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Romantic and music
Ludwig van Beethoven ( 1770 – 1827 ) was the leading composer of Romantic music.
Romantic composers were using long forms of music, e. g. symphony and concerto, while impressionist composers were favoring short forms such as nocturne, arabesque and prelude.
" In most aspects what some would call impressionist music is indistinguishable from late Romantic music.
Vaughan Williams ' music utilizes melodies and harmonies found in English folk music, such as the pentatonic scale and modes, making it perfectly suited to the polarity-breaking ideals of the impressionist movement, which began moving away from the Major-minor based tonality of the Romantic composers.
* Brahms by Malcolm MacDonald is a biography and discussion of virtually everything Brahms composed, along with chapters examining his position in Romantic music, his devotion to Early Music, and his influence on later composers.
When a student is taking western classical music lessons, music teachers often spend some time explaining the different eras of western classical music, such as the Baroque era, the Classical era, the Romantic era, and the Modern era, because each era is associated with different styles of music and different performance practice techniques.
Their significance for the history of violin playing and the music of the Romantic era, Stiftung Zentralstelle der Studentenschaft der Universität Zürich, Zurich, 1997
The poems also exerted an influence on the burgeoning of Romantic music, and Franz Schubert, in particular composed Lieder setting many of Ossian's poems.
Even the music of the Romantic movement, including Liszt, Chopin, Robert Schumann, Felix Mendelssohn and Johannes Brahms, was written for pianos substantially different from modern pianos.
The Romantic composer Franz Liszt set three of Petrarch's Sonnets ( 47, 104, and 123 ) to music for voice, Tre sonetti del Petrarca, which he later would transcribe for solo piano for inclusion in the suite Années de Pèlerinage.
# REDIRECT Romantic music
Romantic music is a term describing a style of Western classical music that began in the late 18th or early 19th century.
Romantic music as a movement evolved from the formats, genres and musical ideas established in earlier periods, such as the classical period, and went further in the name of expression and syncretism of different art forms with music.
simple: Romantic music
* Alexander Goldscheider set the entire text to music and recorded it with Jaroslava Maxová, Jaroslav Březina and Romantic Robot Orchestra on a CD released by Romantic Robot, London.
The influence of the Sturm und Drang (" Storm and Stress ") period in music, with its brief foreshadowing of the Romantic era, is evident in the music of both composers at that time.

Romantic and attempted
Romantic socialism as a movement attempted to reconcile religious and material needs in society.

Romantic and increase
Several factors — including growth of education, the influence of the Romantic movement generally and in music, popularization ( including the ' star-status ' of many performers such as Liszt and Paganini ), among others — led to an increasing interest in music among non-specialist journals, and an increase in the number of critics by profession, of varying degrees of competence and integrity.

Romantic and emotional
Originating in France, musical Impressionism is characterized by suggestion and atmosphere, and eschews the emotional excesses of the Romantic era.
Such binary pairs could include Enlightenment / Romantic, male / female, speech / writing, rational / emotional, signifier / signified, symbolic / imaginary.
In the Romantic period, music became more expressive and emotional, expanding to encompass literature, art, and philosophy.
The work covers more emotional ground than earlier works had, and is often cited as the beginning of the Romantic period in music.
Romantic love in the abstract sense of the term, is traditionally referred to as involving a mix of emotional and sexual desire for another as a person.
Holmes, an outspoken critic of over-sentimental Transcendentalist and Romantic poetry, often slipped into sentimentality when writing his occasional poetry, but would often balance such emotional excess with humor.
To the English Romantic imagination, moorlands fitted this image perfectly, enhancing the emotional impact of the story by placing it within a heightened and evocative landscape.
A biography by Anton Schindler was in accordance with this sense of Beethoven as Romantic, constantly putting direct emotional symbols into his work, such as saying " Thus Fate Knocks at the Door!
While it is often associated with music of the Romantic Period, classical performers frequently use rubato for emotional expressiveness in all kinds of works.

Romantic and expression
Finally in the west the idea of " art for art's sake " began to find expression in the work of the Romantic painters like Francisco de Goya, John Constable, and J. M. W.
The Roman love elegy of Tibullus, Propertius and Ovid ( Amores, Heroides ), with its focus on the poetic " I " and the expression of personal feeling, may be the thematic ancestor of much medieval, renaissance, Romantic and modern lyric poetry, but these works were composed in elegiac couplets, and so were not lyric poetry in the ancient sense.
Piano quintets by Louis Spohr, Franz Berwald, Joachim Raff, Alexander Borodin, César Franck and most notably Antonín Dvořák further solidifed the genre as a quintessential " vehicle for Romantic expression.
In particular, Pound's studies of Romantic literature had led him to an admiration of the condensed, direct expression that he detected in the writings of Arnaut Daniel, Dante, and Guido Cavalcanti, amongst others.
In poetry, the Romantic movement emphasised the creative expression of the individual and the need to find and formulate new forms of expression.
Attempting to express the " language of the common man ", Wordsworth and his fellow Romantic poets focused on employing poetic language for a wider audience, countering the mimetic, tightly constrained Neo-Classic poems ( although it's important to note that the poet wrote first and foremost for his / her own creative, expression ).
A permanent place in the history of German literature belongs to Friedrich Schlegel and his brother August Wilhelm as the critical leaders of the Romantic school, which derived from them most of its governing ideas as to the characteristics of the Middle Ages, and as to the methods of literary expression.
Marie Salle, a Romantic ballerina with expressive qualities, likely influenced Noverre to write about the importance of expression in dance.
" Following this in a 1934 analysis of Romantic poetry, Margaret Sherwood stated that the poem was " a perfect expression of the phase of primitive feeling and dim thought in regard to earth processes when these are passing into a thought of personality.
The German Romantic movement used the expression of gloss for poems commenting on a given other piece of poetry, often in the Spanish Décima style.
The name comacini Romantic historians of the nineteenth century traced to the location where they supposedly had their headquarters, the minute Isola Comacina in Lake Como, alleged to have been a safe haven during the Lombard invasion ; a more inventive etymology derives from a supposed Latin expression cum machinis, referring to their tools.
This theme had a profound impact in the development of Russian and Soviet imperialism ; it also appears in works by the Polish Romantic poets Zygmunt Krasiński and Adam Mickiewicz, including the latter's familiar expression, " Polska Chrystusem narodów " (" Poland is the Christ of the nations ").
Romantic artists during the 19th century used the epic of nature as an expression of the sublime
The neoclassical impulse found its expression in such features as the use of pared-down performing forces, an emphasis on rhythm and on contrapuntal texture, an updated or expanded tonal harmony, and a concentration on absolute music as opposed to Romantic program music.
However, the sonata form, as an inherited " mold ", also created a kind of tension for Romantic composers: the desire to combine poetical expression and academic rigor, which were often seen as being in conflict.
Before its adoption by Nicholas I, narodnost was a central tenet of Russian Romantic writers, the Russian expression of a principle more often called Romantic nationalism.
During the Romantic era, technological advances allowed new features to be added to the organ, increasing its potential for expression.
The city was revitalised in the 19th century with rapid industrialisation and the building of rail connections, and as in the rest of Europe, the artistic, literary, and intellectual Romantic movement found its expression here in reaction to the Industrial Revolution.
The music of Frédéric Chopin and Stanisław Moniuszko inspired the development of Polish Romantic movement in all fields of creative expression.

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