Editor Scott Haring noted ( referring to the FASA edition ) that " Earthdawn had an original, inventive magic system ( no mean trick given the hundreds of fantasy RPGs that came before ), and a game world that gave you the classic " monsters and dungeons " sort of RPG experience, but made sense doing it.

Editor Scott Haring stated that " Fudge is an extremely flexible, rules-light system.

Editor Scott Haring said of the game " everybody knows this was the second ever fantasy roleplaying game ...

Pyramid magazine reviewer Scott Haring said Planescape is " the finest game world ever produced for Advanced Dungeons & Dragons.

Editor Scott Haring commented, " Prince Valiant was designed as a beginner's introduction to roleplaying ... Perhaps the subject matter's perceived lack of ' cool ' killed this game, but it deserved better.

Editor Scott Haring said it " is the roleplaying game that comes closest of them all to pure storytelling.

According to editor Scott Haring, " among the connoisseurs of the card game design art, Netrunner is considered to be one of the best-designed games ever.

Grubb continued to work on role-playing games with TSR for many years, long enough to be regarded affectionately as an " old timer " by Scott Haring.

Scott Haring summarized his review stating " Eye of the Wyvern doesn't have very high aspirations ; the adventure is simple and the ultimate in linear-ness.

Scott Haring reviewed Spellfire for Pyramid # 9, published in October 1994.

Editor Scott Haring said " Back when people were well-and-truly scared of the possibility of nuclear vaporization ( I guess today either the threat is lessened, or it's become old hat ), Nuclear War dared to make fun the possibility of mankind's dreaded nightmare via a card game.

* Scott Haring — Print issues 5 – 30.

Editor Scott Haring said that " what puts it on this list is the twisted sensibility of using arty photographs of innocent young girls in spooky settings, juxtaposed with the cruel whimsy on the card text.

Editor Scott Haring said " This game just gets more and more impressive every time I look at it.

Editor Scott Haring said " Mind's Eye Theater was the first to take an established pen-and-paper RPG and do the translation to live-action.

Editing and coordination was by Warren Spector, with editing by Anne Browne, Karen Boomgarden, Steve Winter, Mike Breault, Scott Haring, and Jon Pickens and special developmental work by Pickens.

Editor Scott Haring described the game as a " great, short, take-to-a-con and kill a couple minutes kind of game.

Scott Haring, in his review of set for Pyramid, also mentioned the modrons as " once-silly " and " rescued from an old 1st Edition AD & D hardback and given a new background and purpose that makes a lot more sense ".

Editor Scott Haring said that " Feng Shui found the way to do over-the-top cinematic roleplaying without turning it into an exercise in dice rolling and power trips ".

Editor Scott Haring said " Starweb is the king of games -- the industry's most popular and longest running.

The new area was led by Allison Mankin and Scott Bradner, and had a directorate with 15 engineers from diverse backgrounds for direction-setting and preliminary document review: The working-group members were J. Allard ( Microsoft ), Steve Bellovin ( AT & T ), Jim Bound ( Digital Equipment Corporation ), Ross Callon ( Wellfleet ), Brian Carpenter ( CERN ), Dave Clark ( MIT ), John Curran ( NEARNET ), Steve Deering ( Xerox ), Dino Farinacci ( Cisco ), Paul Francis ( NTT ), Eric Fleischmann ( Boeing ), Mark Knopper ( Ameritech ), Greg Minshall ( Novell ), Rob Ullmann ( Lotus ), and Lixia Zhang ( Xerox ).

As a political conservative and advocate of the Union with England, Scott helped to found the Tory Quarterly Review, a review journal to which he made several anonymous contributions.

In his review for the Globe and Mail, Jay Scott praised the performances of the two leads: " But Douglas's portrayal of Gordon Gekko is an oily triumph and as the kid Gekko thinks he has found in Fox (' Poor, smart and hungry ; no feelings '), Charlie Sheen evolves persuasively from gung-ho capitalist child to wily adolescent corporate raider to morally appalled adult ".

In his review for Newsweek, David Ansen praised Phoenix's performance: " The campfire scene in which Mike awkwardly declares his unrequited love for Scott is a marvel of delicacy.

Scott Brown of Entertainment Weekly magazine gave the film a B + and commented in his review saying " Let's face it: Lizzie McGuire ( Hilary Duff ) is just too darn polished to be a junior-high underdog, even by the standards of her ' luxe suburban environs '.

In 1800 Constable began the Farmer's Magazine, and in November 1802 he issued the first number of the Edinburgh Review, under the nominal editorship of Sydney Smith ; Lord Jeffrey, was, however, the guiding spirit of the review, having as his associates Lord Brougham, Sir Walter Scott, Henry Hallam, John Playfair and afterwards Lord Macaulay.

* Video review and rules explanation by Board Games with Scott

" Scott also gave the film a luke-warm review, calling the " gee-whiz amateurism " part of the movie's charm, stating " Even though Love's Labour's Lost is, in showbiz terms, a turkey stuffed with chestnuts, you wouldn't trade it for a pot of gold.

The Senator demanded that Bolten, Rove, Sara Taylor, and J. Scott Jennings comply " immediately " with their subpoenas, presumably to await a further review of these matters.

In his review for The New York Times, A. O. Scott wrote, " Parsons himself might have written a surreal, funny-sad ballad about the aftermath of his own death, but Grand Theft Parsons is little more than a surreal anecdote, told in too much detail and without enough soul or imagination to make anything more than a footnote to a legend ".

In The New York Times review of the 2006 Goodspeed production, Anita Gates generally approved of the new topical references added to the show, noting that " Scott Schwartz's colorful new production at the Goodspeed Opera House in East Haddam has updated some of the political references, but the show's message – typified by the gullible Dogpatchers ' song " The Country's in the Very Best of Hands " – remains the same ".

" Jay Scott gave the film a positive review in the Globe and Mail: " Cox exposes the limitations of historical drama in Walker with a calculated disregard of its conventions.

Despite arguing that the climax lapses into action film cliches, Roger Ebert nonetheless gave the movie a four-out-of-four star review for its " moments of pure revelation ," particularly in the scenes between Scott and Hubley.

One of the few notable critics who gave it a generally positive review was A. O. Scott of The New York Times, who compared the film to conceptual performance art.

In a 2009 retrospective review of the " New Cult Canon ", Scott Tobias wrote " Much like Haynes ' recent I'm Not There, which dissected the various phases of Bob Dylan's life and career by casting six different actors ( including Bale and Cate Blanchett ) as Dylan, Velvet Goldmine doesn't come at glam-rock directly, and both films cause no end of frustration to those who can't get on their wavelength "; " Haynes ' background in semiotics has led some critics to dismiss these films as too academic, but figures like Dylan and Bowie are notoriously elusive, and his effort to access them indirectly, through allusion and representation, pays more dividends than a straightforward biopic ever could.

" Scott Collura at Hollywood Video praised the episode in a review, saying " it is one of the best of the first season.

* Bicycle Thieves video film review by A. O. Scott ( The New York Times ) at YouTube

In his review of Red Hood and the Outlaws, Jesse Schedeen of IGN. com notes that Kenneth Rocafort's pencilling affords Scott Lobdell the opportunity to emphasize Starfire's sex appeal: " She alone seems to have been completely rebooted for the relaunch.

* A review of Bruno by Alan P. Scott

In his review, A. O. Scott called her " a terrific comic actress, largely because of her great expressive range, and the nimbleness with which she can shift from anxiety to aggression to genuine hurt.

" Noted online critic James Berardinelli also gave the film a four star review, praising Branagh's direction and all levels of the production from the screenplay by Scott Frank to Patrick Doyle's score, stating, "... Branagh has combined all of these cinematic elements into an achievement that rivals Hitchcock's best work and stands out as one of the most intriguing and memorable thrillers of the 1990s.

In his review for the Globe and Mail, Jay Scott wrote, " What's terrific about the McKenzie Brothers is their offhand depiction of two English-Canadian working-class dimwits ... and what's terrific about the movie is its equally offhand surrealism ".

In his review, Scott Foundas of ' Variety magazine ' said that it " serves as a companion piece to writer-producer Paul Greengrass ' superb 2001 pic " Bloody Sunday ," but emerges as a startlingly powerful achievement in its own right ".

In 1822, the Visit of King George IV to Scotland, organised by Scott, included a review of troops and Highlanders held on the sands, with spectators crowding the sand dunes.