The central concern of Erich Auerbach's impressive volume called Mimesis is to describe the shift from a classic theory of imitation ( based upon a recognition of levels of truth ) to a Christian theory of imitation in which the levels are dissolved.

Mimesis is the nearest possible thing to the actual re-living of experience, in which the imagining person recovers through images something of the force and depth characteristic of experience itself.

Mimesis is common in prey animals, for example when a Peppered Moth caterpillar mimics a twig, or a grasshopper mimics a dry leaf.

Mimesis is also employed by some predators ( or parasites ) to lure their prey.

Imitation is found especially in monkeys and apes but ... Mimesis is fundamentally different from imitation and mimicry in that it involves the invention of intentional representations.

[...] Mimesis is not absolutely tied to external communication.

Mimesis is always the desire to possess, in renouncing it we offer ourselves as a sacrificial gift to the other.

Mimesis ( ( mīmēsis ), from μιμεῖσθαι ( mīmeisthai ), " to imitate ," from μῖμος ( mimos ), " imitator, actor ") is a critical and philosophical term that carries a wide range of meanings, which include imitation, representation, mimicry, imitatio, receptivity, nonsensuous similarity, the act of resembling, the act of expression, and the presentation of the self.

One of the best-known modern studies of mimesis, understood as a form of realism in the arts, is Erich Auerbach's Mimesis: The Representation of Reality in Western Literature.

Mimesis shows, rather than tells, by means of directly represented action that is enacted.

To Taussig, this reductionism is suspect, and he argues thus from both sides in his Mimesis and Alterity to see values in the anthropologists ' perspective, at the same time as defending the independence of a lived culture from anthropological reductionism.

Mimesis shows rather than tells, by means of action that is enacted.

One monument to the approach of this period is Erich Auerbach's book Mimesis, a survey of techniques of realism in texts whose origins span several continents and three thousand years.

Sandberg is also an accomplished and inventive electronic artist, whose renderings have been adapted to a number of covers for books by fellow futurist Damien Broderick: The Dreaming, Earth is But a Star, The Judas Mandala, Skiffy and Mimesis, Uncle Bones, Warriors of the Tao, and xyzt.

The following works can be usefully consulted in this regard: L. Golden, " Aristotle on Tragic and Comic Mimesis ," Atlanta, 1992, S. Halliwell, " Aristotle's Poetics ," London, 1986, D. Keesey, " On Some Recent Interpretations of Catharsis ," The Classical World ", ( 1979 ) 72. 4, 193-205.

This usage can be traced back to the essay " Crimes Against Mimesis ".

In Mimesis: The Representation of Reality in Western Literature, the literary critic Erich Auerbach considers the Hebrew narrative of the Binding of Isaac, along with Homer's description of Odysseus's scar, as the two paradigmatic models for the representation of reality in literature.

Mimesis means being seen, but resembling something else, whereas crypsis means being hidden.

* Di Bernardo, M., I sentieri evolutivi della complessità biologica nell ' opera di S. A. Kauffman, Mimesis, Milano 2011.

Reprint: Milano, Mimesis, 1997.

Un saggio su Murray Bookchin, Mimesis, Milano 2011 ISBN 978-88-575-0501-5.

Mimesis Edizioni.

* Hooley, D. M. The Knotted Thong: Structures of Mimesis in Persius ( Ann Arbor: University of Michigan Press, 1997 ).

* Mimesis also refers to imitation, especially relating to the arts.

`` That crap is softer over here ''.

The hypothesis ventured here is that it does, and that evidence is accumulating validating that proposition.

Idje, here '', and he nodded at the man, `` is said to have great odor.

Yet his concern even here is with a slowly changing socio-economic order in general, and he never deals with such specific aspects of this change as the urban and industrial impact.

I think it is essential, however, to pinpoint here the difference between the two concepts of sovereignty that went to war in 1861 -- if only to see better how imperative is our need today to clarify completely our far worse confusion on this subject.

What appears here is shorter than what he actually said but very close to his own words.

When I try to work out my reasons for feeling that this passage is of critical significance, I come up with the following ideas, which I shall express very briefly here and revert to in a later essay.

In the first instance, `` mimesis '' is here used to mean the recalling of experience in terms of vivid images rather than in terms of abstract ideas or conventional designations.

Whitehead is here questioning David Hume's understanding of the nature of experience ; ;

The trouble here is that it's almost too easy to take the high moral ground when it doesn't cost you anything.

What I am here to do is to report on the gyrations of the struggle -- a struggle that amounts to self-redefinition -- to see if we can predict its future course.

What I want to point out here is that all of them are ex-liberals, or modified liberals, with perhaps one exception.

But it is the need to undertake these testaments that I would submit here as symptom of the common man's malaise.

Moral dread is seen as the other face of desire, and here psychoanalysis delivers to the writer a magnificent irony and a moral problem of great complexity.

There may be a case of this sort, but it is not one we wish to argue, here.

He is a parent with a child to nurture, here and now, and he is an educator who worries about the children half way round the world.

and the question before these meetings was, here is a man of international reputation and proved earning power ; ;

`` Dear Miss Steichen: It is a very good letter you send me -- softens the intensity of this guerilla warfare I am carrying on up here.

Steele's main business here is to arouse public opinion to the immediate danger of a Stuart Restoration.

but there is much here also which bears directly on his personal quarrel with Swift.

The idea here is one of discharge but this must stand in opposition to a second view, Plato's notion of the arousal of emotion.