The Tarlati polyptych by Pietro Lorenzetti, 1320, at Santa Maria della Pieve, includes a depiction of Donatus of Arezzo ( far left )

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Flanking and overlooking Route 6 through the Mignano Gap and its villages ( San Pietro Infine, San Vittore Del Lazio and Cervaro ) are, successively Monte Camino, Monte Lungo, Monte Porchia and Monte Trocchio on the left and Monte San Croce, Monte Corno, Monte Sambúcaro and Monte Maio on the right.

Giambologna was an important influence on later sculptors through his pupils Adriaen de Vries and Pietro Francavilla who left his atelier for Paris in 1601, as well as Pierre Puget who spread Giambologna's influence throughout Northern Europe, and in Italy on Pietro Tacca, who assumed Giambologna's workshop in Florence, and in Rome on Gian Lorenzo Bernini and Alessandro Algardi.

On the left wall is a Descent of the Holy Ghost ( 1790 ) by Pietro Labruzi.

One of Pietro Lorenzetti's most ambitious and largest works was the fresco cycle of the Passion of Christ in the left transept of the Lower Church of San Francesco in Assisi.

According to Maginnis the “ finest and most complete realization of the ambition to conjoin real and painted space was left to Pietro Lorenzetti, working in the left transept.

The lawyer Francesco Sturbinetti, who had led the Council of the Deputies, received the most votes, followed by Carlo Armellini, the physician Pietro Sterbini, monsignor Muzzarelli, in whose hands Pius had left the city and Carlo Luciano Bonaparte, prince of Canino.

The chapel in the left transept has a marble altarpiece of the Annunciation by Filippo Della Valle, with allegorical figures and angels ( 1649 ) by Pietro Bracci, and a frescoed ceiling with The Assumption by Andrea Pozzo.

From left to right ( seating ): Pietro Bertolini, Mehmet Nabi Bey, Guido Fusinato, Rumbeyoglu Fahreddin, and Giuseppe Volpi

* Pietro Guarneri ( Pietro da Venezia ) ( 14 April 1695-7 April 1762 ), finding life in Casa Guarneri in some way uncongenial, left Cremona for good in 1718, eventually settling in Venice.

At lower left, the church of San Pietro in Montorio.

After having been organisational secretary and Senate floor leader of the party, Di Pietro left it in April 2000 because of his opposition to the appointment of Giuliano Amato, a long-time member of the Italian Socialist Party ( which was the principal subject of investigation of Di Pietro when magistrate ), as Prime Minister of Italy after the resignation of Massimo D ' Alema.

Di Pietro, after he was refused entry the PD, and before several clashes with Clemente Mastella, even proposed an electoral list between its party, the UDEUR Populars and the Union of Christian and Centre Democrats, ruling out any future alliance with the far left ( Federation of the Greens, Party of Italian Communists and Communist Refoundation Party ).

On the left Di Pietro is described as a right-wing populist by Fausto Bertinotti, as well as by some political commentators.

In 1921 Pietro Nenni left the PRI to become an important leader of the PSI.

President George W. Bush and Laura Bush welcome outgoing Archbishop of Washington McCarrick, left, the incoming Archbishop of Washington Donald Wuerl, far right, and Papal Nuncio Pietro Sambi to the White House.

The sculptural program, too, is fascinating: on the left, in the furthest niche resides Pietro Bernini's " Saint John the Baptist " ( 1616 ), and in the closest niche on the right is Francesco Mochi's Saint Martha ( 1629 ), which is significantly larger than the other three sculptures, with Saint Martha seeming to want to leave her niche.

Their savior came in the form of Pietro Rezza, a southerner from the region of Puglia who married into one of the town's wealthiest families and left the operation of the team to his niece's husband, Gabriele Gravina.

The statement of Travaglio resulted in fierce negative reactions from Italian politicians, including from the centre left, except for Antonio Di Pietro who said that Travaglio was " merely doing his job ".

Bernini was born in Naples to a Mannerist sculptor, Pietro Bernini, originally from Florence, and Angelica Galante, a Neapolitan, the sixth of their thirteen children.

Some commentators have identified the inquisitor as Pietro della Aquila, the inquisitor of Florence in 1345.

The church's picture of the Immaculate Heart of Mary ( which measures 5½m x 3m ) was painted by Pietro Annigoni ( 1910 – 1988 ) in Florence, and took nine months to complete.

In 1992, Harris also attended the ongoing trials of Pietro Pacciani, who was suspected of being the serial killer nicknamed the " Monster of Florence ".

The equestrian statue of Cosimo I de ' Medici also in Florence, was completed by his studio assistant Pietro Tacca.

During the late 13th century and early 14th century, much of the painting in Italy was Byzantine in Character, notably that of Duccio of Siena and Cimabue of Florence, while Pietro Cavallini in Rome was more Gothic in style.

Pietro Lorenzetti was responsible for works in Assisi, Florence, Pistoia, and Cortona, as well as Siena.

He founded the Monastery of San Pietro di Luco in Mugello near Florence to establish the model of their " Litte Rule " in 1086.

The mosaics of Pietro Cavallini in Santa Maria in Trastevere in Rome ( 1291 ), the frescos of Giotto in the Scrovegni Chapel in Padua ( 1303 ), Domenico Ghirlandaio's fresco at the church of Santa Maria Novella in Florence ( 1486 ), and Donatello's gilded sculpture at the church of Santa Croce, Florence ( 1435 ) are famous examples.

Pietro Leopoldo, Grand Duke of Tuscany, decreed in 1784 that all the schools of drawing in Florence be combined under one roof, the new founded Accademia di Belle Arti (" Academy of Fine Arts "), while the Academics College of the prestigious medicean institution changed its name to Accademia delle Arti del Disegno, conserving the task of artistic formation and supervision of artistic production of the Grand Duchy of Tuscany.

Soon after he went to Italy on foot, and was well received at Rome by Pietro da Cortona, who took him into his studio and employed him on the ceilings of the Palazzo Barberini and on those of Palazzo Pitti at Florence.

Poggio's History of Florence, written in avowed imitation of Livy's manner, requires separate mention, since it exemplifies by its defects the weakness of that merely stylistic treatment which deprived so much of Leonardo Bruni's, Carlo Marsuppini's and Pietro Bembo's work of historical weight.

The suggestion made by Pierre Grosley of Troyes that Pietro Giunti, called " Larivey " ( the name Larivey or l ' Arrivey would have been taken by way of translation from giunto ) was a member of the family of the Giunti, the famous printers of Florence and Venice, is subject to caution.

Inferior to them, but still always worthy of note, were Jacopo Nardi ( a just and faithful historian and a virtuous man, who defended the rights of Florence against the Medici before Charles V ), Benedetto Varchi, Giambattista Adriani, Bernardo Segni, and, outside Tuscany, Camillo Porzio, who related the Congiura de baroni and the history of Italy from 1547 to 1552 ; Angelo di Costanza, Pietro Bembo, Paolo Paruta, and others.

Thal 1972, 66 – 68 .</ ref > At Florence, Campigli gave him a spring season as first comic tenor at the Teatro Nuovo, and at Lord Cowper's house he heard Pietro Nardini play Tartini's sonata.

He died in San Pietro di Careggi, near Florence, in 1807.

Pietro Citati ( Florence, 1930 ) is a famous Italian writer and literary critic.

The players were Cosimo I de ' Medici and Pietro Strozzi who were representatives of Florence with a Hispanic alliance with Siena as well as a French alliance.

* L. Bianconi, Viaggio in Levante di Pietro della Valle, Florence, 1942

Pietro Mascagni L ’ amico Fritz ( Suzel ) – opera interpreted in première for Teatro Della Pergole of Florence in 1891 and for Bucharest National Theatre in 1910 ;

Pietro Mascagni I Rantzau ( Luisa ) – opera composed for her voice and interpreted in prima assoluta at Teatro Delle Pergole of Florence on 10 November 1892 and in première for Teatro dell ’ Opera of Rome on 26 November 1892 ;