2: The Legendary Cowboy Recordings reveal that several additional Cowboy label single releases were planned for the Four Aces, but this never occurred.

Two live albums were released via Kufala Recordings in 2004.

Recordings of three vocalists were spliced together to get the effect — a soprano, an alto, and a hog caller ).

Recordings made with the phonautograph were intended to be visual representations of the sound and were not to be reproduced as sound until 2008.

were featured in the hip hop film Krush Groove, a fictionalized re-telling of Russell Simmons ' rise as a hip-hop entrepreneur and his struggles to get his own label, Def Jam Recordings, off the ground.

Recordings from these sessions with Fowley were later released in 1981 on an album misleadingly titled The Original Modern Lovers ( reissued on CD by Bomp Records in 2000 ).

The Cruising sessions were finally released officially on the CD "( MIA ): The Complete Recordings.

Recordings of both concerts were eventually released as LPs and later combined into one CD.

Recordings of Trooper Harper calling the dispatcher were played at the trials of both Acoli and Assata Shakur.

One year later, Simon's studio albums were re-released both individually and together in a limited-edition nine-CD boxed set, Paul Simon: The Studio Recordings 1972 – 2000.

Recordings were sent to London, and after some discussion the BBC decided to commission the series for a longer national run.

As new systems and computer production software became more affordable to everyone and the record deals were increasing into its members Vanian-UT was about to close, what took D-Mark to initiate and lead a new record label project called DanceDP Recordings.

These years were also when D-Mark set the opening of his new record label project DanceDP Recordings.

Recordings of the SFS under the direction of Edo de Waart, including digital recordings made in Davies Symphony Hall, were released by Philips and Nonesuch.

Recordings on LP and CD were preponderantly of the latter type, and the large scale Messiah came to seem old-fashioned.

Sound engineer ( and infamous LSD chemist ) Owsley Stanley regularly recorded concerts at major San Francisco venues during this period, and his archive includes many QMS live performances from 1966 – 67, which were released on his Bear Recordings label in 2008-2009.

Recordings from these tours were used for the live albums Liveage!

None of these labels made the distribution transition after American Recordings left Warner Bros. Records in 1997, and its recordings were deleted.

Recordings of the concerts prove that the east German audience knew the lyrics of his solo songs, and in particular all of the " Ton Steine Scherben " songs which he performed by heart, even though the albums were hard to come by in the GDR.

Recordings of Sarah Vaughan were inducted into the Grammy Hall of Fame, which is a special Grammy award established in 1973 to honor recordings that are at least twenty-five years old, and that have " qualitative or historical significance.

The Giraffes record was the first of a planned series of six made under a volume agreement with Ballew's main label, Columbia however only two albums were made, the second was released by Orange Recordings.

Both tracks were compiled on the 1976 LP First Recordings — Electronic Music Winners, which Radiohead instrumentalist Jonny Greenwood stumbled upon while the band was working on Kid A.

Recordings from this trip were issued under the title Sounds of the South and some were also featured in the Coen brothers ’ film Oh Brother, Where Art Thou.

" Recordings from the tour made up the live album Stage, released the same year.

Recordings made on a cylinder remain at a constant linear velocity for the entirety of the recording, while those made on a disc have a higher linear velocity at the outer portion of the groove compared to the inner portion.

Recordings made using these other equalization schemes will typically sound odd if they are played through a RIAA-equalized preamplifier.

Recordings made by this group in 1923 demonstrated the serious artistry of the New Orleans style of collective improvisation or Dixieland music to a wider audience.

Recordings made by the new electric microphone process are released in 1925 ; Art Gillham is featured on this one

* Recordings of Tovey performing on piano were made for the National Gramophonic Society ( NGS-114-117 ) on June 6 and 11, and September 4, 1928, playing Tovey's conjectural completion of Bach's The Art of Fugue, Bach's Sonata No. 2 in A Major BWV1015 ( 1st mvt ), and Beethoven's 10th Violin Sonata in G major, Op.

Recordings made with the record button ( as opposed to the Timer ) would simply stop in 3-15 minutes

The band was put on hiatus ; its future was made even more doubtful following Crack's death in 2001, and Elias ' decision to leave DHR and create Fatal Recordings.

Recordings of Crowley reading the First and Second Calls of the Aethyrs ( in both English and Enochian ) exist ; they were recorded as part of a series of wax cylinder recordings made by Crowley in 1922, and can be found on various compilations of these recordings onto CD which are widely available today.

Recordings of yodelers were made as early as 1892 and in 1920 the Victor recording company listed 17 yodels in their catalogue, many of them by George Watson, the most successful yodeler of the time.

Recordings of key sections of his repertoire were made from 1978 up to his death, but there are also tapes of many live concerts from this time, which were never commercially released but can be found in archives, principally the International Piano Archive at Maryland.

Limited edition copies of Yeah Yeah Yeahs on 12 " were made available for Record Store Day 2010 to commemorate the 10th Anniversary of Wichita Recordings.

Recordings for books 5 – 8 have been made by Koji Toyoda, although many of the pieces can be found separately on other artist's albums.

Recordings were made for:

Recordings of Tolkien reading excerpts from The Hobbit and The Lord of the Rings were made in Malvern in 1952, at the home of George Sayer.

Recordings were usually made in the studio, but Floris was mostly shot outside.

Recordings have been made by the Philip Jones Brass Ensemble and similar groups.

Recordings of their dialect, made before the last native speakers died, have been made available through a project of the Royal Irish Academy Library.