Reviewer Peter Holland analysed the placement of intervals in 1997:

Reviewer Peter Travers noted that the newer film has mixed " twists lifted from 1972's Conquest of the Planet of the Apes and 1999's Deep Blue Sea.

Reviewer Peter Sanderson of IGN Comics, while acknowledging that the series is " widely reviled ", and opining that DC Comics ' publicity for the series was " misleading ", suggested that Batman's treatment of Grayson was comparable to a drill sergeant's treatment of a new recruit, but questioned whether this would merely traumatize Grayson further.

The cast consisted of Michelle Dowd as Nancy ( who won an IRNE ( Independent Reviewer of New England ) Award for Best Actress for the role ), Peter Brown as Charlie, Claude Del as Leslie, and Emma Goodman as Sarah.

Reviewer " Sushi-X " called the game " average " and that " it lacks the rest of the positive traits that truly rates an exceptional game.

" Reviewer Julie Robertson wrote, “ I don ’ t know what I love best about Gerald Haslam ’ s writing: the validation of his own turf, his marvelous sense of history and metaphor, or his zany and poignant characters .” Historian Kevin Starr observed, “ for Haslam the Great Central Valley offers a profound and dynamic probe, an axis of approach, a metaphor, into the human condition itself .” Professor David Fine asserts, “ He writes with tolerance about intolerance, with a sense of justice about injustice and with humor that doesn ’ t stoop to condescension .” The Long Beach Press-Telegram called him simply “ the writers ’ writer .”

Reviewer Rankin Armstrong in the Belfast News Letter ( Northern Ireland ) called the Tin Man " the ultimate warrior using cutting-edge technology.

Reviewer Lawrence Van Gelder, writing for New York Times, called the acting " rudimentary ", but found the movie enjoyable: "... this latest Sinbad adventure maintains the innocent and atavistic juvenile charm of the others in the series.

" Reviewer, Thom Jurek praised the album highly, stating, " It's better than good, it's beyond expectation -- and it was high after Jasper County -- it's the best example of what a popular record -- not just a country one -- should aspire to be, period.

Reviewer David Upchurch gave the Amiga version a score of 830 ( out of a possible 1000 ), praising the graphics and gameplay, but noting that it may not appeal to hard-core RPG enthusiasts.

" Reviewer Neil H. Jones stated that this film showed " Henriksen at his best.

Reviewer Shannon Appelcline said ( of the 2nd edition game ) " It's based on a fun concept -- blowing the heck out of each others cars '-- the box design is appealing, and there's a matching Battle Cattle game that's compatible.

Reviewer Bob Mandel found that the most disappointing part of the dropped multiplayer game was that " as you progress through the game, a number of tantalizing clues emerge of places you can go and activities you can undertake only through the promised online mode.

Reviewer David Upchurch praised the game for its fluid graphics and scrolling, good controls, and " long-term challenge ".

Reviewer Mark Herro described the game in 1980 as " one of the most popular ( if not the most popular ) computer games around.

Reviewer Steve Harris criticized the game for its awkward controls, lack of originality, and a " zero-grav effect " while jumping.

Reviewer Arinn Dembo writing for Computer Gaming World gave the game 4 and a half ( out of 5 ) stars, and the game received an Editor's Choice Award ; Computer Game Review ( now defunct ) applauded Phantasmagoria with its Golden Triad Award.

Reviewer David Upchurch at the time claimed the Amiga version was better than Shadow of the Beast 2, calling it " technically (...) the most accomplished and polished game yet written for the Amiga ".

Reviewer Ryan Davis from GameSpot similarly wrote that the game was " way too easy for the average platformer player.

Reviewer Michael T. Malloy thought the book to have an exotic setting, but deemed it too mainstream American feminist, dealing with only the " Me and Mom " genre.

Reviewer Dave Sindelar gives the film a positive review: " It's not perfect ; it's a little too long, so you end up figuring some of the final revelations before you should, and it gets a little repetitive at times, but the strong acting and some memorable images make it worth the investment.

" Reviewer Doug Anderson of The Sydney Morning Herald wrote that Tessa was "... too arty and sympathetic to serve any purpose other than an emotional spur for the hero's vengeance.

Paul Tatara from CNN Reviewer praised Amélies playful nature.

Reviewer David Rowley found its lyrics to " read like a picture story from a girl's comic ," and to depict the picture " of walking down a street and seeing a girl silhouetted in a window, not answering the telephone.

" Reviewer Sheldon Richman explains that for Shahak, Zionism was both a reflection of, and capitulation to, European antisemitism, " since it, like the anti-Semites, holds that Jews are everywhere aliens who would best be isolated from the rest of the world.

Reviewer Jerzy Lewandowski writes " the book should allow people from outside the loopy circles to gain access in the current state of the art.

" Reviewer, Liam Lacey, from The Daily Globe and Mail said of the film, " never escapes the queasy aura of Melrose Place: just another story about naive people with small problems.

Reviewer Torie Atkinson found the episode misogynistic and said she " knew from the start this was going to be awful from the offensive orientalist set pieces and the references to ' therapeutic shore leave ' for men only.

Reviewer David Rowley found its lyrics to " read like a picture story from a girl's comic ", and to depict the picture " of walking down a street and seeing a girl silhouetted in a window, not answering the telephone ".

Reviewer Merle Bertrand of Film Threat was unenthused by the premise of the film, but found that " its rapid-fire editing, mystically brooding yet ironic atmosphere, and eerie soundtrack keeps it from ever becoming dull " despite its repetitive treatment of the subject matter, and ultimately hailed the documentary as " a brilliant and intelligent viewing experience ".

Reviewer Samrat Sharma from fullhyd calls it " a film that celebrates cinema's achievement in creating the spectacle as an art form, and hands out a visual storytelling device that fuses music and colors in a vivid narrative ".

Staff Reviewer Tom Gafkjen from d20zines. com awarded the book a " B " grade.

Reviewer Nick Hide compared this with other MMORPGs in which players persevere through dull tasks, just to level up or obtain a new item, due to an emotional attachment with the character.

Reviewer Paul Tatara, on the other hand, criticized the film for using well-worn plot mechanisms, " stiff characterizations and ridiculous line readings ".

ISI also publishes two other scholarly journals, the quarterly Modern Age, and the annual The Political Science Reviewer, as well as a web journal, First Principles.

: — Reviewer: First off: Does your name rhyme with " vogue " or is like a cow ’ s " moo " plus a g at the end?

Reviewer John Jenkins compared the dizzying complexity of splinter groups which results as akin to Monty Python's Life of Brian with its " Judean People's Front ", " People's Front of Judea ", " Judean Popular People's Front " and so on.

* Video clip of interview with Mary Doria Russell and NPR Book Reviewer Alan Cheuse talking about faith and fiction in The Sparrow.

Reviewer Charles Spano characterized some of the band's work as the result of the group skewing " their pop brilliance with Ric Ocasek grooves, a

Reviewer Charley Walters awarded the release with 5 stars in the 1979 Rolling Stone Record Guide edited by Dave Marsh and John Swenson, although it was subsequently reduced to 4 stars in the 1983 revised and updated edition of the book.

Bendix was touted as the Cultural Reviewer, and typically greets listeners with a cheery " Good hello !".

Reviewer Ifdary Bailey wrote that this " everyday story of family life in a revenge tragedy, of relations and revelations, hidden identities and loss of identity, incest and inheritance, all brooded over by the Father Who Will Not Die, carries itself forward swiftly and surely to its conclusion with strength and control.

Reviewer Marcus L. Rowland said in White Dwarf # 26 that he found the adventure " very enjoyable, with ideas and creatures eminently suitable for wider use ".

Reviewer Jeff Bond was mostly pleased with the episode:

Reviewer Bryan Pope critiqued the DVD version as, " Breezy and confident, and with a wing dinger of a soundtrack, Fandango is the definition of a sleeper.

" Reviewer Chris Searle defended accusations against Atzmon ’ s " crude anti-zionist rhetoric ,” writing “ No jazz musicians have done more to honour, publicise and spread solidarity with the struggle of the Palestinians than Atzmon and the Orient House Ensemble .” John Mearsheimer has defended Atzmon, writing with regard to the charge that Atzmon is anti-semitic, " to be perfectly clear, he has no animus toward Judaism as a religion or with individuals who are Jewish by birth.

" Reviewer Abbie Bernstein of the Audio Video Revolution website wrote that Tessa was "... depicted not as a screechy, in-the-dark Lois Lane but rather as a woman who handles her lover ’ s supernatural aspects with remarkable pragmatism.