During the period from 1 July 1960 through 31 January 1961, the Medical Museum was required to move to Temporary Building `` S '' on the Mall from Chase Hall.

I tested it in my scoped S & W and it was good enough to allow me to hit a chuck with every shot at 100 yards if I did my part by holding the handgun steadily.

, S & H,, and.

Add holes in top, forming `` S '' for salt and `` P '' for pepper.

According to Philippoff, the recoverable shear S is given by Af where **yc is the angle of extinction.

On C, from the point P at Af to the point Q at Af, we construct the chord, and upon the chord as a side erect a square in such a way that as S approaches zero the square is inside C.

As S increases we consider the two free corner points of the square, Af and Af, adjacent to P and Q respectively.

As S approaches T the square will be outside C and therefore both Af and Af must cross C an odd number of times as S varies from zero to T.

As S varies from zero to T, the values of S for which Af and Af cross C will be denoted by Af and Af respectively.

Now with P fixed at Af, Af-values occur when the corner Af crosses C, and are among the values of S such that Af.

The photocathode sensitivities S, phosphor efficiencies P, and anode potentials V of the individual stages shall be distinguished by means of subscripts 1, and 2, in the text, where required.

The luminous gain of a single stage with Af ( flux gain ) is, to a first approximation, given by the product of the photocathode sensitivity S ( amp / lumen ), the anode potential V ( volts ), and the phosphor conversion efficiency P ( lumen/watt ).

In practical situations there will be restrictions on the admissible operating conditions, and we regard the vectors as belonging to a fixed and bounded set S.

The set of vectors Af constitutes the operating policy or, more briefly, the policy, and a policy is admissible if all the Af belong to S.

Mr. Kililngsworth was a foreman with S and W Cafeteria.

Thus, if what is at issue is whether `` All S is P '', it is indifferent whether `` Some S is not P '' or `` No S is P '', since in either case the judgment in question is false.

Lincoln closely supervised the war effort, especially the selection of top generals, including commanding general Ulysses S. Grant.

Lincoln's assassination was the first assassination of a U. S. president and sent the nation into mourning.

Army of Mississippi in Encyclopedia of the American Civil War: A Political, Social, and Military History, edited by David S. Heidler and Jeanne T. Heidler.

" In Encyclopedia of the American Civil War: A Political, Social, and Military History, edited by David S. Heidler and Jeanne T. Heidler.

* If S and T are in M then so are S ∪ T and S ∩ T, and also a ( S ∪ T )

* If S and T are in M with S ⊆ T then T − S is in M and a ( T − S ) =

The view that there was no rigid structure is reinforced by S. T. Joshi, who stated " Lovecraft's imaginary cosmogony was never a static system but rather a sort of aesthetic construct that remained ever adaptable to its creator's developing personality and altering interests ... here was never a rigid system that might be posthumously appropriated ... he essence of the mythos lies not in a pantheon of imaginary deities nor in a cobwebby collection of forgotten tomes, but rather in a certain convincing cosmic attitude.

* Joshi, S. T. ( 2008 ).

Among the books found in his library ( as evidenced in Lovecraft's Library by S. T. Joshi ) was " The Seven Who Were Hanged " by Leonid Andreyev and " A Strange Manuscript Found in a Copper Cylinder " by James De Mille.

Lovecraft's style has often been criticised by unsympathetic critics, yet scholars such as S. T. Joshi have shown that Lovecraft consciously utilised a variety of literary devices to form a unique style of his own-these include conscious archaism, prose-poetic techniques combined with essay-form techniques, alliteration, anaphora, crescendo, transferred epithet, metaphor, symbolism and colloquialism.

They collect the standard texts as edited by S. T. Joshi, most of which were available in the Arkham House editions, with the exception of the restored text of " The Shadow Out of Time " from The Dreams in the Witch House, which had been previously released by small-press publisher Hippocampus Press.

It was edited by S. T. Joshi and David E. Schultz.

* Lovecraft: Disturbing the Universe ( ISBN 0-8131-1728-3 ), by Donald R. Burleson, PhD, a longtime scholar on Lovecraft and acquaintance of S. T. Joshi, is probably the only book analyzing Lovecraft's literature from a deconstructionist standpoint.

* The Rise and Fall of the Cthulhu Mythos by S. T. Joshi ( Mythos Books, 2008 ) is the first full-length critical study since Lin Carter's to examine the development of Lovecraft's Mythos and its outworking in the oeuvres of various modern writers.

* A newer, more extensive biography is H. P. Lovecraft: A Life ( ISBN 0-940884-88-7 ) written by Lovecraft scholar S. T. Joshi.

* Other significant Lovecraft-related works are An H. P. Lovecraft Encyclopedia by Joshi and David S. Schulz ; Lovecraft's Library: A Catalogue ( a meticulous listing of many of the books in Lovecraft's now scattered library ), by Joshi ; Lovecraft at Last, an account by Willis Conover of his teenage correspondence with Lovecraft ; Joshi's A Subtler Magick: The Writings and Philosophy of H. P. Lovecraft.

* An Epicure in the Terrible ( Fairleigh Dickinson University Press, 1991 ), edited by David E. Schultz and S. T. Joshi is an anthology of 13 essays on Lovecraft ( excluding Joshi's lengthy introduction ) on the centennial of Lovecraft's birth.

The authors include S. T. Joshi, Kenneth W. Faig, Jr, Jason C. Eckhardt, Will Murray, Donald R. Burleson, Peter Cannon, Stefan Dziemianowicz, Steven J. Mariconda, David E. Schultz, Robert H. Waugh, Robert M. Price, R. Boerem, Norman R. Gatford and Barton Levi St. Armand.

P. Lovecraft: Alone in Space ,” chapter 3 in Emperors of Dreams: Some Notes on Weird Poetry by S. T. Joshi ( Sydney: P ’ rea Press, 2008: ISBN 978-0-9804625-3-1 ( pbk ) and ISBN 978-0-9804625-4-8 ( hbk )), discusses some of Lovecraft's weird poetry.

Lovecraft " by S. T. Joshi

In his analysis of post-World War II horror fiction, The Modern Weird Tale ( 2001 ), critic S. T. Joshi devotes a chapter to King's work.

Since he first came to prominence in the mid-1960s, critics have cited Campbell as one of the leading writers in his field: T. E. D. Klein has written that " Campbell reigns supreme in the field today ", while S. T. Joshi stated, " future generations will regard him as the leading horror writer of our generation, every bit the equal of Lovecraft or Blackwood.

Other tales, such as " The End of a Summer's Day " and " Concussion ", show the emergence of Campbell's highly distinctive mature style, of which S. T. Joshi has written:

S. T. Joshi ( 2002 )

* Joshi, S. T. ( ed ) The Count of Thirty: A Tribute to Ramsey Campbell.

* Joshi, S. T. Ramsey Campbell and Modern Horror Fiction.

In the book " Icons of Horror and the Supernatural: An Encyclopedia of Our Worst Nightmares, Volume 1 ", author S. T. Joshi cites both Waluigi and Wario as examples of alter egos, also as evidence of how popular it is to feature such character archetypes.

In the book Icons of Horror and the Supernatural: An Encyclopedia of Our Worst Nightmares, Volume 1, author S. T. Joshi cites both Waluigi and Wario as examples of alter egos, also as evidence of how popular it is to feature such character archetypes ..

In his book, The Evolution of the Weird Tale, S. T. Joshi titled his chapter on Serling " The Moral Supernatural " and spoke of how difficult it is to categorize Serling's writings.