Like he had with montages of landscapes and indigenous art, Marker created a film essay that contrasts and juxtaposes a variety of lives with his signature commentary ( spoken by Marker's friends, singer-actor Yves Montand in the French version and Simone Signoret in the English version ).

After the documentary Le Mystère Koumiko in 1965, Marker made Si j ' avais quatre dromadaires, an essay-film that, like La jetée, is a photomontage of over 800 photographs that Marker had taken over the past 10 years from 26 countries.

Marker had been working on a film about Chile with ISKRA since 1973.

Bassist Jerry Handley had also departed, with Gary Marker stepping in.

In his decade of making documentary short films, Resnais had established his interest in and talent for collaboration with leading figures in other branches of the arts ; with the painters who were the subjects of his early works ; with writers ( Eluard in Guernica, Cayrol in Nuit et Brouillard, Queneau in Le Chant du styrène ); with musicians ( Darius Milhaud in Gauguin, Hanns Eisler in Nuit et Brouillard, Pierre Barbaud in Le Chant du styrène ); and with other film-makers ( Resnais was the editor of Agnès Varda's first film, La Pointe courte, and co-directed with Chris Marker Les statues meurent aussi ).

Marker at Methodist church. Following the Civil War, Darien was rebuilt, with financial aid coming in small part from the family of Colonel Robert Gould Shaw, who had been killed during the War but had written of his shame in participating in the destruction.

In 1976, the Everman Garden Club obtained a Texas Historical Marker for the Barron Munitions Building, which after the war had served as a schoolhouse for African-American schoolchildren.

This design was quickly copied by other vendors, notably Marker, and had the first real impact on the dominance of the classic fixed-toe bindings.

Since then, Flash's son, Flash Marker Jr, had plotted his revenge on the Three Roses Club by building a car with a sleek, black body marked " X3 ".

One influence on the compositional process was a tape that Van Vliet's friend Gary Marker had played for him.

ABC's audience research had shown that many viewers found the character of Marker as interesting as his cases — if not more so.

The series left no doubt that Marker would be back and, as if to emphasis the point, in the end credits we are returned to the original theme music of previous series rather than the barer, more static arrangement that had been used especially for the Brighton episodes.

But Hepner had already left, and Van Vliet was keen to replace Moon with a young Ry Cooder, who was then playing with Gary Marker and Taj Mahal in the Rising Sons.

Cooder's arrival had been swayed by Marker, who had spent time with Vliet and had been given to believe he would produce the album ; in fact Marker was only engaged in demo recording.

Marker had been dubbing between audio tracks, resulting in scratchy feedback ; he sampled the sound and tuned it to fit the song, unintentionally created by an alternative hook.

The song started as a demo during sessions between band members Butch Vig, Duke Erikson and Steve Marker, and had its composition finished after singer Shirley Manson joined the band.

In 1953 Marker collaborated with Resnais on the documentary Statues Also Die.

** Note: Marker edited this ( mostly ) animated science-fiction exstentialist short and ( possibly ) collaborated on the script ( Film Comment ).

** Note: Marker collaborated on the commentary on this documentary about the destruction of Kashima and Narita ( Film Comment ).

Resnais is more often associated with a ' Left Bank group ' of writers and filmmakers who included Agnès Varda, Chris Marker, Jean Cayrol, Marguerite Duras and Alain Robbe-Grillet ( with all of whom he collaborated in the earlier part of his career ).

Most are marked with a green " Michigan Historical Marker " sign that includes a description of the landmark.

Marker is often associated with the Left Bank Cinema movement that occurred in the late 1950s and included such other filmmakers as Alain Resnais, Agnès Varda, Henri Colpi and Armand Gatti.

At Esprit, Marker wrote political commentaries, poems, short stories and ( with Bazin ) film reviews.

During his early journalism career, Marker became increasingly interested in filmmaking and experimented with photography in the early 1950s.

The film was shot in two weeks by Marker while he was traveling through China with Armand Gatti in September 1955.

After working on the commentary for Resnais ' film Le mystère de l ' atelier quinze in 1957, Marker continued to form his own cinematic style with the feature documentary Letter from Siberia.

In one sequence, Marker repeats the same collection of shots three times with different commentary: the first one praising the Soviet Union, the second denouncing it, and the third taking an objective stance.

In 1959 Marker made the animated film Les Astronautes with Walerian Borowczyk.

That same year, Marker organized the omnibus film Loin du Vietnam, a protest against the Vietnam War with segments contributed by Marker, Jean-Luc Godard, Alain Resnais, Agnès Varda, Claude Lelouch, William Klein, Michele Ray and Joris Ivens.

From this initial collection of filmmakers with left-wing political agendas, Marker created the group S. L. O. N.

Marker begins the film with the Odessa Steps sequence from Sergei Eisenstein's film The Battleship Potemkin, which Marker points out is a fictitious creation of Eisenstein which has still influenced the image of the historical event.

Marker used very little commentary in this film, but the film's montage structure and preoccupation with memory make it a Marker film.

Runyon was pleased with the changes and later said, " Lady for a Day was no more my picture than Little Miss Marker, which, like the former picture, was almost entirely the result of the genius of the scenario writers and the director who worked on it.

Much of the demo recording was accomplished at Art Laboe's Original Sound Studio, then with Gary Marker on the controls at Sunset Sound on 8-track.

The works Moon laid down did not see the light of day, as he was replaced by Cooder when they continued on material at Sunset Sound with Marker.

Around this time Marker met and befriended many members of what would be called the Left Bank Film Movement, including Alain Resnais, Agnès Varda, Henri Colpi, Armand Gatti and the novelists Marguerite Duras and Jean Cayrol.

During the ' Race at Danger Pass ', The Melange, along with Marker, was fatally crashed by members of the Three Roses Club.

The Wharf Rats originally came from a small group of Narcotics Anonymous members who went to a Grateful Dead concert in Philadelphia and located each other by their Yellow balloons with the NA symbol drawn on in Magic Marker.

" Vow " began in rough demo form in January, 1994, as band members Butch Vig, Duke Erikson and Steve Marker performed sessions in Marker's basement recording studio and Vig and Marker's own Smart Studios business in Madison, Wisconsin.

" Only Happy When It Rains " was written and recorded between March 1994 and May 1995, with the composition happening in sessions between band members Duke Erikson, Shirley Manson, Steve Marker and Butch Vig in Marker's basement recording studio, and the recording itself being done at their own Smart Studios in Madison, Wisconsin.

"# 1 Crush " was written and recorded between March, 1994 and May, 1995 during sessions between band members Duke Erikson, Shirley Manson, Steve Marker and Butch Vig in either Marker's basement recording studio or at their own Smart Studios in Madison.