Jarmusch is also featured on the album Wu-Tang Meets the Indie Culture ( 2005 ) in two interludes described by Sean Fennessy in a Pitchfork Media review of the album as both " bizarrely pretentious " and " reason alone to give it a listen ".

* Interview with Amanda Petrusich, Pitchfork Media, November 27, 2006

However, it received mixed reviews: Pitchfork Media called it " flat and dead ", while Allmusic called it " a refreshingly retro rock & roll album "

As with many artists, they have themselves raised questions about their earlier work ; Rob Brown mentioned that Incunabula and Amber retrospectively sounded " cheesy " in a 2008 interview with Pitchfork Media prior to the release of Quaristice.

" Jon DeRosa of Pitchfork Media describes how the band's sound was different from the punk rock coming out of New York at the time: " New York punk was just punk, simple and static.

The record was described as " redundant " by Pitchfork Media, in what Empire called " probably one of the dumbest reviews I ’ ve ever read about any record.

Wendy Fonarow, an anthropology professor and author of the book Empire of Dirt: The Aesthetics and Rituals of British Indie Culture, asserts that this change occurred because at the turn of the century American bands began to be influenced by British indie music and the Internet, which made British music publications and online music websites such as Pitchfork Media immediately available to readers.

Pitchfork Media also ranked it number 25 on its list of the Top 100 Albums of the 1980s.

" Pitchfork Media

Pitchfork Media rated it at # 44 on its list of the best albums of the 2000s.

In an interview with Pitchfork Media, drummer? uestlove said that the album was 97 % finished and that D ' Angelo was just finishing his lyrics.

In 2005, two popular indie music publications, Pitchfork Media and Stylus Magazine, independently named Kid A the best album of the past five years.

* Pitchfork Media, focus on independent artists.

Many of these bands were heavily plugged by the Pitchfork Media website.

Needless to say, the gentlemen are giddy like schoolchildren to be given this opportunity ," as reported by Pitchfork Media.

The album received mostly positive reviews, gaining four stars from Rolling Stone and a 9. 0 from Pitchfork Media.

Pitchfork Media listed Swordfishtrombones as 11th best album of the 1980s.

Pitchfork Media placed ( ) 29th on its list of the fifty best albums of 2002, and 135th on the a list of the top 200 albums of the 2000s ( decade ).

It was met with critical acclaim, rating an 8. 4 from Pitchfork Media and garnering positive reviews from the music press as a whole.

Rechristened The Obliterati, the new album was released on Matador on May 23, 2006 and was named as the 33rd best record of 2006 by Pitchfork Media and placed 50th in the Pazz & Jop poll.

The album was critically well-received including a 9. 8 out of 10 score from online music magazine, Pitchfork Media.

Pitchfork Media described it as a " quantum leap record ".

Many critics reviewed the album, Pitchfork Media quotes " The Richard D. James Album is 43. 5 minutes of pure electronic genius " A review by the Chicago Sun-Times < nowiki >'</ nowiki > Jim DeRogatis said of the album: " James has turned inward for inspiration, painting aural pictures of real and imagined scenes from his West Country childhood.

Publications like Nylon and Pitchfork Media run sub-stations of their online publications strictly for original video content.

Pitchfork Media named it the forty-second best song of the Sixties.

In 2009, it was named the best album of the 2000s in several rankings such as Pitchfork, Rolling Stone, and The Times, and was ranked # 67 in the updated version of Rolling Stone's 500 Greatest Albums of All Time.

The album was also a critical success, being ranked 114th on Pitchfork Media's Top 200 Albums of the first decade of the 21st century List, and 10th on Rhapsody's Hip Hop's Best Albums Of The Decade List.

It was ranked 59th by the online magazine Pitchfork Media on the list of the 200 albums of the decade.

In 2004, it was ranked 37 of the top 100 albums of the 1970s by Pitchfork which reported the album to be " held by many as the most impressive debut in pop music history.

Pitchfork Media ranked the album as the third best album of 2000, trailing Kid A by Radiohead and Ágætis Byrjun by Sigur Rós.

Also, it ranked # 32 in Pitchfork Media's original Top 100 albums of the 1990s list.

The album was ranked # 61 on Pitchfork Media's The Top 100 Albums Of The 1970s list.

In 2002, Pitchfork awarded the album their maximum grade of 10. 0 / 10. 0 in a review of the album's reissue and ranked it as the 5th greatest album of the 90s in 2003.

The album ranked # 89 on Under The Radar's Top 200 Albums of the 2000s and # 96 on Pitchfork Media's The 100 Best Albums of 2000-2004.

Pitchfork Media ranked the album # 18 on its list of the top 20 albums of 2000.

" Suzanne ", an ode to a " half-crazy " woman who lives near the St. Lawrence River in Montreal and who is capable of profound personal / spiritual connection with the song's narrator, was ranked 41st on Pitchfork Media's ' Top 200 Songs of the 1960s '.

" Pitchfork later ranked the album # 45 on their list of the top 100 albums of 1990s.

It was ranked # 74 on Pitchfork Media's list of the 100 best albums of the 1970s.

It was ranked number 49 in Rolling Stone < nowiki >'</ nowiki > s " Top 100 Albums of the Eighties " list, and number 69 on Pitchfork Media's list of the same name.

It was ranked the 20th best album of the year on Pitchfork Media's Top 50 Albums of 2002.

Emergency & I was ranked the best album of 1999 by Pitchfork Media.

It was ranked No. 84 on Pitchfork Media's " Top 100 Albums of the 1970s ".

Pitchfork ranked Pink Flag number 22 in its list " Top 100 Albums of the 1970s ".

" The song was ranked by Pitchfork Media as the 21st best track of the 2000s ; they wrote that "' Since U Been Gone ' gave us one of the most blunt rallying cries of the last ten years, a perfectly realized sing-along chorus that will be a karaoke staple for years.

Pitchfork. com ranked this album at # 24 on its " Top 100 Albums of the 90s " list.

Pitchfork. com ranked the album at # 41 on their " Top Albums of the 90s " list ( 1999 ).

Pitchfork Media ranked the song # 45 on its Top 200 Tracks of the 1990s list, with reviewer Tom Breihan writing " This track established the South as a serious force in the music, proving that these Texans could do dark better than anyone on either coast.

It's also ranked # 73 in the " The Top 100 Singles of 2000-04 ", of Pitchfork Media