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Sergei and Prokofiev
Elfman's classical influences include Béla Bartók, Philip Glass, Lou Harrison, Carl Orff, Harry Partch, Sergei Prokofiev, Maurice Ravel, Erik Satie, Igor Stravinsky and Pyotr Ilyich Tchaikovsky.
In the 20th century the traditions of Russian opera were developed by many composers including Sergei Rachmaninoff in his works The Miserly Knight and Francesca da Rimini, Igor Stravinsky in Le Rossignol, Mavra, Oedipus rex, and The Rake's Progress, Sergei Prokofiev in The Gambler, The Love for Three Oranges, The Fiery Angel, Betrothal in a Monastery, and War and Peace ; as well as Dmitri Shostakovich in The Nose and Lady Macbeth of the Mtsensk District, Edison Denisov in L ' écume des jours, and Alfred Schnittke in Life with an Idiot and Historia von D. Johann Fausten.
* Sergei Prokofiev
Sergei Prokofiev in New York, 1918
Sergei Sergeyevich Prokofiev (; ; 23 April 1891 – 5 March 1953 ) was a Russian composer, pianist and conductor who mastered numerous musical genres and is regarded as one of the major composers of the 20th century.
Prokofiev's first major success breaking out of the composer-pianist mould was with his purely orchestral Scythian Suite, compiled from music originally composed for a ballet commissioned by Sergei Diaghilev of the Ballets Russes ; Diaghilev commissioned three further ballets from Prokofiev – Chout, Le pas d ' acier and The Prodigal Son – which at the time of their original production were all highly successful.
In 1902, Prokofiev's mother met Sergei Taneyev, director of the Moscow Conservatory, who initially suggested that Prokofiev should start lessons in piano and composition with Alexander Goldenweiser.
Prokofiev made his first foreign trip in 1913, travelling to Paris and London where he first encountered Sergei Diaghilev's Ballets Russes.
Sergei Prokofiev ( circa 1918 )
Arriving in San Francisco after having been released from questioning by immigration officials on Angel Island on 11 August 1918, Prokofiev was soon compared to other famous Russian exiles ( such as Sergei Rachmaninoff ), and he started out successfully with a solo concert in New York, leading to several further engagements.
Sergei Prokofiev with Mstislav Rostropovich
Eisenstein was thence able to ingratiate himself with Stalin for ' one more chance ', and he chose, from two offerings, the assignment of a biopic of Alexander Nevsky, with music composed by Sergei Prokofiev.
Diaghilev commissioned ballet music from composers such as Nikolai Tcherepnin ( Narcisse et Echo, 1911 ), Claude Debussy ( Jeux, 1913 ), Maurice Ravel ( Daphnis et Chloé, 1912 ), Erik Satie ( Parade, 1917 ), Manuel de Falla ( El Sombrero de Tres Picos, 1917 ), Richard Strauss ( Josephslegende, 1914 ), Sergei Prokofiev ( Ala and Lolly, rejected by Diaghilev and turned into the Scythian Suite ; Chout, 1915 revised 1920 ; Le pas d ' acier, 1926 ; and The Prodigal Son, 1929 ), Ottorino Respighi ( La Boutique fantasque, 1918 ), Francis Poulenc ( Les biches, 1923 ) and others.
* Visions fugitives, a series of short piano works by Russian composer Sergei Prokofiev
* April 23 – Sergei Prokofiev, Soviet composer ( d. 1953 )
Sergei Prokofiev composed Semero ikh ( 1917 – 18 ; rev.
Igor Stravinsky and Sergei Prokofiev were in the ascendant, and Arnold Schoenberg's experiments were leading music into atonality.
* " Romeo & Juliet " from Romeo and Juliet suite by Sergei Prokofiev, credited.
In the 20th century Russian music was credited with such influential composers as Dmitri Shostakovich, Sergei Prokofiev, Sergei Rachmaninoff, Igor Stravinski, Georgy Sviridov, and Alfred Schnittke.
Russian composers who reached a high status in the world of music include Igor Stravinsky, Pyotr Ilyich Tchaikovsky, Dmitri Shostakovich, Nikolai Rimsky-Korsakov, Sergei Prokofiev, and Sergei Rachmaninoff.
He has been the inspiration for many Russian composers, including most notably Dmitri Shostakovich ( in his late symphonies ) and Sergei Prokofiev ( in his operas ).

Sergei and found
Their time and contemporaries, with all its images, ideas and dispositions found it full expression in portraits by Lev Russov, Victor Oreshnikov, Boris Korneev, Leonid Steele, Oleg Lomakin, Semion Rotnitsky, Vladimir Gorb, Samuil Nevelshtein, Engels Kozlov, in landscapes by Nikolai Timkov, Vladimir Ovchinnikov, Sergei Osipov, Alexander Semionov, Arseny Semionov, Vasily Golubev, Nikolai Galakhov, Dmitry Maevsky, in genre paintings by Nikolai Pozdneev, Yuri Neprintsev, Yevsey Moiseenko, Andrey Milnikov, Nina Veselova, Mikhail Trufanov, Yuri Tulin, Mikhail Natarevich, and others.
Archaeologist Sergei Pogorelov said bullets found at the burial site indicate the children had been shot.
Alto clef written at sounding pitch is occasionally found, even in as late a composer as Sergei Prokofiev.
Sergei Alliluyev, though Russian, had found work and a second home in the Caucasus.
It was at the Cinémathèque Française that he befriended the head, Henri Langlois ( later claiming that he worked for Langlois for twelve years ) and was allowed to rummage through the Cinémathèque's archives, in which he found prints of Sergei Eisenstein's Que Viva Mexico !, which he attempted to put into Eisenstein's original order.
His first book on film, Der Sichtbare Mensch ( The Visible Man ) ( 1924 ), helped found the German " film as a language " theory, which also exerted an influence on Sergei Eisenstein and Vsevolod Pudovkin.
Taneyev found two private pupils for him in 1902: Nikolai Myaskovsky and the eleven-year old Sergei Prokofiev, whom Glière taught on Prokofiev's parental estate Sontsovka.
Some convenient circumstances regarding Zinovy's return shroud his disappearance in mystery, and while there's an inquiry, nothing is found and no trouble comes to Sergei or Katerina.
After the 1934 assassination of Sergei Kirov, a protégé of Joseph Stalin accused of conspiring with Leon Trotsky to wrest control of the party, Weil found himself on very shaky ground in Moscow and in the Communist party.
This system was not a command economy like that found in the Soviet Union in the 1920s, but rather a continuation of the modified state capitalism program begun under Sergei Witte.
The ethic of Proletkult is found in the early cinematic works of Sergei Eisenstein.
A dramatized account of his life, in which he is depicted as the second most powerful aristocrat in Russia, only after the Tsar, who is constantly put under pressure by boyars that want to make him revolt against the imperial authority at Moscow, can be found in the epic work of Soviet film director Sergei Eisenstein, Ivan the Terrible.

Sergei and musical
A turning point for Nijinsky was his meeting Sergei Diaghilev, a celebrated and highly innovative producer of ballet and opera as well as art exhibitions, who concentrated on promoting Russian visual and musical art abroad, particularly in Paris.
In 1965, the musical Anya, based on Guy Bolton's play and using the music of Sergei Rachmaninoff, opened on Broadway starring Constance Towers as Anya and Lillian Gish as the Dowager Empress — it was not successful.
In 1936 Sergei Prokofiev was commissioned by Natalya Sats and the Central Children's Theatre in Moscow to write a new musical symphony for children.
30, composed in 1909 by Sergei Rachmaninoff ( colloquially known as " Rach 3 ") is famous for its technical and musical demands on the performer.
It was produced by Goskino via the Mosfilm production unit, with Nikolai Cherkasov in the title role and a musical score by Sergei Prokofiev, Alexander Nevsky was the most popular of Eisenstein's three sound films.
Pletnev's greatest musical hero is Sergei Rachmaninoff, whose performance style-both at the piano and on the podium-he consciously emulates.
The in-game music had conventions similar to Sergei Prokofiev's Peter and the Wolf, wherein each guest was assigned a musical theme ; where Peter and Wolf used instrumental changes for its characters, The 7th Guest, conversely, used stylistic variations on the melody of Sanger's " The Game ".
The musical piece that Hugh Hefner plays on the wine glasses is from Peter and the Wolf and was composed by Sergei Prokofiev.
This segment was an animated dramatization of the 1936 musical composition by Sergei Prokofiev, with narration by actor Sterling Holloway.
They were destined to follow a military career, but their tutor, Admiral Arseniev, encouraged Sergei ’ s linguistic, artistic and musical abilities.
Some of her musical influences at this time included Stevie Wonder, Sergei Rachmaninoff, Maurice Jarre and Chick Corea.

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