Mulisch gained international recognition with the film The Assault ( 1986 ), which was based on his book The Assault ( 1982 ).

The character Onno Quist in the novel ( and film ) The Discovery of Heaven by Harry Mulisch is based on Donner.

Mulisch often incorporated ancient legends or myths in his writings, drawing on Greek mythology ( e. g. in De Elementen ), Jewish mysticism ( in De ontdekking van de Hemel and De Procedure ), well known urban legends and politics ( Mulisch was politically left-wing, once signing a book " dedicated in admiration " to Fidel Castro ).

Mulisch was honored with a planetoid in his name on 12 October 2006 ( see 10251 Mulisch )

* Harry Mulisch ' Bookweb ' on literary website The Ledge, with suggestions for further reading.

* Mim ( 2007, short story )-inspired on De versierde mens by Harry Mulisch on the celebration of his 80th birthday

Along with Willem Frederik Hermans and Gerard Reve, Mulisch is considered one of the " Great Three " of Dutch postwar literature.

Harry Kurt Victor Mulisch ( 29 July 1927 – 30 October 2010 ) was a Dutch author.

Mulisch was associated with accessories such as his spectacles and pipe.

Mulisch was born in Haarlem and lived in Amsterdam from 1958, following the death of his father in 1957, until the end of his own life.

Mulisch and his mother escaped transportation to a concentration camp thanks to Mulisch's father's collaboration with the Nazis, but his maternal grandmother died in a gas chamber.

Mulisch was mostly raised by his parents ' housemaid, Frieda Falk.

Mulisch said of himself, he did not just write about World War II, he was WWII.

Mulisch died in 2010.

The Discovery of Heaven is a 1992 novel by Dutch author Harry Mulisch.

Harry Mulisch said that this book is his magnum opus.

The War is given purpose through the actions of the Angels, and the Shoah remains a haunting dream for Mulisch.

The students ' revolt, in which Mulisch was an active participant, is described with much insight.

The first part of the book in particular, where the intense friendship between the two men is described, can be seen as a memorial by Mulisch to a friend.

Max Delius resembles Mulisch.

Mulisch also visited Cuba during the sixties, and he too was part of the students revolt.

Dutch writer Harry Mulisch in 2010.

* Netherlands: Vijftigers, Lucebert, Hans Lodeizen, Jules Deelder, J. Bernlef, Remco Campert, Hella S. Haasse, Eric de Kuyper, M. Vasalis, Leo Vroman, Harry Mulisch, Willem Frederik Hermans, Gerard Reve, Jan Wolkers, Rudy Kousbroek, Tessa de Loo, Cees Nooteboom, Maarten't Hart, A. F. Th.

In 1976 he appeared in his first mainstream film role, in Martin Scorsese's landmark Taxi Driver ; Scorsese allowed Brooks to improvise much of his dialogue.

* Crackerjack – a 2002 Australian comedy film about a wisecracking layabout who joins a lawn bowls club in order to be allowed to use a free parking spot but is forced to play bowls with the much older crowd when the club enters financial difficulty.

With an insurance of $ 1, 500 promised in case of failure, Sennett also allowed Chaplin to direct his own film.

Although Chaplin was known for limiting visitors to his film sets, due to Universal's involvement, he allowed several journalists to follow the shooting at Pinewood Studios.

" We were the first film company in history allowed to shoot on Liberty Island at the Statue of Liberty at night.

After pleading with the executives, Coppola was allowed to cast Brando only if he appeared in the film for much less salary than his previous films, perform a screen-test, and put up a bond saying that he would not cause a delay in the production ( as he had done on previous film sets ).

However, the availability of a back catalogue of films on video also allowed for a different relationship between the viewer and an individual film, while private TV channels brought new money into the film industry and provided a launch pad from which new talent could later move into film.

In the past, the use of a film positive ( not the original negative ) allowed the editor to do as much experimenting as he or she wished, without the risk of damaging the original.

These existed alongside more flamboyant films like Michael Powell and Emeric Pressburger's The Life and Death of Colonel Blimp ( 1943 ), A Canterbury Tale ( 1944 ) and A Matter of Life and Death ( 1946 ), as well as Laurence Olivier's 1944 film Henry V, based on the Shakespearean history Henry V. The success of Snow White and the Seven Dwarfs allowed Disney to make more animated features like Pinocchio ( 1940 ), Fantasia ( 1940 ), Dumbo ( 1941 ) and Bambi ( 1942 ).

This allowed the United States film industry to enter the European cinema market, because American films could be sold more cheaply than European productions, since the studios already had recouped their costs in the home market.

Sometimes dismissed as low-quality escapist fare, the Peplums allowed newer directors such as Sergio Leone and Mario Bava, a means of breaking into the film industry.

Agfa began to produce motion picture film in 1913, but remained a largely local supplier until World War I boycotts of popular French, American and Italian film stocks allowed the UFA film studio to flourish, boosting Agfa's orders.

When the French public were asked to select which film they wanted to see most, having been told by the Vichy government that soon no more American films would be allowed in France, the overwhelming majority chose it over all others.

Whale completed work on the film in 15 days and his contract was allowed to expire.

Unlike MGM, RKO allowed Weissmuller to play other roles, though a three picture contract with Pine-Thomas Productions led to only one film, Swamp Fire, being made, co-starring Buster Crabbe.

The film was shot on location in Monastir, Tunisia, which allowed the production to reuse sets from Franco Zeffirelli's Jesus of Nazareth ( 1977 ).

Likewise, the Trust's control of patents on motion picture cameras ensured that only MPPC studios were able to film, and the projector patents allowed the Trust to make licensing agreements with distributors and theaters – and thus determine who screened their films and where.

The film was voted as the eighth best film set in Los Angeles in the last 25 years, by a group of Los Angeles Times writers and editors, with two criteria: " The movie had to communicate some inherent truth about the L. A. experience, and only one film per director was allowed on the list ".