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Mirkin and was
The scene was directed by David Mirkin and was the first time a Simpsons character had been in the real world in the series.
The character's new addiction to coffee was suggested by writer-producer David Mirkin, who has friends who stopped drinking alcohol and became addicted to coffee.
Created by Brown, Charlie Coffey, and director and executive producer David Mirkin, it was a comedy about actress Julie Robbins ( Brown ), who in this initial story, goes to great lengths to land an interview with teen singer Kiki ( played by Kim Walker ) in the hopes of getting hired as a tabloid-TV celebrity journalist.
Mirkin was born and raised in Philadelphia and graduated from Northeast High School in 1975.
Mirkin has described himself as a " nerd " and was often in trouble as a child because he was " in another world ".
" Stand-up comedy was the most profitable and easily accessible route Mirkin found into the comedy industry, but " it wasn't a lifestyle that particularly coveted ," especially due to the traveling required.
Although rejected by the producers of The Ropers, Three's Company creator Bernie West was impressed by the script and Mirkin began pitching ideas for that series instead.
Mirkin was apprehensive about the job because he was aiming to work on Cheers, a show more focused on character-driven humor which Mirkin preferred writing, but felt he could not turn the opportunity down.
The episodes were commissioned, but Mirkin's agent rejected the Cheers job without telling his client, failing to see why Mirkin would want to work on what was then the lowest-rated comedy on television.
Mirkin " felt was where I belonged.
It was the first nomination the show had received in that category and for the first episode Mirkin wrote as the series ' showrunner.
" A philosophy he carried in to his later work, Mirkin felt that " being the head writer ... was not enough ; you had to see the material through its execution – especially the weirder stuff.
Mirkin created Get a Life alongside Chris Elliott, who was also the show's lead actor
Mirkin had wanted to cast comedian Chris Elliott in the pilot, but was prevented by Fox, which wanted Elliott for another show.
Fox was lukewarm about the idea, but Mirkin convinced them to order a pilot by understating how dark the show would be.
The network executives disliked the pilot after seeing an initial run-through, but Mirkin felt that this was because they " didn't get " the show and opted not to change it.
The show's production process was lengthy ; Mirkin would rise at to film the show, write further episodes from until, and then repeat that the following day.
" A strong cult following subsequently developed, and Mirkin noted that although the show was canceled " ultimately we got the audience I was hoping for and they are super dedicated and passionate to this day.
Mirkin was the executive producer and showrunner for the animated sitcom The Simpsons, during its fifth and sixth seasons ( 1993 – 1995 ).

Mirkin and big
Due to the high staff departure at the end of season four, Mirkin " pretty much had to build show from the ground up again ," and noted that this " was exciting but also a big challenge.
Mirkin, a " big " Peanuts fan, came up with the idea for the ending of " Bart Simpson's Dracula ".
Executive producer David Mirkin thought Neill, a big The Simpsons fan, was " lovely " to direct.
" Mirkin thought this was a " big challenge, and Bill and Josh pulled it off very well.

Mirkin and fan
Mirkin is a fan of the musician James Taylor ; Taylor guest starred in " Deep Space Homer " and Mirkin directed the music videos for his songs " Enough to Be on Your Way " and " Sea Cruise ".

Mirkin and film
David Mirkin ( born September 18, 1955 ) is an American feature film and television director, writer and producer.
Mirkin grew up in Philadelphia and intended to become an electrical engineer, but abandoned this career path in favor of studying film at Loyola Marymount University.
Mirkin has also moved into feature film direction: he directed the films Romy and Michele's High School Reunion ( 1997 ) and Heartbreakers ( 2001 ).
Throughout his childhood, Mirkin had an interest in film, and explored both writing and filming.
Mirkin intended to pursue a career in electrical engineering, which he saw as a more stable employment opportunity than writing or film making.
Unlike most single-camera shows, which have around six days to film, Mirkin had to film each episode in two days.
Due to the logistics of filming the show, especially its many sets and effects, Mirkin convinced Fox to not film it in front of a studio audience and use a laugh track instead.
Mirkin directed the feature film Romy and Michele's High School Reunion in 1997.
Mirkin said of the film: " These are women characters we haven't seen before.
Romy and Michele's High School Reunion is a 1997 comedy film starring Lisa Kudrow, Mira Sorvino, Janeane Garofalo, Camryn Manheim, and Alan Cumming directed by David Mirkin.
Heartbreakers is a 2001 caper-romantic comedy film directed by David Mirkin.
The film was set in Palm Beach, Florida ( specifically the Breakers Hotel ); according to the DVD commentary by director David Mirkin, only a few external shots were actually shot in Palm Beach, with the rest utilizing Los Angeles locations as stand-ins.
* David Mirkin, an American feature film and television director, writer and producer
Mirkin said of the Westworld parody: " Again, to show you what a collaboration this is, we had the animators looking at Westworld and making sure of the animation, and then we made sure that Simpsons composer Alf Clausen got the brilliant soundtrack from the film.

Mirkin and for
Grammer usually joins the show's " table readings " ( wherein cast members read each script together for the first time ), and former executive producer David Mirkin described working with Grammer as very pleasant, due to his lively sense of humor.
Mirkin left The Edge during its run and became the executive producer and showrunner of The Simpsons for its fifth and sixth seasons.
Mirkin has been cited as introducing a more surreal element to the show's humor, as shown by his sole writing credit for the show, " Deep Space Homer ", which sees Homer Simpson go to space as part of a NASA program to restore interest in space exploration.
Tricker wrote for the Three's Company spin-off The Ropers so Mirkin wrote a spec script for an episode of The Ropers.
Mirkin pitched to the series ' story editors for several years without success, because they had very limited script buying power.
" This meant Mirkin had to adapt his preference for character-driven comedy to fit the show ; it " forced you to put all the cleverness into the plot, a much more difficult thing to do.
After leaving Newhart, Mirkin wrote freelance scripts for It's Garry Shandling's Show and The Tracey Ullman Show.
Mirkin served as executive producer for the series, directed most of the episodes, wrote several of them, and oversaw the filming and production of them all, to ensure that they had the correct " tone ".
Mirkin worked on the concept for a long time, basing the story on NASA's Teacher in Space Project scheme to send ordinary civilians into space in order to spark interest amongst the general public.
Mirkin pitched the plots for the episodes " The Last Temptation of Homer ", " Bart's Girlfriend " and " Homer the Great ".
Mirkin returned to the role of showrunner to produce the episodes " The Joy of Sect " and " All Singing, All Dancing " for season nine.
Mirkin won four Primetime Emmy Awards and a Peabody Award for his work on The Simpsons.
James Berardinelli wrote that Mirkin " brings a lot of energy to the production, always keeping things moving ," while Jack Matthews of The Los Angeles Times says Mirkin " knew exactly what he had here and composed it like frames in a comic strip, ordering cheerful snow-cone colors for everything from the girls ' childlike outfits to the decor of a Laundromat.
In 1999, several of the Fox executives who had disliked Get a Life came to Mirkin and apologized for the way they had treated the show, stating that they now found it funny.
Mirkin produced a pilot for Jeff of the Universe, a " sarcastic " parody of the science fiction genre.
Additionally, Resnick co-created and wrote for Get A Life with David Mirkin and Chris Elliott.

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