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She choreographed Deuce Coupe for them in 1973, using pop music and a blend of modern and ballet techniques.
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She and choreographed
She signed a million-dollar contract to headline in her own $ 150, 000 nightclub revue in Las Vegas for which she produced, choreographed, and wrote and arranged the music.
She choreographed a jazzy short to " Come Rain or Come Shine " and a dramatic, mature long to Wagner's opera " Tristan und Isolde.
She choreographed a jazzy short to " Come Rain or Come Shine " and a dramatic, mature long to Wagner's opera " Tristan und Isolde.
She danced and choreographed for over seventy years.
She has performed, directed, and choreographed in university, community, and professional theatrical, television, and film productions in Manila, the United States, Mexico, and Singapore.
She had her father hang the curtain and lights while she choreographed, costumed, and starred in her own neighborhood musicals.
She also choreographed the dances ( to Felix Mendelssohn's music ) for Max Reinhardt's 1935 film version of William Shakespeare's A Midsummer Night's Dream.
She appeared as a specialty dancer in the 1943 Technicolor adventure film White Savage, and she choreographed the films Bagdad ( 1949 ) ( with Lester Horton ), Tripoli ( 1950 ), and Prehistoric Women ( 1950 ).
She has also choreographed dance.
She danced the première of Sylvia by Léo Delibes choreographed by Sir Frederick Ashton at the Royal Opera House Covent Garden on 4 November 2004.
She choreographed and appeared in several of his videos and his concert film Sign ' O ' the Times, traveled with him as a backing vocalist and dancer on the Sign o ' the Times Tour and Lovesexy World Tour, and rapped on both Black Album track " Cindy C ." and the Lovesexy favorite " Alphabet St .".
She performed, choreographed and directed at community theaters in the Delaware and Philadelphia area.
She immersed herself in her work and directed and choreographed her first Broadway show as director, the 2000 revival of The Music Man.
She and John Weidman, who had written the book for Big, began working on what would become the three-part " dance play " Contact, which she choreographed as well as directed.
She choreographed both the stage version and screen versions of The Music Man ( 1962 ), 1776 ( 1972 ) and Mame ( 1974 ).
She is currently teaching at STEPS on Broadway, and has recently choreographed ( with Chernov and ABT artistic director Kevin McKenzie ) a new production of Tchaikovsky's The Sleeping Beauty, in which, after a more than twenty years absence from the stage, she danced the role of " Carabosse, the Wicked Fairy ".
She danced in productions he choreographed, both on the stage and screen, including On Your Toes, a Broadway hit later adapted for the screen by Lawrence Riley.
She choreographed the belly dancing routines that Britney Spears danced for her 2001 music video " I'm a Slave 4 U " as well as her performance at the MTV Video Music Awards.
She has performed and choreographed for film and television and presented hundreds of concerts throughout India, North America, Asia, Africa, the United Kingdom.
She has also choreographed and performed Odissi dance in Telugu, Bengali, Malayalam, Tamil, Hindi as well as Sanskrit and Oriya for performances and festivals around India, Doordarshan National Indian Television, and internationally.
She choreographed for film, opera, and television and her works have been performed by the Dutch National Ballet, Boston Ballet, and the Batsheva Dance Company of Israel.
She also choreographed the Miss America Pageant for five years.
She is known for her artistry and nice programmes, choreographed recently by former Polish ice dancing champion Sebastian Kolasiński.
She and Deuce
She was nominated for Best Actress in a Play for Deuce in 2007.
She also appears at Christian-oriented venues, and performed a stand-up routine in the 2007 Christian comedy concert Thou Shalt Laugh 2: The Deuce, which was hosted by Tim Conway.
She later breaks up with Deuce when she finds out that he was a prostitute hired by her friends.
She would later attack Cherry Pie during his win over Deuce Shade.
She starred alongside Rob Schneider as Kate in Deuce Bigalow: Male Gigolo ( 1999 ) and played LAPD police officer Chickie Brown, in the police drama series Southland, for its first three seasons.
She and Coupe
She was the first woman pilot to stay airborne for more than an hour and on 21 December 1910 she became the first winner of the Coupe Femina ( Femina Cup ) for a non-stop flight of 167 km in 2 hours 35 minutes.
She participated in many airshows and in December 1910, while competing in Turin for the Coupe Femina ( Femina Cup ), she set the first official women's flight records for duration and distance at 53 minutes and 42 kilometers.
She is a 1946 Ford Super Deluxe Coupe voiced by Patricia Rodriguez.
She and for
She said, `` I guess the Lord looks out for fools, drunkards, and innocents ''.
She studied it for a long time.
She seemed to have come such a long distance -- too far for her destination which had wilfully been swallowed up in the greedy gloom of the trees.
She could not scream, for even if a sound could take shape within her parched mouth, who would hear, who would listen??
She was glad, completely and unselfishly glad, to see that things were working out the right way for both Sally and Dan.
She was telling herself that this might just be her reward at the end of a long meaningful search for truth.
She set the dipper on the edge of the deck, leaving it for him to stretch after it while she looked on scornfully.
She said, with the solicitude of a middle-aged woman for her only child.
She wrote gay plays about the girls for family entertainments, like `` Oh, What Fun!!
She has rarely been photographed with him and, except for Carl's seventy-fifth anniversary celebration in Chicago in 1953, she has not attended the dozens of banquets, functions, public appearances, and dinners honoring him -- all of this upon her insistence.
She was pious, too, once kneeling through the night from Holy Thursday to Good Friday, despite the protest of the nuns that this was too much for a young girl.
She knelt out of reverence for having read the Meditations of St. Augustine.
She left the next day for her teaching job at Princeton, Illinois.
She ended her letter with the assurance that she considered his friendship for her daughter and herself to be an honor, from which she could not part `` without still more pain ''.
She had her reasons for this.
She had been picked up by the Russians, questioned in connection with some pamphlets, sentenced to life imprisonment for espionage.
She gave me the names of some people who would surely help pay for the flowers and might even march up to the monument with me.
She had done it last year, and the year before, and the year before that, and she, and her people were dependent upon these cans for food.
She should offer substitutes for the temptations which seem overwhelmingly desirable to the child.
She was the only kind of Negro Laura Andrus would want around: independent, unservile, probably charging double what ordinary maids did for housework -- and doubly efficient.
She was taken up in worry for the reckless old man.
She had taken him out of the schoolhouse and closed the school for the summer, after she saw Miss Snow crack Joel across the face with a ruler for letting a snake loose in the schoolroom.
She lay under the covers making jabbing motions with her forefinger telling me where to look for the coffeepot.
She wrote again and now, abandoning for the moment the theme of love, she asked for help in the matter of her career.
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