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Pantalone and is
Pasquale is recognizable as the blustery Pantalone, Ernesto as the lovesick Pierrot, Malatesta as the scheming Scapino, and Norina as a wily Columbina.
Ruffiana is most often romantically involved with Pantalone, though his love may easily be unrequited if it suits the plot.
Pantalone, or Pantalone de ' bisognosi, Italian for ' Pantalone of the needy ', is one of the most important principal characters found in commedia del arte.
With his exceptional greed and status at the top of the social order, Pantalone is " money " in the commedia world.
" Pantalone is thought to be greatly based on the old Venetian merchants of the time, known for their stingy and less-than-pleasant personalities.
The character of Pantalone is entirely based on money and ego, for he has the highest regards for his intelligence, " but at every step he becomes the butt for every conceivable kind of trick ".
With little else to occupy his thoughts after a life as a tradesman or merchant, Pantalone is the metaphorical representation of money in the commedia world.
Pantalone is usually the father to one of the lovers, another stock character found in commedia.
Pantalone is presented either as a widower or bachelor, and despite his age, makes numerous passes at the women within the commedia world, " though he is always rejected ".
Pantalone never forgets a deal and his merit is based on actions, not words.
Despite his sinister and often inhumane treatment towards his fellows, Pantalone is perceived to be a pivotal part of commedia.
The traditional Pantalone stance is that of a hunch-backed old man.
For example, the school principal in the film Sixteen Candles ( 1984 ) is an interpretation of the Pantalone character, for his goal is to keep the two main characters from being together and to maintain some type of control of his school.
On the television show The Simpsons, Mr. Burns, owner of the Springfield Nuclear Power Plant and the richest citizen of Springfield, is perhaps the epitome of the Pantalone character.
Pantalone is one of the most complex characters found in commedia dell ' arte and is arguably the most important character in any commedia production.
His interaction in the play is usually mostly with Pantalone, either as a friend, mentor or competitor.
Smitherman urged strategic voting and repeatedly asserted that " a vote for Joe Pantalone is a vote for Rob Ford ".
Joe Pantalone ( born 1952 ) is a former Canadian politician, city councillor for Ward 19, one of two wards in Trinity — Spadina.
Born in the town of Racalmuto, Sicily, Italy to a sharecropping father, Joe Pantalone is the second oldest of 7 children.

Pantalone and .
The Zanni at first wore a full faced carnival mask, but because of the need for dialogue between Pantalone and the Zanni, the bottom of the mask was hinged and eventually cut away altogether.
: Pantalone: Zanni, I want you to earn yourself a sovereign.
: Pantalone: A gold sovereign.
: Pantalone: Zanni, wake up you animal and come here.
: Pantalone: Dear Zanni, take the sonnet.
: Pantalone: I will give it to you.
: Pantalone: It's there.
: Pantalone: It's yours.
: Pantalone: Trust me, my dear Zanni ; take the sonnet and I will give it to you.
The earliest literary evidence portrays Zanni as a servant of Pantalone.
In “ Lazzi of Counting Money ”, the Zanni divides Pantalone ’ s money between Pantolone and himself in the following way: “ One for Pantalone, two for me ( gives one coin to Pantalone and two to himself ); two for Pantalone, three for me ( gives one coin to Pantalone and three to himself ), etc.
She was also known to wear heavy makeup around her eyes and carry a tambourine which she could use to fend off the amorous advances of Pantalone.
Columbina aided her mistress, the innamorata, to gain the affections of her one true love by manipulating Arlecchino and counter-plotting against Pantalone while simultaneously managing the whereabouts of the innamorato.
The Lovers are usually the children of either Dottore or Pantalone.
The primary members of this group are Pantalone, Il Dottore and Il Capitano.
Pantalone and Il Dottore are the alter ego of each other, Pantalone being the decadent wealthy merchant, and Il Dottore being the decadent erudite.

There and is
`` There isn't anything left to say, is there, Keith ''??
There was a measure of protection in its concrete walls and ceiling, but the engineers who hastily installed it were well aware that concrete is not much better than prayer, if as efficacious, when a direct hit comes along.
There is nothing for you '', Matsuo said.
There is much truth in both these charges, and not many Bourbons deny them.
There is unceasing pressure, but its sources are immediate.
There is little time for the men in the command centers to reflect about the implications of these clocks.
There is no room for error or waste.
There is a New South emerging, a South losing the folksy traditions of an agrarian society with the rapidity of an avalanche -- especially within recent decades.
There is a haunting resemblance between the notion of cause in Copernicus and in Freud.
There is still the remote possibility of planetoid collision.
There is the unexplainable, and there art raises questions that it does not attempt to answer ''.
There is nothing holy in wedlock.
There is no more `` plot '' than that ; ;
There is a legend ( Hawthorne records it in his `` English Notebooks ''.
It consists of fragmentary personal revelations, such as `` The Spark '': `` There is a spark dwells deep within my soul.
There is only one catch to this idyllic arrangement: Adam Smith was wrong.
Harris J. Griston, in Shaking The Dust From Shakespeare ( 216 ), writes: `` There is not a word spoken by Shylock which one would expect from a real Jew ''.
There is no justification for such misrepresentation.
There is no socially existential answer to the question.
There is no selectivity ; ;
There is probably some significance in the fact that two of the best incest stories I have encountered in recent years are burlesques of the incest myth.
There is no necessity, I suppose, to assert that Mr. Faulkner is Southern.
There is evidence to suggest, in fact, that many authors of the humorous sketches were prompted to write them -- or to make them as indelicate as they are -- by way of protesting against the artificial refinements which had come to dominate the polite letters of the South.
There may be a case of this sort, but it is not one we wish to argue, here.

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