When he rolled on the left side, propping on his left elbow, Matsuo seized his hair and pulled him back over.

The enemy came looming around a bend in the trail and Matsuo took a hasty shot, then fled without knowing the result, ran until breath was a pain in his chest and his legs were rubbery.

Matsuo had faked death and was pitched on a stack of corpses, both the burned and the unburned, the latter decomposing rapidly under the tropical sun.

The bobbing head was a poor target, so Matsuo shot him in the upper trunk.

In the hush that followed the echoes, Matsuo was tense.

The sun was noon high and Matsuo perspired until his body was dripping.

The most famous exponent of the haiku was Matsuo Bashō ( 1644 – 1694 ).

The origins of early traditions of visits to picturesque sites are unclear, but early sight-seeing excursions was Matsuo Basho's 1689 trip to the then " far north " of Japan, which occurred not long after Hayashi Razan categorized the Three Views of Japan in 1643.

The Edo period poet Matsuo Bashō, pursuant to his last wishes, was buried next to Minamoto no Yoshinaka in Gichū-ji.

Matsushima, for instance, a series of tiny islands, was praised for its beauty and serenity by the wandering haiku poet Matsuo Bashō.

Ōgaki was the final destination for the haiku poet Matsuo Bashō.

Noriyuki " Pat " Morita ( June 28, 1932 – November 24, 2005 ) was an American actor of Japanese descent who was well known for playing the roles of Matsuo " Arnold " Takahashi on Happy Days and Mr. Miyagi in the The Karate Kid movie series, for which he was nominated for the Academy Award for Best Supporting Actor in 1984.

Because it was such a well-developed road, many famous persons, including the haiku master Matsuo Bashō, traveled the road.

It was also the birthplace of haiku poet Matsuo Bashō.

In the confusion of the attack, Reserve Captain Matsuo Denzō was shot instead of Okada.

Modern haiku poet Masaoka Shiki ( 1867 – 1902 ), a noted critic of Matsuo Bashō ( 1644 – 1694 ), was a resident of Dōgo Onsen.

Haikai was the linked verse practice followed and elevated by Matsuo Bashō and others until the Meiji period ( 1867 – 1912 ).

Matsuo Bashō was a great haikai master and had a wide influence on his contemporaries and later generations.

On March 27, 2006 Narutō was merged with the towns of Sanbu and Matsuo, and the village of Hasunuma, all from Sanbu District to form the new city of Sanmu, and thus no longer exists as an independent municipality.

On March 27, 2006 Sanbu was merged with the towns of Matsuo and Narutō, and the village of Hasunuma, all from Sanbu District to form the new city of Sanmu, and thus no longer exists as an independent municipality.

On March 27, 2006 Hasunuma was merged with the towns of Sanbu and Narutō, and Matsuo, all from Sanbu District to form the new city of Sanmu, and thus no longer exists as an independent municipality.

Matsuo Village was formed on April 1, 1889 within Musha District, Chiba.

Early that day Matsuo saw a marine.

`` Come out, come out in the meadow '', Matsuo said under his breath.

Matsuo lifted his rifle, easing the sling under his left upper arm for steadiness.

Matsuo repeatedly choked down his own nausea.

Humiliation made Matsuo tremble.

Taking aim at the man's face, Matsuo squeezed the trigger up to the point of discharge, and then he changed his mind.

Like a mischievous boy expecting punishment, Matsuo awaited reaction from the jungle.

When he got closer to the tree, Matsuo noted the wild look on his face.

Matsuo jumped when the hidden arm flopped out.

Maintaining his clutch on the hair, Matsuo watched the closed eyes while rummaging in the jacket pockets.

Matsuo put the bottle to his own lips.

Matsuo shook his head.

Awkwardly with one hand Matsuo got the cap back on the water bottle.

Matsuo took the small knife from its scabbard and laid it on the ground, out of the marine's reach and away from their shadows.

Matsuo shook his head.

With a firm grip on the man's hair Matsuo applied the blade flat on a cheek.

Matsuo stood up.

Matsuo walked toward his tree, once glancing back.

Pantalone's character has transcended through the decades ; " were we to seek his present-day counterpart we should not be far wrong in thinking of a middle-aged businessman, wealthy and well esteemed, apt at times to dally with ladies full of doubtful virtue, at other times as apt to show himself the devoted father anxious to protect a young son or puzzled by the actions of a daughter he does not understand ".