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Selznick and also
When Myron Selznick, who also represented Olivier, met Leigh, he felt that she possessed the qualities his brother was searching for.
In another significant film, Gone with the Wind, which was also produced by Selznick, Melanie Wilkes ( Olivia de Havilland ) reads aloud from the novel David Copperfield while she waits for the vigilantes to come home from the raid.
Warner offered her services to Selznick as part of a deal that also included Errol Flynn and Olivia de Havilland, but Selznick did not consider Davis as suitable, and rejected the offer, while Davis did not want Flynn cast as Rhett Butler.
* Rights to Selznick International Pictures and other later productions from David O. Selznick through UA and Selznick Releasing Organization are held by ABC ( which is also owned by Disney ).
Unlike the case of Gone with the Wind, which Selznick sold to MGM in 1944, It is assumed that The Prisoner of Zenda was bought by MGM themselves because they planned to produce a would-be 1952 remake of the film and wished to better the original film ( a similar situation occurred when MGM filmed a version of Dr. Jekyll and Mr. Hyde in 1941, having also bought the 1931 version from Paramount ).
Leigh and her then lover Laurence Olivier ( later to be her husband ) were visiting as guests of Myron Selznick, who was also Olivier's agent, while Leigh was in Hollywood hoping for a part in Olivier's current movie, Wuthering Heights.
Rózsa, who also reportedly hated the interruptions and interference by producer David O Selznick, never worked for either Hitchcock or Selznick again.
Selznick also deleted a few scenes that he felt weren't dramatic enough, some of which were major plot points, so the story doesn't make as much sense as it does in the original film.
The film was produced by Jones's then husband David O. Selznick, who also produced Dieterle's next film.
Val Lewton, Selznick's story editor, eventually passed on the script, so Selznick forced Hitchcock to offer it to other studios, " causing ill feelings between the producer and his director since it not only showed a lack of belief in Hitchcock's abilities, but also because the terms of Hitchcock's contract would net Selznick a three-hundred percent profit on the sale.
Lewton also worked as an uncredited writer for Selznick ’ s Gone with the Wind, including writing the scene where the camera pulls back to reveal hundreds of wounded soldiers at the Atlanta depot.
Lewton also worked for Selznick as a story editor, a scout for discovering literary properties for Selznick's studio, and as a go-between with the Hollywood censorship system.
Budd Schulberg and Dorothy Parker were called in to write the final scenes and several others also made contributions to the screenplay, including: David O. Selznick, William Wellman, Sidney Howard, Moss Hart, George S. Kaufman and Robert Carson.
Because Whitney and his cousin Cornelius Vanderbilt Whitney also owned Pioneer Pictures, an independent studio they formed in 1933 on facilities rented at the RKO studios, Pioneer was informally merged with Selznick International Pictures in 1936.

Selznick and won
Powell won the competition, and soon auditioned with Louis B. Mayer at MGM as well as David O. Selznick.
" Shortly, though, Duels problems won out and Selznick relegated Notorious to his mental back burner.
* 1963: David O. Selznick Award for " Elektra " — won
The United States men's national volleyball team, led by captain Eugene Selznick, won the 1960 and 1966 Volleyball World Championships.

Selznick and Irving
When Selznick moved to MGM in 1933 Cukor followed and directed Dinner at Eight ( 1933 ) and David Copperfield ( 1935 ) for Selznick and Romeo and Juliet ( 1936 ) and Camille ( 1936 ) for Irving Thalberg.
Selznick raised the initial funding of US $ 400, 000 in Los Angeles, with half of that amount coming from his brother Myron Selznick, a Hollywood agent, and the other half from MGM production chief Irving Thalberg and his wife actress Norma Shearer.

Selznick and G
Selznick then began loaning his contract player to other studios ; subsequently, Calhoun appeared in Adventure Island with Rhonda Fleming, The Red House with Edward G. Robinson, and That Hagen Girl with Shirley Temple.

Selznick and .
Eventually, he signed with David O. Selznick, agreeing to go to Hollywood at the end of his commitment to Pal Joey, in October 1941.
Selznick sold half of Kelly's contract to MGM and loaned him out to MGM for his first motion picture: For Me and My Gal ( 1942 ) with Judy Garland.
His career flourished at RKO when David O. Selznick, the studio's Head of Production, assigned Cukor to direct several of RKO's major films including What Price Hollywood?
As a child, Cukor appeared in several amateur plays and took dance lessons, and at the age of seven he performed in a recital with David O. Selznick, who in later years would become a mentor and friend.
He eventually settled for being billed as assistant director and then left Paramount to work with David O. Selznick at RKO Studios.
Cukor was hired to direct Gone with the Wind by Selznick in 1936, even before the book was published.
Cukor favored Hepburn for the role, but Selznick, concerned about her reputation as ' box office poison ', would not consider her without a screen test, and the actress refused to film one.
Of those who did, Cukor preferred Paulette Goddard, but her supposedly illicit relationship with Charlie Chaplin ( they were, in fact, secretly married ) concerned Selznick.
However, despite rumors about Gable being uncomfortable with Cukor on the set, nothing in the internal memos of David O. Selznick indicates or suggests that Clark Gable played any role in Cukor's dismissal from the film.
Selznick had already been unhappy with Cukor (" a very expensive luxury ") for not being more receptive to directing other Selznick assignments, even though Cukor had remained on salary since early 1937 ; and in a confidential memo written in September 1938, four months before principal photography began, Selznick flirted with the idea of replacing him with Victor Fleming.
He was offered the occasional job, including the opportunity to direct Since You Went Away for David O. Selznick, but turned them down.
He left RKO in 1936 and soon became the musical director of Selznick International Pictures.
In 1939, Steiner was borrowed from Warner Bros. by David O Selznick to compose the score to Gone with the Wind.
During this time, Leigh read the Margaret Mitchell novel Gone with the Wind and instructed her American agent to suggest her to David O. Selznick, who was planning a film version.

Selznick and Thalberg
When Thalberg fell ill in 1932, Mayer took advantage of the situation and replaced him with David O. Selznick and Walter Wanger.

Selznick and Memorial
Selznick died in 1965 following several heart attacks, and was interred in the Forest Lawn Memorial Park Cemetery in Glendale, California.

Selznick and Award
Selznick originally wanted Bernard Herrmann but when Herrmann became unavailable, Rózsa was hired, winning the Academy Award for his score.
* Selznick Golden Laurel Award for lifetime work, Brazilian Film Festival, Rio de Janeiro, 1958
The most notable of these was the Academy Award winning 1940 Alfred Hitchcock film version Rebecca, the first film Hitchcock made under his contract with David O. Selznick.
* 2001-Recipient of Producers Guild of America's David O. Selznick Lifetime Achievement Award in Theatrical Motion Pictures
The book on which the film was based first attracted the attention of David O. Selznick, who immediately purchased it as a vehicle for Academy Award winner Jennifer Jones.
But in its short life, Selznick International Pictures produced two winners of the Academy Award for Best Picture: Gone with the Wind ( 1939 ) and Rebecca ( 1940 ), and two nominees, A Star Is Born ( 1937 ) and Spellbound ( 1945 ).

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