Lyrically, the album contains social commentary so harsh that CCM described it as " perhaps the most scathing ever put out by a Christian label.

Lyrically, the album was dark and serious to an unprecedented degree, with introspective tracks like " All Her Favorite Fruit " and " Come On Darkness ," although the lyrics were not devoid of satire.

He continues by saying ; " Lyrically, musically, and historically, AZ has come up with his best work in a long time on this album.

Lyrically, Jackson's album is said to exhibit " politically driven feminist " message, as stated by Lilly Goren in You've Come A Long Way, Baby: Women, Politics, and Popular Culture ( 2009 ).

Lyrically, the album is very political.

Lyrically, the album was fiercely anti-Christian, with such songs as " Poet is Priest ", " Julian H. Cope ", and the single " Fear Loves This Place " espousing Cope ’ s paganesque perspective and being highly critical of the established Church.

Lyrically, the album dealt with criticism of British and European culture, violence, morbidity ( especially in reference to the song " Passenger On The Menu ", which describes in graphic detail the experiences of the passengers on the Uruguayan Air Force Flight 571 ), atheism, nihilism and humour.

Lyrically, the album focused on the experiences of Rowe and the band during the previous two-years.

Lyrically, the album focused on the concept of faith implied by the album's title, Beyond Belief, with radio singles entitled " Creed ," " Love " and " Prayer ," as well as the title track and " I Am on the Rock.

Lyrically, the band also showcased diversity, ranging from silly, comedy-oriented songs (" Fakin ' Jamaican ") to serious and sociopolitical (" Racist World "), promoting racial equality and unity, often touching upon then-current events such as David Duke's 1992 presidential campaign (" David Duke is Running For President ") and the racial controversy surrounding Ice Cube's album Death Certificate (" Ice Cube, Korea Wants A Word With You ").

Lyrically it is a concept album about humanity's rebellion against a pantheon of evil, uncaring gods.

Lyrically, the song " The Night and the Silent Water " is about the grandfather of vocalist / guitarist Mikael Åkerfeldt, who had died shortly before the recording of the album.

Lyrically speaking, the dominating themes of the album were loneliness and deep yearning.

Lyrically, the album revolves around the fight against spiritually destructive forces.

Lyrically the album featured songs about killing Miss America, religion, rape and horror movie themed such as a song mentioning The Wolf Man.

Lyrically, Songs for Dustmites deals with " familiar themes of love and loss ", while Burns himself has described the album as " songs about science and love ".

Lyrically, the album deals with abstract science fiction-themed subjects, a departure from the Satanic lyrics of earlier work.

Lyrically, it's a concept album that deals with themes of dark " social fiction ", including domestic violence (" Take It Like a Woman "), prejudice (" Blow Me a Kiss "), war (" Pick Up the Bones ") and school shootings (" Wicked Young Man ").

Lyrically, the album dealt with prominent issues in mid 1980s society, such as televangelists, consumerism and famine in Ethiopia.

Lyrically most of the tracks have a common theme, that of a strong and independent woman, hence the album title.

Lyrically, they also shifted hardcore into intensely personal realms and, in doing so, are often considered the first " emo " band, but Rites of Spring itself rejects any association between themselves and emo genres.

Lyrically, the band's style has been described as coming from " the school of Cole Porter, favouring caustic wit over trivial personal problems, ... achingly clever lyrics seesaw between superficial gloss, profound sentiment and the incomprehensibly bizarre.

Lyrically, the song deals with the difficulties in the relationships between mothers and teenagers that appears during the adolescence, and it was dedicated to the group's mothers.

Lyrically, the disco song, is about friendship and camaradie between women.

Lyrically, it talks about friendship and camaradie between women.

Lyrically, the band continued their trademark social commentary, with songs such as " MTV Get Off The Air " and " Jock-o-rama " poking fun at mainstream America.

Lyrically, Waits ' songs frequently present atmospheric portrayals of grotesque, often seedy characters and places — although he has also shown a penchant for more conventional ballads.

Christ has suggested that “ Lyrically, I think the words are about the way Glenn was feeling at the time .” The remaining songs feature subjects including love, sex, evil and religious themes.

Lyrically the songs showed an even darker, more obsessive side to Lennox's writing.

Lyrically, many of his songs feature thoughtful and occasionally political sentiments.

Lyrically their songs tended to be concerned with decadence and the moral bankruptcy of the world as they saw it, as summed up in the title of their debut single " Snobbery and Decay " — the cover of which featured pictures of Quentin Crisp and Liberace.

Lyrically they continued the trend of earlier songs of social conscience Krause had performed, for example on Henry Cow's " Living in the Heart of the Beast ".

Lyrically, the two songs are firmly rooted in themes associated with Mount Eerie but the recordings utilize Microphones-associated choral arrangements, differing from than the more solitary Mount Eerie material.

Lyrically, these songs have been directed at anyone or anything related to rugby league ( be it referees, clubs, players, coaches and the like ).

Lyrically, it " shows early hints of the idealized pastoral landscapes that would flow through his songs through the decades, a tendency that links him to the Romantic poets, whom Morrison has cited as an influence " according to music journalist Erik Hage.

" Lyrically the song make references to past Five Iron Frenzy songs and gives epilogues to the narrative of those songs.

Lyrically, most Progressive Southern Gospel songs are patterned after traditional Southern Gospel in that they maintain a clear evangelistic and / or testimonial slant.

Lyrically, Rob Aston describes their songs as ranging from topics such as murder (" Quick Death ") to the passing of a loved one (" Sad But True ") to failed friendships (" We Trusted You ").

Lyrically, their songs explored themes of self-determination, affirmation, and personal challenge.

Lyrically, Generation Swine ranges from songs about drugs and prostitution such as " Find Myself " and " Beauty ," to the anti-suicide stance on " Flush ," and familial love on " Rocketship " and " Brandon.

Lyrically, many songs paint slice-of-life portraits of people and situations, without telling a story (" Living with the Dreaming Body ", " Wood Guitar ").

Lyrically, the Perkins and Griffin songs are similar, but musically, the arrangement is more modern.

Lyrically, the songs refers to having a good time at a party.

Lyrically, the songs on the record addressed themes running from satire of societal and religious pieties, through excruciating examinations of personal fears, to the title track, on which the three core band members ruminate in spoken word fashion on their lives, their regrets, their jealousies, and the state of music in the 1990s.