Consequently a partnership of necessity between Oldham and veteran booking agent Eric Easton was formed when Oldham's mother signed on behalf of her son.

Many of the early releases were by American artists who in the USA were signed to Drag City ( Smog, Will Oldham, Royal Trux ), a relationship which continues to this day.

After being released by Fulham at the end of the 2006 – 07 season, Crossley signed for League One side Oldham Athletic.

He signed a two-year contract at the club, and after his release from prison on 20 August, was free to join Oldham Athletic.

Following this, he was released on a free transfer, and had trials with Oldham Athletic and Wycombe Wanderers, and was later signed full time by the latter.

Upon being released from his contract in April 1999, Andrews moved into non-league football with St Albans City, Aldershot Town and Chesham United before being spotted and signed by Iain Dowie for Oldham Athletic in summer 2002. During his time in non-league football Andrews had a small role in the film Mean Machine, which starred ex-footballer Vinnie Jones.

In August 2011, following his release by Newcastle, Kuqi signed a one-year contract with Oldham Athletic.

Over the next month, he made two substitute appearances against Cheltenham Town and Bournemouth respectively, before he signed off his second spell at The Railwaymen with a goal in the 4 – 1 defeat to Oldham Athletic on 3 May.

He signed a one-year deal with Oldham Athletic in August 2006.

Raper moved to England for the 1986 / 87 season and signed for Oldham.

Oldham and Easton negotiated with Decca Records-which had regretted and were embarrassed by passing on the Beatles-an advantageous recording / production contract for the Rolling Stones, in which they got three times the typical royalty rate for a new act, full artistic control of recordings, and ownership of the recording masters.

The Decca deal also let Oldham use non-Decca recording studios, with Regent Sound Studios, a mono facility decorated by egg boxes on the ceiling for sound treatment, becoming the preferred facility.

Oldham, who despite no recording experience had made himself the band's producer, said at Regent that " The sound leaked, instrument to instrument, the right way " creating a " wall of noise " conducive to the band.

He released his first solo recording as John Paul Jones, " Baja " ( written by Lee Hazlewood and produced by Oldham ) / " A Foggy Day in Vietnam ", as a single on Pye Records in April 1964.

The song uses a sample of Andrew Oldham Orchestra's recording of The Rolling Stones ' 1965 song " The Last Time ".

Vocalist Aidan Moffat and multi-instrumentalist Malcolm Middleton grew up in Falkirk, and bonded over their mutual love for Drag City recording artists such as Smog and Will Oldham ( who at the time recorded under the name Palace Brothers ).

Spooner Oldham, the house organist of Alabama recording studio Muscle Shoals Sound Studio, can be heard playing the Farfisa on numerous southern soul recordings from the 1960s, notably " When a Man Loves a Woman " by Percy Sledge and " I Never Loved a Man ( The Way I Love You )" by Aretha Franklin, among many others.

Howard Greynolds of Overcoat Records was responsible for bringing the two bands together having previously been responsible for Tortoise and Will Oldham recording together.

ABKCO successfully sued The Verve over their song " Bitter Sweet Symphony ", which samples an Andrew Loog Oldham Orchestra recording of " The Last Time " by The Rolling Stones.

Will Oldham, recording under the name Palace Songs, released a version of " Winter Lady " on his 1994 EP Hope.

Between the Buttons proved to be the last album produced by Andrew Loog Oldham, with whom The Rolling Stones would have a creative falling-out in mid-1967 during the arduous and meandering recording sessions for Their Satanic Majesties Request.

* " Stay ", by Will Oldham ( recording as Bonnie ' Prince ' Billy )

Spooner Oldham contributed to the recording of the album, and also toured with the band in support of the record.

( Additionally, though the song was authored by The Rolling Stones, the Andrew Loog Oldham Orchestra performed the sampled recording, and also filed suit upon the success of the song.

Although the song's lyrics were written by Verve vocalist Richard Ashcroft, it has been credited to Keith Richards and Mick Jagger after charges by the original copyright owners that the song was plagiarized from the Andrew Oldham Orchestra recording of The Rolling Stones ' 1965 song " The Last Time ".

Originally, The Verve had negotiated a licence to use a sample from the Oldham recording, but it was successfully argued that the Verve had used " too much " of the sample.

Impressed by her powerful and soulful voice, Mick Jagger convinced Stones manager Andrew Loog Oldham to sign Arnold to a recording contract with his newly founded Immediate Records record label.

Foreseeing the growth in demand for coal as a source of motive and steam power, they acquired colliery rights for Oldham, which by 1771 had 14 colliers.

One reason for the present restriction on boat movements over the summit is that the water rights and associated works were sold to various local authorities in 1923 under the terms of the Oldham and Rochdale Corporations Water Act, as the subsequent increase in leisure traffic was not anticipated.

Edith Mary Oldham Ellis née Lees ( 1861 – 1916 ) was a British writer and women's rights activist.

Despite having original lyrics, the music of " Bitter Sweet Symphony " contains bongo drums sampled from the Oldham track, which led to a lawsuit with ABKCO Records, Allen Klein's company that owns the rights to the Rolling Stones material of the 1960s.

Andrew Loog Oldham, the former producer and manager of The Rolling Stones, commented on how Led Zeppelin had a major influence on the record business, and the way rock concerts were managed and presented to huge audiences.

Oldham changed the spelling of the band name from " the Rollin ' Stones " to " the Rolling Stones " and changed the spelling of Richards last name to Richard because it " looked more pop ".

Oldham presented the Rolling Stones ' use of independent studios to position his artists in the music press as more independent than the Beatles.

Oldham promoted the Rolling Stones as the nasty opposites of the Beatles by having the band pose unsmiling on the cover of the first UK album.

In some cases this was not credited at the time-many recordings by acts such as The Rolling Stones, The Small Faces, Donovan, The Kinks and The Who are credited to their various producers of the time, Andrew Loog Oldham.

* April 29 – 19-year-old Andrew Loog Oldham signs a contract with The Rolling Stones, becoming their manager.

In early 1964 she attended a Rolling Stones launch party with John Dunbar and met Andrew Loog Oldham, who discovered her.

They were almost straight away offered a deal with the newly established Immediate label, formed by ex-Rolling Stones manager Andrew Loog Oldham.

On-air hosts on the channel include original Rolling Stones manager / producer Andrew Loog Oldham, singer / guitarist Joan Jett, former record executive Kid Leo, punk rock singer Handsome Dick Manitoba, and rock entrepreneur Kim Fowley.

Immediate Records was a British record label, started in 1965 by The Rolling Stones ' manager Andrew Loog Oldham and Tony Calder and concentrating on the London-based blues and R & B scene.

Oldham, still a teenager, rapidly acquired a seasoned business partner ( Eric Easton ) and took over management of the Stones who had been informally represented by Giorgio Gomelsky.

Oldham produced all Rolling Stones recordings from 1963 until late 1967 despite having no previous experience as a producer.

He also developed other studio talent with his Andrew Oldham Orchestra, in which Rolling Stones as well as London session players ( including Steve Marriott on harmonica ) recorded pop covers and instrumentals.

Oldham sold his share of the Rolling Stones ' management to Allen Klein in 1966, but continued in his role as the band's de facto manager and producer until late 1967.

The song Andrew's Blues, sung by Gene Pitney with the Rolling Stones and appearing on the Black Box collection CD1, is a humorous if scathing evocation of Oldham.

( Moe's last name is believed to be a re-working of the name of the Rolling Stones ' record producer, Andrew Loog Oldham ).

The UK edition ( in the form producer Andrew Loog Oldham and The Rolling Stones intended it ) was issued on 20 January 1967 ( Mono, LK 4852 ; Stereo, SKL 4852 ) on Decca Records, concurrently with a separate single, " Let's Spend the Night Together " b / w " Ruby Tuesday ".

In 1966 Klein bought Andrew Loog Oldham's share of the Rolling Stones ' management, though Oldham continued in his role as the band's producer until late 1967.