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Page "On the Twentieth Century" ¶ 13
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She and Oscar
She will receive the 1961 `` Oscar '' at the 24th annual Neiman-Marcus Exposition, Tuesday and Wednesday in the Grand Ballroom of the Sheraton-Dallas Hotel.
She was selected to play " Pilar " in the 1943 film For Whom the Bell Tolls, winning an Oscar and a Golden Globe Award for Best Supporting Actress-Motion Picture.
She presented Federico Fellini with his Honorary Oscar.
She was twenty-one years old and the stepdaughter of Oscar Hammerstein II.
She appeared on a TV talk show to predict the 2011 Oscar winners, similar to the World Cup predictions made previously by Paul the Octopus, also in Germany.
She has also won an Oscar, an Emmy Award, two Golden Globes and a Grammy Legend Award for her contributions and influence in the recording field, along with many other honors and awards.
She is among the few entertainers who have won an Oscar, Emmy, Grammy, and Tony Award.
She was the first person to win the Supporting Oscar after being nominated in the prior year.
She was the only French cinema actress to receive an Oscar until Juliette Binoche in 1997 ( Supporting Actress ) and Marion Cotillard in 2008 ( Best Actress ), and the first woman to win the award appearing in a foreign film.
She did work in America for Ship of Fools ( 1965 ), which earned her another Oscar nomination, and appeared in a few other Hollywood films before returning to France in 1969.
She won her second Oscar in 1978 for Coming Home, as a Marine officer's wife who volunteers at a veterans ' hospital and becomes involved with a disabled Vietnam War veteran ( played by Jon Voight ).
She also received positive reviews, BAFTA and Golden Globe Awards for Best Actress, and an Oscar nomination for her portrayal of the playwright Lillian Hellman in the 1977 film Julia.
She also received Oscar nominations for her roles in Missing, The River, Crimes of the Heart and In the Bedroom.
She received her first Oscar nomination for the role, but lost to Vivien Leigh for Gone with the Wind.
She considered the character an " affable version " of herself — both were " semi-articulate, dreamed of being a singer and suffered from insecurity "— and was surprised to win an Oscar for her performance.
She won the Oscar for Best Supporting Actress in 1959 for the film Separate Tables ( 1958 ), as a lonely hotel manageress and mistress of Burt Lancaster.
She remained uncompromising in her indifference to film stardom, as evidenced by her surprising reaction to her Oscar win " never mind the honour, cold hard cash is what it means to me.
" She received a third Oscar nomination for her performance as the simple, unrefined, but dignified Lady Alice More, opposite Paul Scofield as Thomas More, in A Man for All Seasons ( 1966 ).
She won the role of Cecily in Anthony Asquith's 1952 film version of Oscar Wilde's The Importance of Being Earnest ( BAFTA nomination for Most Promising Newcomer ).
She suggested as well that a new generation of caretakers may have failed to realize that the small 5 1 / 2 " x 6 " McDaniel plaque that did not look like the traditional tall Oscar, was in fact an Oscar.
She received her third César and second Oscar nomination for her role in the film, which was also nominated for an Academy Award for Best Foreign Language Film.
She subsequently expanded her repertory to include roles such as Oscar in Un ballo in maschera, Gilda in Rigoletto, and Blondchen in The Abduction from the Seraglio and began appearing in productions throughout Europe.
She won the Oscar for Best Supporting Actress for Pollock in 2001 and was also nominated for Best Supporting Actress for her performance in Mystic River in 2003.
She won an Oscar in 1985 for producing the short animated movie Anna and Bella.

She and scream
She could not scream, for even if a sound could take shape within her parched mouth, who would hear, who would listen??
She stood up, pulled the coat from her shoulders and started to slide it off, then let out a high-pitched scream and I let out a low-pitched, wobbling sound like a muffler blowing out.
She gave a final scream as her intestines spilled out.
She is known as one of the first Hollywood scream queens thanks to her role in the 1941 horror film Dr. Jekyll and Mr. Hyde, and her reputation as a glamorous femme fatale was enhanced by her performance in the film noir The Postman Always Rings Twice ( 1946 ).
She started to scream " Baby, what have I done?
She began to work primarily in erotic B movies in the early 1990s along with other scream queens of that era, such as Tanya Roberts, Maria Ford, and Shannon Tweed.
She never puts a sneer, a leer, or even a scream in the wrong place, and her singing has just the right brassy bounce to it.
She is often referred to as a modern day scream queen.
She also became one of the original scream queens.
" She interjects, " I ’ ll scream.
She ’ d say, ‘ You don ’ t need to scream on everything, you need to try something different ’.”
She seems to be incredibly fast and will pop up and scream until the person she is pestering agrees to give an autograph.
She was the first professional singer to be married onstage at the night club, local scream queen, Rachel Grubb having wed a month before.
She greets most situations with a warm smile and good humour, and is an optimist whose views extend to believing the best of people's natures, but can also scream with the best of them.
She uses a scream as both a stun move and a fatality.
She is working on the diaries at midday when she hears a scream from the garden and Miss Greenshaw herself staggers towards the house with an arrow embedded in her breast.
She is considered a scream queen.
She kneels in Karen's place to receive communion when a scream is heard.
She does not despair, does not cry, does not scream for revenge.
She has also been acknowledged as a " scream queen " due to the number of horror films she has appeared in.
She has been described as a " scream queen ".
She later became known as a ' scream queen ' after appearing in a number of horror films including The Daughter of Dr. Jekyll ( 1957 ), The Cyclops ( 1957 ), and I Married a Monster from Outer Space ( 1958 ).
She appears to have a " super-sonic " scream, à la Black Canary.
She read and talked to the horses until she heard a scream.

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