Help


[permalink] [id link]
+
Page "Ackermann function" ¶ 12
from Wikipedia
Edit
Promote Demote Fragment Fix

Some Related Sentences

Rózsa and Péter
400 AD ), Ada Lovelace ( 1815 – 1852 ), Maria Gaetana Agnesi ( 1718 – 1799 ), Emmy Noether ( 1882 – 1935 ), Sophie Germain ( 1776 – 1831 ), Sofia Kovalevskaya ( 1850 – 1891 ), Alicia Boole Stott ( 1860 – 1940 ), Rózsa Péter ( 1905 – 1977 ), Julia Robinson ( 1919 – 1985 ), Olga Taussky-Todd ( 1906 – 1995 ), Émilie du Châtelet ( 1706 – 1749 ), Mary Cartwright ( 1900 – 1998 ), Olga Ladyzhenskaya ( 1922 – 2004 ), and Olga Oleinik ( 1925 – 2001 ).
The term was coined by Rózsa Péter.
* February 16 – Rózsa Péter, Hungarian mathematician ( b. 1905 )
Rózsa Péter
Rózsa Péter ( orig.
: Politzer ), Hungarian name Péter Rózsa, ( 17 February 1905 – 16 February 1977 ) was a Hungarian mathematician.
Péter was born in Budapest, Hungary, as Rózsa Politzer ( Hungarian: Politzer Rózsa ).
* " Rózsa Péter ", Biographies of Women Mathematicians, Agnes Scott College
de: Rózsa Péter
es: Rózsa Péter
fr: Rózsa Péter
it: Rózsa Péter
hu: Péter Rózsa
# REDIRECT Rózsa Péter
* Tamás Deutsch, Norbert Rózsa, Péter Horváth, and Béla Szabados
His fellow students included the future logician Rózsa Péter.

Rózsa and later
In 1964 the choir performed the world premier of Hungarian composer Miklós Rózsa ’ s major vocal piece, “ The Vanities of Life .” A decade later the choir would perform the west coast premier of Polish composer Krzysztof Penderecki ’ s “ Passion According to St. Luke ”.
Rózsa later adapted portions of this work for the score of Billy Wilder's 1970 film The Private Life of Sherlock Holmes, the plot of which, Wilder has said, was inspired by Rózsa's concerto.

Rózsa and version
* A Hungarian version called Zsákbamacska ran on M1 The show was initially hosted by Rózsa György.
After the theme became a chart hit, the publishers of the score for the 1946 film version of The Killers composed by Miklós Rózsa challenged the authorship of the copyright of the Dragnet " Main Title ".

Rózsa and became
Selznick originally wanted Bernard Herrmann but when Herrmann became unavailable, Rózsa was hired, winning the Academy Award for his score.
In 1945 Rózsa was hired to compose the score for Alfred Hitchcock's film Spellbound, after Bernard Herrmann became unavailable due to other commitments.

Rózsa and by
The music was composed by Miklós Rózsa, except for the song " Farewell, Amanda ", which was written by Cole Porter.
The film boasts an orchestral score by Miklós Rózsa notable for its pioneering use of the theremin, performed by Dr. Samuel Hoffmann.
* Spellbound Concerto by Miklós Rózsa Music to the film arranged by Rózsa
One piece of source music, " Rakoczy March ", an 1809 piece by John Bihari, was conducted by Miklós Rózsa.
It was one of the last films scored by veteran composer Miklós Rózsa, who received the 1979 Saturn Award for Best Music.
As well as recording his own film music in Phase 4 Stereo he made LPs of movie scores by others, such as " Great Shakespearean Films " ( music by Shostakovich for Hamlet, Walton for Richard III and Rózsa for Julius Caesar ), and " Great British Film Music " ( movie scores by Lambert, Bax, Benjamin, Walton, Vaughan Williams, and Bliss ).
Miklós Rózsa was born in Budapest and was introduced to classical and folk music by his mother, Regina Berkovits, a pianist who had studied with pupils of Franz Liszt, and his father, Gyula, a well-to-do industrialist and landowner who loved Hungarian folk music.
Rózsa was introduced to film music in 1934 by his friend, the Swiss-born composer Arthur Honegger.
Rózsa went to see it and was greatly impressed by the opportunities the motion picture medium offered.
However, it was not until Rózsa moved to London that he was hired to compose his first film score, that for the film Knight Without Armour, produced by his fellow Hungarian Alexander Korda.
Rózsa, who also reportedly hated the interruptions and interference by producer David O Selznick, never worked for either Hitchcock or Selznick again.
* Miklós Rózsa: Életem történeteiből ( Discussions with János Sebestyén, edited by György Lehotay-Horváth ).
Norton ( 1992 )-ISBN 0-393-30874-X-p. 98-179 ( in this chapter, the author analyzes Rózsa's score from Quo Vadis ( 1951 film ) ( p. 126-130 ), on a few pages more, he also discusses Julius Caesar ( 1953 film ) and King of Kings ), a couple of other film works by Miklós Rózsa are merely mentioned )

Rózsa and many
Rózsa composed the scores for many of MGM's epic films, including Quo Vadis?

Rózsa and .
* 1907 – Miklós Rózsa, Hungarian composer ( d. 1995 )
* Rózsa, Lajos 2009.
Along with such composers as Franz Waxman, Erich Wolfgang Korngold, Alfred Newman and Miklós Rózsa, Steiner played a major part in creating the tradition of writing music for films.
Although Rózsa considered Spellbound to contain some of his best work, he said " Alfred Hitchcock didn't like the music-said it got in the way of his direction.
This was the last film for both costume designer Edith Head and composer Miklós Rózsa.
* Rose ( Rózsa ) – pale red in color with strong aroma and mild pungency.
Nicholas Meyer won the Saturn Award for Best Writing, Mary Steenburgen won the Saturn Award for Best Actress, and Miklós Rózsa won the Saturn Award for Best Music.
In the 19th and 20th centuries countless composers after Mozart and Beethoven have taken up this challenge, including Lennox Berkeley, Carlos Chávez, Henry Cowell, Jean Cras, Paul Dessau, Ernst von Dohnányi, Hanns Eisler, Jean Françaix, Heinrich von Herzogenberg, Paul Hindemith, Gideon Klein, Frank Martin, Bohuslav Martinů, Darius Milhaud, Ernest John Moeran, Manuel Ponce, Max Reger, Terry Riley, Alexis Roland-Manuel, Miklós Rózsa, Arnold Schoenberg, Franz Schubert, William Schuman, Jean Sibelius, Robert Simpson, Richard Strauss, Sergei Taneyev, Heitor Villa-Lobos, Anton Webern, and Eugène Ysaÿe.
Miklós Rózsa, composer of the music for Quo Vadis and of numerous concert works, dedicated his String Quartet No. 1, Op.
In 1966, without an audition, she enrolled at the London Opera Centre to study under Vera Rózsa and James Robertson, who reputedly said Te Kanawa lacked a singing technique when she arrived at the school but did have a gift for captivating audiences.
Miklós Rózsa used the cimbalom in the main theme and throughout the score for the 1968 science-fiction thriller The Power.
The most famous Hungarian betyárs were Rózsa Sándor and Jóska Sobri.
Miklós Rózsa () ( 18 April 190727 July 1995 ) was a Hungarian-born composer trained in Germany ( 1925-1931 ), and active in France ( 19311935 ), England ( 1935-1940 ), and the United States ( 1940-1995 ), with extensive sojourns in Italy from 1953.

0.140 seconds.