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# REDIRECT Matthew Cooper
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# and REDIRECT
# and Matthew
* British — Graham, Matthew, and Ashley Pharaoh: Ashes to Ashes ( 2008 TV series ; main character, Alex Drake, is haunted by Pierrot like that in David Bowie video Ashes to Ashes ); Mahoney, Brian: Pierrot in Turquoise or The Looking Glass Murders ( 1970 film written and performed by David Bowie and Lindsay Kemp, adapted from their stage-play of the same title and produced by Scottish Television also # Songs, albums, and rock musicals | Songs, albums, and rock musicals below ).
In Swamp Thing # 84, written by Rick Veitch, Dream and Eve allow Matthew Cable to live in the Dreaming, because he died there, resurrecting him as a raven.
# Patricia Reed ( 1955 – 1960 ) ( two children: Matthew – born May 27, 1957 – and actress Devon Scott – born November 29, 1958 ).
# Ursula ( 1904 – 1967 ) married 1924 the 3rd Viscount Ridley, by whom issue including Matthew Ridley, 4th Viscount Ridley ( b. 1925 ) and his brother Nicholas Ridley, Baron Ridley of Liddesdale ( 1929 – 1993 ), and a daughter.
# The virgin birth was a historical event, and the narratives of Matthew and Luke are based on different aspects of the event according to witnesses ' reports of it.
He may also have printed the Matthew Bible of 1537 ( Herbert # 34 ), the combined work of William Tyndale, Myles Coverdale and John Rogers.
It is not known who printed the 1537 Matthew Bible ( Herbert # 34 ); it may have been Jacobus van Meteren in Antwerp.
The other was printed by John Daye and William Seres ( Herbert # 74 ), and made extensive changes to the notes of the original Matthew Bible, included copious commentaries on the book of Revelation based on the book Image of Two Churches by contemporary John Bale, and included the infamous " wife-beater's note ".
Sold as a facsimmile of Matthew's Version, it is in fact Becke's 1549 edition of the Matthew Bible but contains preliminary pages from Raynalde and Hyll's 1549 version, and even a copy of the title page from the 1549 Great Bible ( Herbert # 76 ).
Antarctic employee Matthew High stated, shortly after the cancellation of these orders, that these orders were in line with the publisher's expectations and that Wagner had not turned in any art for # 13.
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