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Rambova and was
It was on this film that Valentino met his second wife, Natacha Rambova.
The film, mostly under the control of Rambova and Nazimova, was considered too avant garde by critics and the public.
The tour was a tremendous success with Valentino and Rambova performing in 88 cities in the United States and Canada.
While Rambova worked designing costumes and rewriting the script for Falcon, Valentino was persuaded to film Cobra with Nita Naldi.
Toward the end of their marriage, Rambova was banned from his sets by contract.
The end of the marriage was bitter, with Valentino bequeathing Rambova one dollar in his will.
In fact, the marriages to Acker and Rambova, as well as the relationship with Pola Negri, only serve to add to the suspicion that Valentino was gay and that these were " lavender marriages ", as all have documented lesbian relationships.
Valentino left his estate to his brother, sister, and Rambova's aunt Teresa Werner, who was left the share originally bequeathed to Rambova.
He was looking for a leading lady for Cobra, the first independent project he and his wife Natacha Rambova were producing.
Natacha Rambova ( January 19, 1897 – June 5, 1966 ) was an American silent film costume and set designer, artistic director, screenwriter, producer and occasional actress.
Rambova was born Winifred Shaughnessy in Salt Lake City.
Rambova was adopted by her stepfather, making her legal name Winifred Hudnut.
Rambova was rebellious, and mocked her stepfather for being passive.
Rambova was gifted at ballet, and trained with Rosita Mauri at the Paris Opéra during the summers.
Rambova joined him and was dismayed to find herself as part of Kosloff's " arty harem ".
Nazimova was impressed and when she asked for revisions to some costumes, Rambova took out a pencil and began to make the revisions, showing that she had done the work.
Rambova was determined to bring the art deco look to America, as it was transforming film making in Europe.
Valentino negotiated a slightly better contract and was now earning more than Rambova.
It was also the last film Nazimova and Rambova would work on together.
The pictures were damaging to Valentino's image, and also were seen as evidence that he was carrying on with Rambova during his divorce from Acker.
He complained to Rambova that everything from the sets to the cast was cheap.
Rambova stated she was not worried, and could keep them afloat with her designs.
Rambova was credited under her legal name Winifred Hudnut.
Rambova was angry and erupted in tears.

Rambova and by
Valentino first met Winifred Shaughnessy, known by her stage name, Natacha Rambova, an American silent film costume and set designer, art director, and protégée of Nazimova, on the set of Uncharted Seas in 1921.
Several books were written including one by Rambova.
The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.
The pictures had been taken by Rambova as part of a series of faun pictures for a magazine called Shadowland, that featured art and dancer photos.
Valentino and Rambova tried to fight back, by granting interviews claiming that ' Valentino is not a Henpecked Husband '.
When Rambova was offered a position by Nazimova she was finally able to leave Kosloff.
Rambova had been sent to New York by the studio before Valentino's jailing, and was informed at a stop in Chicago.
Actress Myrna Loy claimed that Rambova was unfairly criticized, that Valentino was like a little boy wanting to please people by saying yes to everything, while Rambova took the blame by going after these people and saying no.

Rambova and television
She appeared in a 1964 episode of Dr. Kildare (" Tyger Tyger ") and later appeared in numerous television series and made-for-television movies, one of which is The Legend of Valentino ( 1975 ), wherein she played Rudolph Valentino's second wife, Natacha Rambova.

Rambova and Valentino
Rambova, Mathis, Ivano, and Valentino began work on the Alla Nazimova film Camille.
After finishing the film, Valentino married Rambova, which led to a bigamy trial.
Valentino felt he had underperformed in the film, being upset over his separation with Rambova.
Missing Rambova, Valentino returned to New York after the release of The Young Rajah.
After speaking with Rambova and his lawyer Arthur Butler Graham, Valentino declared a ' One man Strike ' against Famous Players.
With the marriage under strain, Valentino began shooting and Rambova announced that she needed a " marital vacation ".
Having to wait the year or face the possibility of being arrested again, Rambova and Valentino lived in separate apartments in New York City, each with their own roommates.
Valentino and Rambova divorced in 1925.
* January 19-Natacha Rambova, dramatist and wife of Rudolph Valentino
Before their marriage a public controversy over pictures Rambova had taken of Valentino, dressed up as a faun or pan-like God.
Valentino complained that his separation from Rambova distracted his acting, causing a sub-par performance.
He then suggested Valentino and Rambova partake in a dance tour to help the promotion and keep Valentino's name in the spotlight.
Once the tour wrapped up, Valentino and Rambova legally married and the press praised Rambova for her " business sense ".
Rambova, alongside Valentino and Henabery, decided Mathis ' script for The Hooded Falcon would not do and that a script doctor should be used.
When Ullman informed Mathis of the decision, Mathis quit speaking to both Rambova and Valentino, ending their long friendship.

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