During this trip he also met Bernard van Orley, Jean Prevost, Gerard Horenbout, Jean Mone, Joachim Patinir & Tommaso Vincidor, though he did not, it seems, meet Quentin Matsys.

File: Joachim Patinir-Temptation of St Anthony-WGA17103. jpg | Joachim Patinir, ca.

For instance Joachim Patinir He was likely the uncle of Henri Blès who is sometimes defined as a Mosan landscape painter active during the second third of the 16th century ( i. e., second generation of landscape painters )

* Joachim Patinir Mosan painter

* October 5 – Joachim Patinir, Flemish painter ( b. c. 1480 )

It is widely believed that Joachim Patinir studied with Matsys at some point during his career and contributed to several of his landscapes.

Saint Jerome, by Joachim Patinir | Joachim Patenier ( circa 1520 ).

Among 16th-century Flemish painting a notable place is occupied by the four panels by Joachim Patinir, The Rest on the Flight into Egypt, Landscape with Saint Jerome, Charon crossing the Styx, and The Temptations of Saint Anthony, painted in collaboration with Quintin Massys.

* Joachim Patinir

He may have travelled to Genoa in 1511 together with Joachim Patinir and Gerard David.

At the same time Joachim Patinir in the Netherlands developed a style of panoramic landscapes with a high aerial viewpoint that remained influential for a century, being used, for example, by Pieter Brueghel the Elder.

Joachim Patinir, also called de Patiner ( c. 1480 – 5 October 1524 ), was a Flemish Northern Renaissance history and landscape painter from the area of modern Wallonia.

* Koch, Robert A. Joachim Patinir ( Princeton: Princeton University Press, 1968 ).

Joachim Patinir: Landscape as an Image of the Pilgrimage of Life.

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While the Low Countries formed part of the Spanish Crown from the 16th century, Philip's II's interest in earlier Flemish Primitive paintings meant that the monarch acquired various masterpieces by its most important artists, from Rogier van der Weyden to Bosch, as well as works by later artists such as Patinir.

Originally from Dinant or Bouvignes in present-day Belgium, Patinir became registered as a member of Antwerp's painters ’ guild Guild of Saint Luke in 1515, where he spent the rest of his life.

He may have studied with Gerard David at Bruges, who had been registered as a guild member in the same year as Patinir.

In 1511, Patinir is believed to have travelled to Genoa with David and Adrien Ysenbrandt.

In 1521, Patinir ’ s friend Albrecht Dürer attended his second wedding and painted his portrait.

Dürer called Patinir " der gute Landschaftmaler " (" a good painter of landscapes "), thus creating a neologism translated later into the French.

Patinir often let his landscapes dwarf his figures, which were often painted by other artists.

There are only five paintings signed by Patinir, but many other works have been attributed to him or his workshop with varying degrees of probability.

Patinir was a pioneer of landscape as an independent genre and he was the first Flemish painter to regard himself primarily as a landscape painter.

Patinir was the friend of not only Dürer, but with Quentin Metsys as well, with whom he often collaborated.

Patinir died in Antwerp in 1524, and Quentin Metsys became the guardian of his children.

There are indications Joachim Meyer, author of the influential 16th century martial arts text Kunst des Fechten (" The Art of Fencing ") came from Basel.

Art historian and the artist's great-grandson Joachim Pissarro notes that they “ professed a passionate disdain for the Salons and refused to exhibit at them .” Together they shared an “ almost militant resolution ” against the Salon, and through their later correspondences it is clear that their mutual admiration “ was based on a kinship of ethical as well as aesthetic concerns ”.

Camille's great-grandson, Joachim Pissarro, is former Head Curator of Drawing and Painting at the Museum of Modern Art in New York City and is now a professor in Hunter College's Art Department.

The two predecessor organisations were Königlich Akademischen Hochschule für ausübende Tonkunst ( Royal Academy of Musical Performing Art ) established in 1869 under Joseph Joachim, which also had adopted the tradition of the famous Stern Conservatory, and the Berlin State School of Fine Arts founded in 1875.

* Art historian Joachim Pissarro cites The Starry Night as an exemplar of the artist's fascination with the nocturnal.

* Web Gallery of Art: Paintings by Joachim Beuckelaer

In 1570, Joachim Meyer wrote a comprehensive, multi-weapon treatise entitled Gründtliche Beschreibung der Kunst des Fechtens or, in English, Thorough Descriptions of the Art of Fencing.

* http :// www. freifechter. de Martial Arts Study group dedicated to Joachim Meyer Art of War.