In 1986, in honor of Marvel Comics ' 25th anniversary, Editor-In-Chief Jim Shooter launched the New Universe line of comics.

In 2006, Editor-In-Chief Joe Quesada and Editor Mark Paniccia set in motion events to celebrate Marvel Comics ' 20th Anniversary of the New Universe.

Writer / editor Roy Thomas was hired to script the book, based on Conway's plot, and although work had begun on the series in 1981 ( Pérez had penciled 21 pages by mid-1983 ) and it was scheduled for publication in May 1983, editorial disputes-reportedly instigated by Marvel Editor-In-Chief Jim Shooter-prevented the story from being completed.

At the time the rumors were false, however the Editor-In-Chief of Marvel Comics, Tom Defalco decided that due to the amount of traction the rumor had gained that they should create a new comicbook with the same title.

In 1940, he and writer-editor Joe Simon created the highly successful superhero character Captain America for Timely Comics, predecessor of Marvel Comics.

* On The Colbert Report, following the death of Captain America in Marvel continuity, Marvel editor-in-chief Joe Quesada bequeathed a " replica " of the Captain's vibranium shield to Stephen Colbert.

Comic book artist and former Marvel Comics Editor in Chief Joe Quesada also borrowed from Mucha's techniques for a series of covers, posters, and prints.

However, with Marvel EIC Joe Quesada's anti-smoking policy, this trait has completely vanished.

* Joe Quesada ( born 1962 ), Editor-in-Chief of Marvel Comics.

After the end of Hitman, Ennis was lured to Marvel Comics with the promise from Editor-in-Chief Joe Quesada that he could write The Punisher as long as he cared to.

In addition to the Wolverine series and appearances in the various X-Men series, two other storylines expand upon the character's past: " Weapon X ", by writer-artist Barry Windsor-Smith, serialized in Marvel Comics Presents # 72-84 ( 1991 ); and Origin, a six-issue limited series by co-writers Joe Quesada, Paul Jenkins, and Bill Jemas and artist Andy Kubert ( November 2001 – July 2002 ).

The WaRP work eventually led to comic-book assignments from DC Comics ( Angel and the Ape, Plastic Man and Stanley and His Monster miniseries ), Marvel Comics, and First Comics ( back up stories in issues of Grimjack and scripting over Doug Rice's plots in Dynamo Joe ).

Siegel's later work would appear in Marvel Comics, where under the pseudonym " Joe Carter " he scripted the " Human Torch " feature in Strange Tales # 112-113 ( Sept .- Oct. 1963 ), introducing the teenaged Torch's high school girlfriend, Doris Evans ; and, under his own name, a backup feature starring the X-Men member Angel, which ran in Marvel Tales and Ka-Zar.

* Marvel vs. Capcom 3: Fate of Two Worlds-Viewtiful Joe

Artist and former Marvel Comics editor-in-chief Joe Quesada begins with sketches much smaller than the actual size at which he will render the final drawing.

A tremendous roster of legendary creators have worked on Shadowman characters and storylines including current Marvel Comics Editor-in Chief Joe Quesada, former Marvel Comics Editor-in-Chief Jim Shooter, Sin City co-director Frank Miller, Garth Ennis, Rob Liefeld, Barry Windsor-Smith, Jamie Delano, Steve Ditko, David Lapham, Rags Morales, Fabian Nicieza, Jim Starlin, Bob Layton, Jimmy Palmiotti, Walt Simonson and Ashley Wood among many others.

In 2001 Marvel Comics was undergoing a revamp by its new editor-in-chief Joe Quesada and one of his aims was to revamp the X-Men family of titles.

Cockrum discovered comic books at a young age ; an early favorite was Fawcett's Captain Marvel, especially Mac Raboy's Captain Marvel Jr. Other artists whose work the young Cockrum admired were Wally Wood, Gil Kane, Murphy Anderson, and Joe Kubert.

Around the time Bendis began Sam and Twitch, his friend David Mack began working for Joe Quesada's Marvel Knights imprint, of which Bendis himself was a fan.

Joe and The Transformers for Marvel Productions and Sunbow Productions.

Joe Quesada and former Marvel president Bill Jemas were also involved in the creation of the line.

On July 24, 2010, Marvel Comics ' editor-in-chief Joe Quesada announced at the San Diego Comicon that Marvel ( by now, also a Disney-owned company ) would revive CrossGen titles.

Based on Bendis ' work on Jinx, Quesada invited him to pitch ideas for Marvel Knights, which included a planned, but ultimately unproduced Nick Fury story.

Marvel Comics President Bill Jemas, on the recommendation of Quesada, hired Bendis to write Ultimate Spider-Man, which debuted in 2000, and was specifically targeted to the new generation of comic readers.

Jemas and Quesada formed the public face of Marvel, taking the roles of, according to Comic Book Resources ' Rich Johnston, " good cop and bad cop ".

Jemas and Quesada's partnership would eventually suffer amid controversy generated by Jemas, which Marvel executives frowned upon, and which resulted in Quesada distancing himself from Jemas in the eyes of Marvel staff and freelancers.

In 1998, Marvel Comics, which had just filed for Chapter 11 bankruptcy, asked Quesada to work for Marvel in a more exclusive capacity, and contracted him and his partners to produce a line of Marvel books dubbed Marvel Knights.

As editor of Marvel Knights, Quesada worked on a number of low-profile characters such as Daredevil, Punisher, The Inhumans and Black Panther, encouraging experimentation and using his contacts in the independent comics world to bring in creators such as David W. Mack, Mike Oeming, Brian Michael Bendis, Garth Ennis and Steve Dillon.

::: Marvel not that I said unto thee, Ye must be born again.

Additionally, the DC Comics Universe is also said to exist in the Marvel Universe as one of the many alternative universes.

Though the comic version altered the story to bring it in line with established Marvel Universe continuity ( such as making the Green Goblin identity a costume as in the comics, rather than a physical transformation as in the episode ), it was not considered part of said continuity.

Hernandez has said that, at a young age, he was particularly enamored with superhero comics — particularly 1960s Marvel Comics artists such as Jack Kirby's work on Fantastic Four and Steve Ditko, and the cartoony art of DC Comics artists such as Carmine Infantino and Dick Sprang.

Len Wein later sold the character to Marvel as an X-Men character, Len Wein has said that he wrote him as " a kind of tragic monster " and this was fairly apparent from his first scenes in Giant Sized X-Men # 1 involving his flight from the mob and his subsequent reaction to them wanting to burn him down from the rooftop.

" However, Alan Davis has said that it comes from 616, a variation on the Number of the Beast, picked because Dave Thorpe " wasn't a fan of the modern superhero genre " and expressed this in his stories, " such as recording his opinion of the Marvel Universe with the designation 616.

The following year, to highlight the exploitation of black domestic workers in white homes she got herself hired along with others seeking work by the day and then described her experiences in a compelling five-part series for the Daily Compass entitled " The Bronx Slave Market ", which was promoted with signs that said: Read: I Was a Slave, by Marvel Cooke.

In the Ultimate Marvel universe, the Shi ' ar are not an alien race, but a religious group whose beliefs are said to have descended from alien knowledge.

Comic book writer Gail Simone said on her blog that she ghost wrote for Jemas during his tenure at Marvel.

The Ultimate Captain Marvel ( Mahr Vehl ) is a Kree spy on Earth, surgically altered to appear human, as well as having an arsenal of defensive cybernetically implanted weapons, and belongs to a family said to have descended from Hala.

Shooter looked over John ’ s art and said: “ If you can come up to New York, I ’ ll give you a paid try out to work on .” In July 1980, John made the journey up and with the help of Mike Zeck got some gigs from both Marvel and DC.

In 2005, writer Jim Valentino said his aborted plans for the Marvel comic Guardians of the Galaxy involved Killraven, in his 50s, joining the team and forming an attraction to Yellowjacket ( Rita DeMara ).

Marvel Comics ' then-publisher Stan Lee said in 1978, shortly after Spider-Woman's debut in Marvel Spotlight # 32 ( Feb. 1977 ) and the start of the character's 50-issue self-titled series ( cover-dated April 1978-June 1983 ), that the character originated because,

Gerber, in an open letter to The Comics Journal editor Gary Groth, referred to his " parting of the ways with Marvel ", and said, " I was dismissed from the Howard the Duck newspaper strip in a manner which violated the terms of my written agreement with Marvel.

Its most popular character was Captain Marvel, the alter ego of radio reporter Billy Batson, who transformed into the hero whenever he said the magic word " Shazam!

He said “ No, I want to do like the Wizard of Oz, but with Marvel characters.

However, Stan Lee, a co-creator of the Hulk comics — and executive at Marvel Comics at the time, said that the Hulk's color was not something that could be changed, because of its iconic image.

In response, in 1967 Lee began mailing No-Prize-winners pre-printed empty envelopes that said " Congratulations, this envelope contains a genuine Marvel Comics No-Prize which you have just won!

Marvel Comics ' then-publisher Stan Lee said in 1978, " You know, years ago we brought out Wonder Man, and < nowiki >< nowiki ></ nowiki > sued us because they had Wonder Woman, and ...

Akira Yoshida explained, " The first issue was lettered and I had already seen the proofs when my wonderful editor MacKenzie Cadenhead called and said that the general feeling at Marvel seemed to be to make the dialogue more colloquial.

Although the indicia for these titles indicated the publisher as Radio Comics ( and references in the comics referred to them as such ), the covers said nothing until January 1966, when they proclaimed them part of the Mighty Comics Group ( a possible attempt to capitalize on the popularity of " Marvel Comics Group "?

In early 2009, as the Spider-Girl series was drawing to a close, DeFalco said it might be some of his last work for Marvel as he was in danger of being typecast because of his long run with the characters