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Page "Theosophy" ¶ 30
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# and Primacy
# REDIRECT Primacy of Ireland
# REDIRECT Serial position effect # Primacy effect
# REDIRECT Primacy of the Bishop of Rome
# REDIRECT Primacy of the Bishop of Rome
# REDIRECT Primacy of the Bishop of Rome
# REDIRECT Primacy of Simon Peter
# REDIRECT Primacy of the Bishop of Rome
# REDIRECT Primacy of Simon Peter
# REDIRECT Primacy of the Bishop of Rome
# REDIRECT Primacy of the Bishop of Rome

# and Mythic
# REDIRECT Mythic Entertainment
# REDIRECT Mythic Entertainment

# and creative
# Creativity – it follows that they will feel more free to be creative.
Though Englehart and Starlin soon left as the creative talent for the title, its success grew once writer Doug Moench and artist Paul Gulacy, began collaborating in issues # 22.
# Exercises in fantasy or creative fiction.
# The creative process is akin to dreaming awake: as such, it is a mimetic, and cathartic, representation of an unconscious impulse or desire that is best expressed and revealed by metaphors and symbols.
# Strict taxation of all churches — " The productive, the creative, the resourceful should be subsidized.
Veitch's term ended in 1989 in a widely publicized creative dispute, when DC refused to publish issue # 88 because of the use of Jesus Christ as a character despite having previously approved the script, in which Swamp Thing is a cupbearer who offers Jesus water when he calls for it from the cross.
The title was relaunched from issue # 1 by the creative team of writer Grant Morrison and artist Rags Morales.
Still psychologically overwhelmed by the cancellation of SMiLE and the imminent birth of his first child Carnie Wilson in 1968 amid the looming financial insolvency of The Beach Boys ( Friends, which was largely written and produced by Wilson and recorded with much involvement from the Wrecking Crew, peaked at # 126 on the American charts ), Wilson's creative directorship within the band became increasingly tenuous.
After issue # 16 ( Nov. 1991 ), McFarlane left the book due to creative clashes with new editor Danny Fingeroth.
# Teaching techniques and strategies for facilitating creative performance
In The Spectre, the creative credits varied widely over the 10 issues published, with perhaps the most notable participant being a then-newcomer to comics, future industry art legend Neal Adams, who drew issues # 2-5 ( and also wrote # 4-5 ).
Jijé passed the Spirou et Fantasio strip to Franquin, five boards into the making of Spirou et la maison préfabriquée, and from Spirou issue # 427 released 20 June 1946, the young Franquin held creative responsibility of the series.
The creative team received enhanced popularity following " The Great Darkness Saga ", which ran from # 287 ; # 290 – 294 ; and Annual # 3, featuring a full assault on the United Planets by Darkseid.
) Though the team failed to save the title, which ended its initial run with # 66 ( March 1970 ), the collaboration here and on the " Kree-Skrull War " arc of The Avengers # 93-97 ( Nov. 1971-May 1972 ) produced what comics historians regard as some of Marvel's creative highlights of the era.
About. com ranked the group's lead MC, Wise Intelligent, # 5 on its list of the 10 Most Underrated Rappers, calling him " one of the most creative MCs of our time.
Rieber's last issue was issue # 50, coincidentally the point at which original co-creator Neil Gaiman decided that the time was right to stop " taking DC's $ 200 an issue and not doing anything " and resigned as creative consultant on the book.
# Artists who have distinguished themselves by pioneering in a mode of creative expression or style, making an impact on succeeding generations of artists ;
In 2006, the series was retitled Hawkgirl with issue # 50 and given a new creative team Walter Simonson and Howard Chaykin.
# REDIRECT creative nonfiction

# and Imagination
# Imagination and mediations: Imaginations as a power that provides access to worlds and levels of reality intermediary between the material world and the divine.
Recording for Buddah in the mid 1970s, the group hit its popular and critical peak with # 1 R & B hits such as " I've Got to Use My Imagination ", and " Best Thing That Ever Happened To Me ".
* 1973: " I've Got to Use My Imagination " ( US # 4 )
* 1973: Imagination ( US # 9 )
Tales of Mystery and Imagination peaked at # 38 on Billboard's Pop Albums chart.
# " Imagination ( Is a Powerful Deceiver )" – 3: 38
# " Imagination ( Is a Powerful Deceiver )" – 3: 39
# Imagination and Taste, How Impaired and Restored
# Imagination and Taste, How Impaired and Restored ( Concluded )
* Just Like That / Whole Lot Of Imagination ( Arvee # 5001 ) ( 1959 )
# " A Stretch of the Imagination " ( 1973 )
Active in the early independent comics of the 1970s, Morrow contributed mostly spot illustrations, covers and pinups rather than stories to titles including publisher David Jablin's Imagination # 1 ( 1971 ); Mark Feldman's I'll Be Damned # 4 ( 1971 ); John Carbonaro's Phase # 1 ( Sept. 1971 ); Doug Murray & Richard Garrison Heritage # 1A and 1B ( 1972 ); and Gary Berman & Adam Malin's Infinity # 2, 3B, 4-5 ( 1970 ?- 1973 ).
# Imagination Technologies Group
* " Karuna, Inc .", Paul Di Filippo ( Fantastic Stories of the Imagination # 21, Spring 2001 ; Strange Trades, Golden Gryphon )
# REDIRECT Simply Mad About the Mouse: A Musical Celebration of Imagination
# redirectJust My Imagination ( Running Away with Me )
# Point of View: Scientific Imagination in the Renaissance
# " Her Imagination " – 5: 21 of " Soul Inside " double 7 "
# REDIRECT Society for Art of Imagination
# REDIRECT Imagination

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