Scene 1: Boaz Acquires the Right to Redeem Ruth and Naomi ( 4: 1 – 12 )

Scene 2: Naomi Is Restored to Life and Fullness ( 4: 13 – 17 )

Scene 3: Epilogue: A Judean Family Restored ( 4: 18 – 22 )

Image: Scene 4. jpg | Act I scene 4

* a duet for Elisabeth and Eboli in Act 4, Scene 1

* a duet for Carlos and the King after the death of Posa in Act 4, Scene 2

After the première and before leaving Paris, Verdi authorised the Opéra authorities to end Act 4, Scene 2 with the death of Posa ( thus omitting the insurrection scene ) if they thought fit.

In Act 3, Scene VI of Shakespeare's Macbeth ( c. 1603 – 06 ) Lennox refers to Edward as " the most pious Edward ," and in Act 4, Scene III, Malcolm describes his powers of healing those afflicted with " the evil ", or scrofula.

* Indy Mogul 4 Minute Film School: Mise en Scene

* " Suckers ", a 2003 episode in season 4 of CSI: Crime Scene Investigation

Scene from act 4 of Swan Lake, Vienna State Opera, 2004

* Shakespeare, in Henry IV Part II Act 4 Scene 4 refers to aconite, alongside rash gunpowder, working as strongly as the " venom of suggestion " to break up close relationships ( cf Iago's role in Othello ).

The Graphic then published " the first reproduction of a photograph with a full tonal range in a newspaper " on March 4, 1880 ( entitled " A Scene in Shantytown ") with a crude halftone screen.

Leslie illustration of Act 4, Scene 3 from the The Illustrated London News | Illustrated London News, 3 Nov. 1886 ; engraved by William Luson Thomas

Another problem occurs in Act 4, Scene 3, where Hortensio tells Vincentio that Lucentio has married Bianca.

However, as far as Hortensio should be concerned, Lucentio has denounced Bianca ( in Act 4, Scene 2, Tranio ( disguised as Lucentio ) agreed with Hortensio that neither of them would pursue Bianca, because she obviously loved Cambio ), and as such, his knowledge of the marriage of who he supposes to be Lucentio and Bianca makes no sense, and again seems to suggest some careless editing on Shakespeare's part.

The final blow is dealt towards the end of the play, in Act 4, Scene 5, when Katherina is made to switch the words moon and sun, and she acknowledges that she will agree with whatever Petruchio says no matter how absurd:

Julius Caesar Ibbetson illustration of Act 4, Scene 5 ( Petruchio insists the moon is shining and Ketherina agrees ) from Boydell Shakespeare Gallery | The Boydell Shakespeare Prints ; engraved by Isaac Taylor ( 1759 – 1829 ) | Isaac Taylor ( 1803 ).

Specificially, Daly reorganised Act 4 so that Act 4, Scene 2 ( the arrival of the pedant in Padua ) comes before Act 4, Scene 1 ( Petruchio and Katherina arriving at his house ), and Act 4, Scene 4 ( the pedant confirms the dowry for Bianca ) precedes Act 4, Scene 3 ( Petruchio's taming of Katherina ).

* Dinner Table Scene — Orchestra

* There's not a man I meet but doth salute me / As if I were their well-acquainted friend — Shakespeare, The Comedy of Errors, Act IV, Scene 3 ( 1594 )

His first film productions were for German television, and it was during his work on the popular German Tatort ( Crime Scene ) TV series that he first met and worked with the actor Jürgen Prochnow — who would later appear as the U-boat captain in Petersen's famous Das Boot.

Three scenes from the opera — the Inn Scene, the Scene in Marina's Boudoir, and the Fountain Scene — were performed on 5 February 1873 at the Mariinsky Theatre.

* Russian — Chagall, Marc ( worked mainly in France ): Circus Scene ( late 1960s / early 1970s ), Pierrot lunaire ( 1969 ).

* Jean-Philippe Rameau: " L ' hymen — Chaconne ", Scene VI from Les fêtes d ' Hébé ( 1739 )

William Shakespeare mentions the game in Act I — Scene II of Henry V ; the Dauphin, a French Prince, sends King Henry a gift of tennis-balls, out of jest, in response to Henry's claim to the French throne.

# The fourth movement, Scena e canto gitano (" Scene and gypsy song ") opens with five cadenzas — first by the horns and trumpets, then solo violin, flute, clarinet, and harp — played over rolls on various percussion instruments.

In this revenge play, when the raped and mutilated Lavinia reveals the identity of her rapists, her uncle Marcus invokes the story of Lucrece to urge an oath to revenge the crime: " And swear with me — as, with the woeful fere / And father of that chaste dishonoured dame, / Lord Junius Brutus swore for Lucrece ' rape -- / That we will prosecute by good advice / Mortal revenge upon these traitorous Goths, / And see their blood, or die with this reproach " ( 4. 1. 89 – 94 ). The rapist Tarquin is also mentioned in Macbeth's soliloquy from Act 2 Scene 1 of Macbeth: " wither'd Murther.

* 1960: San Francisco Scene — Capitol

* Roxy Music — Same Old Scene

Scene 1 — The Duchess ’ s palace in Malfi: Antonio and Delio are discussing the former's return from France, and discussing how the French king runs his court, comparing it to an easily poisoned fountain.

Scene 1 — The Duchess ’ s palace in Malfi, nine months later: Bosola and Castruchio enter, Bosola criticizing his companion ’ s appearance, and telling him that he would make a ridiculous judge.

Scene 2 — Same place and time as the previous scene: Bosola, alone, realizes that the Duchess is indeed pregnant.

Scene 3 — Same place and time as the previous scene: Bosola re-enters the now empty room, having heard a woman ( the Duchess ) shriek.

Scene 4 — The Cardinal ’ s rooms: The Cardinal and his mistress, Julia, are discussing their rendezvous, when a messenger calls the Cardinal away with an important message.

Scene 5 — Rome, in Ferdinand ’ s private apartments: An enraged Ferdinand, with the letter from Bosola, and his brother the Cardinal, meet to discuss what they think is an awful treachery by their sister.

Scene 1 — The Duchess ’ s palace in Malfi, after some time has passed: Antonio greets the returning Delio, who has come from Rome with Ferdinand.

Scene 2 — The Duchess ’ s bedchamber: Antonio comes up to the Duchess ’ s bedroom to spend the night, and they banter back and forth about the point of lovers just sleeping together.

The subject of the painting comes from Henry VIII, Act II, Scene iv, and the refutation of Cardinal Wolsey, charged with obtaining Henry's divorce from his Queen, Katherine.

Scene 3 — A room in a palace at Rome: The Cardinal, Ferdinand, Malateste, Pescara, Silvio and Delio are discussing the new fortifications that are being made in Naples.

Scene 4 — The shrine of Our Lady of Loreto, Italy, in the Ancona province: Two pilgrims are visiting the shrine in Ancona, and witness the Cardinal being symbolically prepared for war.

Scene 1 — Outside Ferdinand and the Cardinal ’ s palace in Milan: Antonio returns to see if he can reconcile with Ferdinand and the Cardinal, but Delio is dubious as to the wisdom of this.

Scene 5 — The same apartments, near Julia ’ s lodging: The Cardinal, unaware of what has just happened, is reading a book when Bosola enter with a servant, who is bearing Antonio ’ s body.