sún ) in Tablet I line 15, Lugalbanda in Tablet VII line 15 .</ ref >, but in later traditions, until the Seleucid period, his name is often listed in god-lists along with his consort Ninsun.
In Old Babylonian period, Sin-kashid of Uruk is known to have built a temple called É-KI. KAL dedicated to Lugalbanda and Ninsun, and to have assigned his daughter Niši-īnī-šu as the eresh-dingir priestess of Lugalbanda.
This Dumuzid is called " the Shepherd ", but on the King List it is Dumuzid, the Fisherman who reigns in Uruk, some time after the flood, between Lugalbanda and Gilgamesh.
In Lugalbanda in the Mountain Cave, Enmerkar is seen leading a campaign against Aratta.
In these last two tablets, the character of Lugalbanda is introduced as one of Enmerkar's war chiefs.

Lugalbanda and also
He was followed by Lugalbanda, also known from fragmentary legends, and then by Dumuzid, the Fisherman.
Sin-Kashid of Uruk also refers to Lugalbanda and Ninsun as his divine parents, and names Lugalbanda as his god.
In Akkadian versions of the epic, Gilgamesh also refers to Lugalbanda as his personal god, and in one episode presents the oil filled horns of the defeated Bull of Heaven " for the anointing of his god Lugalbanda ".

Lugalbanda and father
Gilgamesh and his father, Lugalbanda were kings of the first dynasty of Uruk, a lineage that Jeffrey H. Tigay suggested could be traced back to Utu himself.
In the Gilgamesh and Huwawa tale, the hero consistently uses the assertive phrase: “ By the life of my own mother Ninsun and of my father, holy Lugalbanda !”.
Since the father of Gilgamesh was former king Lugalbanda, it stands to reason that Ninsun procreated with Lugalbanda to give birth.

Lugalbanda and Gilgamesh
* Dumuzid of Kuara, the fisherman ( reigning 100 years ), the third King of the first dynasty of Uruk, reigning between Lugalbanda and Gilgamesh
In royal hymns of the Ur III period, Ur-Nammu of Ur and his son Shulgi describe Lugalbanda and Ninsun as their holy parents, and in the same context call themselves the brother of Gilgamesh.
In the Akkadian Epic of Gilgamesh and in earlier Sumerian stories about the hero, the king of Uruk, Gilgamesh, calls himself the son of Lugalbanda and Ninsun.

Lugalbanda and king
An early king Lugalbanda was supposed to have built the white walls around the city.
According to the Sumerian king list, it was this Lugalbanda " the shepherd " who eventually succeeded Enmerkar to the throne of Uruk.

Lugalbanda and Uruk
Another text known as Lugalbanda and the Anzud bird describes how, fifty years into Enmerkar's reign, the Martu people arose in Sumer and Akkad, necessitating the building of a wall to protect Uruk.

Lugalbanda and Sumerian
Lugalbanda prominently features as the hero of two Sumerian stories dated to the Ur III period ( 21st century BCE ), called by scholars Lugalbanda I ( or Lugalbanda in the Mountain Cave ) and Lugalbanda II ( or Lugalbanda and the Anzu Bird ).
Lugalbanda appears in Sumerian literary sources as early as the mid-3rd millennium, as attested by a mythological text from Abu Salabikh that describes a romantic relationship between Lugalbanda and Ninsun.

Lugalbanda and .
In one version of the legend, the gods sent Lugalbanda to retrieve the tablets, who in turn, killed Anzu.
For example, the Ur III kings often claimed Gilgamesh's divine parents, Ninsun and Lugalbanda, as their own, probably to evoke a comparison to the epic hero.
A deified Lugalbanda often appears as the husband of the goddess Ninsun.
Ample evidence for the worship of Lugalbanda as a deity comes from the Ur III period, as attested in tablets from Nippur, Ur, Umma and Puzrish-Dagan.

is and also
It is also possible, but equally doubtful, that he actually shot down the hundreds of men with which his legend credits him.
Recognizing that the Rule of Law is `` a dynamic concept which should be employed not only to safeguard the civil and political rights of the individual in a free society '', the Congress asserted that it also included the responsibility `` to establish social, economic, educational and cultural conditions under which his legitimate aspirations and dignity may be realized ''.
At General Power's seat in the balcony there is also a gold phone.
In addition to the authentication and acknowledgment procedures which precede and follow the sending of the go messages, again in special codes, each message also contains an `` internal authenticator '', another specific signal to convince the recipient that he is getting the real thing.
He added that he also stresses the works of these favorite masters on tour, especially Mahler's First and Fourth symphonies, and Das Lied Von der Erde, and Bruckner's Sixth -- which is rarely played -- and Seventh.
The test of form is fidelity to the experience, a gauge also accepted by the abstract expressionist painters.
Though he is also concerned with freeing dance from pedestrian modes of activity, Merce Cunningham has selected a very different method for achieving his aim.
The answers derived by these means may determine not only the temporal organization of the dance but also its spatial design, special slips designating the location on the stage where the movement is to be performed.
It is because there is not only darkness but also light that our situation becomes inexplicable.
but there is also compassion.
also he is a drunk, and has lost his job on that account.
And if I have gone into so much detail about so small a work, that is because it is also so typical a work, representing the germinal form of a conflict which remains essential in Mann's writing: the crude sketch of Piepsam contains, in its critical, destructive and self-destructive tendencies, much that is enlarged and illuminated in the figures of, for instance, Naphta and Leverkuhn.
By `` image '' is meant not only a visual presentation, but also remembered sensations of any of the five senses plus the feelings which are immediately conjoined therewith.
he is questioning, also, every epistemology which stems from Hume's presupposition that experience is merely sense data in abstraction from causal efficacy, and that causal efficacy is something intellectually imputed to the world, not directly perceived.
it is true that they are also extremely dull.
Now the detective must save his own skin by informing on the girl he loves, who is also the real murderer.
But it is also the climax to one of the absorbing chapters in our current political history.
Since a civilizational crisis involves also a crisis in private interests and in the ruling class, reaction is normally found among those who feel themselves to be among the ruling class.
`` The Rocking Horse Winner '' is also a story about a boy's love for his mother.
Evidence is plentiful that early and later also he has been indebted to the Gothic romancers, who deal in extravagant horror, to the symbolists writing at the end of the preceding century, and in particular to the stream-of-consciousness novelists, Henry James and James Joyce among them.

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