Before Maytime was finished, Schulberg announced that Bow was given the lead in the studio's biggest seasonal assessment, Poisoned Paradise, but first she was lent to First National Pictures to co-star in the adaptation of Gertrude Atherton's 1923 bestseller Black Oxen, shot in October, and to co-star with Colleen Moore in Painted People, shot in November.

Bow remembered their reunion ; " I didn't care a rap, for ( Maxine Alton ), or B. P. Schulberg, or my motion picture career, or Clara Bow, I just threw myself into his arms and kissed and kissed him, and we both cried like a couple of fool kids.

Three days later, it was announced that Schulberg would join with Adolph Zukor to become associate producer of Paramount Pictures, "... catapulted into this position because he had Clara Bow under personal contract ".

* In 1981, Budd Schulberg described Bow as " a easy winner of the dumbbell award " who " couldn't act " and compared her to a puppy who his father B. P.

According to Clara Bow biographer David Stenn, Zukor proposed to Schulberg that he wanted to merge Preferred Pictures with Paramount, so that he could get Bow and make a star out of her, due to what Zukor saw as the great potential that she had as an actress.

Schulberg agreed, but wanted Zukor to allow him to produce and control the product that Paramount assigned to him for Bow, which included script, casting, production crew, and wardrobe control.

Three days later it was announced that Schulberg would join with Adolph Zukor and became associate producer of Paramount Pictures, bringing his organization, i. e. Clara Bow.

In 1931, Paramount top-star Clara Bow left the studio, and within a year Schulberg was " squeezed out ", and forced back to independent film-production.

The five months he collaborated with Budd Schulberg on a screenplay tentatively titled A Stone in the River Hudson, an early version of On the Waterfront was also a major disappointment for Siodmak.

On Broadway, he worked with Arthur Miller, Tennessee Williams, and William Inge ; in film, he worked again with Willams ( A Streetcar Named Desire and Baby Doll ), Inge ( Splendor in the Grass ), Budd Schulberg ( On the Waterfront and A Face in the Crowd ), John Steinbeck ( Viva Zapata!

At the ceremony, screenwriter Budd Schulberg, who wrote On the Waterfront, thanks his lifelong friend saying, “ Elia Kazan has touched us all with his capacity to honor not only the heroic man, but the hero in every man .” In an interview with the American Film Institute in 1976, Kazan spoke of his love of the cinema: " I think it's the most wonderful art in the world.

The film was Hitchcock's second Hollywood production since leaving the United Kingdom in 1939 ( the first was Rebecca ) and had an unusually large number of writers: Robert Benchley, Charles Bennett, Harold Clurman, Joan Harrison, Ben Hecht, James Hilton, John Howard Lawson, John Lee Mahin, Richard Maibaum, and Budd Schulberg, with Bennett, Benchley, Harrison, and Hilton the only writers credited in the finished film.

The extras feature color production footage shot by Chaplin ’ s half-brother Sydney, deleted barbershop sequence from Chaplin ’ s 1919 film Sunnyside, barbershop sequence from Sydney Chaplin ’ s 1921 film King, Queen, Joker, and The Tramp and the Dictator ( 2001 ), Kevin Brownlow and Michael Kloft ’ s documentary paralleling the lives of Chaplin and Hitler, including interviews with author Ray Bradbury, director Sidney Lumet, screenwriter Budd Schulberg, and others.

On October 21, 1925, Schulberg filed Preferred Pictures for bankruptcy, with debts at $ 820, 774 and assets $ 1, 420.

* A Face in the Crowd creator Budd Schulberg maintained his story was actually inspired by contrasts between the public image and private personality of Will Rogers, Sr. Also, the film's protagonist, Lonesome Rhodes, with his combination of country singing and country storytelling, superficially resembled popular TV host Tennessee Ernie Ford.

One of his collaborators was F. Scott Fitzgerald, who was fired because of his alcoholic binge during a visit with Schulberg to Dartmouth.

While serving in the Navy during World War II, Schulberg was assigned to the Office of Strategic Services ( OSS ), working with John Ford's documentary unit.

In 1950, Schulberg published The Disenchanted, about a young screenwriter who collaborates on a screenplay about a college winter festival with a famous novelist at the nadir of his career.

In 1958, Schulberg wrote and co-produced ( with his younger brother, Stuart ) the film Wind Across the Everglades, directed by Nicholas Ray.

* Channel 4 News interview with Budd Schulberg, February 2009

* 1998 interview with Schulberg about On the Waterfront

Following the hearing he resumed his career and worked with Elia Kazan and Budd Schulberg, two other HUAC " friendly witnesses ", on the 1954 film On the Waterfront, which is widely seen as an allegory and apologia for testifying.

Along with Budd Schulberg, the following were the original co-founders of the Writers Workshop: Ernest Mayhand, Leumas Sirrah, James Thomas Jackson, Birdell Chew Moore, Sonora McKeller, Jimmy Sherman, Johnie Scott, Guadelupe de Saavedra, Harley Mims, Eric Priestlery, Alvin Saxon Jr. ( Ojenke ), Ryan Vallejo Kennedy, and Blossom Powe.

Schulberg and Hector Turnbull with cinematography by Bert Glennon and edited by E. Lloyd Sheldon.

At a grand jury hearing in Los Angeles in August 1940 — the transcript of which was shortly released to the press — John R. Leech, the self-described former " chief functionary " of the Communist Party in Los Angeles, named Stander as a CP member, along with more than 15 other Hollywood notables, including Franchot Tone, Humphrey Bogart, James Cagney, Clifford Odets and Budd Schulberg.

The younger Rogers supposedly told Schulberg that his father socialized with the very establishment types he mocked in his public pronouncements, adding that his father was actually a political reactionary in private life.

His first wife was Virginia Ray " Jigee " Schulberg, the ex-wife of the novelist and screenwriter Budd Schulberg ; she was pregnant with their only child, Christine, when Viertel abandoned her to live with the fashion model Bettina.

Other writers, including Ring Lardner Jr., Budd Schulberg, Dorothy Parker, Sidney Howard, Moss Hart, George S. Kaufman and Robert Carson also made uncredited contributions to the screenplay.

Budd Schulberg and Dorothy Parker were called in to write the final scenes and several others also made contributions to the screenplay, including: David O. Selznick, William Wellman, Sidney Howard, Moss Hart, George S. Kaufman and Robert Carson.

Upon the film's completion, Lubitsch approached Paramount general manager B. P. Schulberg and threatened to leave the studio if Cukor's name wasn't removed from the credits.

Schulberg which no doubt helped him get his first job at Paramount.

Schulberg at Paramount Pictures.

* The Schulberg Building ( formerly, the Directors Building ), located on the Paramount Studios lot, was used for the exterior shots of the Ekosian Nazi headquarters complex.

After seeing The Plastic Age soon after its release, Adolph Zukor, the founder and CEO of Paramount Pictures, contacted Schulberg, who had started his career as a publicist with Paramount before leaving the studio in 1918 to form Preferred Pictures.

The Paramount studios ' " Directors Building " was renamed the " Schulberg Building " in his honor.

Preferred Pictures was run by Schulberg, who had started as a publicity manager at Famous Players-Lasky, but in the aftermath of the power struggle around the formation of United Artists ended up on the losing side and lost his job.

Schulberg, who started as a publicity manager at Famous Players-Lasky, but in the aftermath of the power struggle around the formation of United Artists ended up on the losing side and lost his job.

It also won a raft of awards for its journalism, design and photography, in the UK and internationally, and secured the former archbishop Richard Holloway and On the Waterfront scriptwriter Budd Schulberg as regular contributors.

Zukor also hired independent producer B. P. Schulberg, an unerring eye for new talent, to run the new West Coast studio.

Benjamin Percival Schulberg, the CEO of Preferred Pictures ( a film studio & film distributor, as well as an actors agency ), outbid all the major and minor studios for the rights to the The Plastic Age ; Schulberg paid $ 35, 000 for the copyrights to the novel.

Schulberg ( January 19, 1892-February 25, 1957 ) was an American pioneer film producer and movie studio executive.