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" She co-wrote and co-produced some of her own films as well.
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She and co-wrote
She and Lang co-wrote all of his movies from 1921 through 1933, including 1922's Dr. Mabuse, der Spieler ( Dr. Mabuse the Gambler ), which ran for over four hours in two parts in the original version and was the first in the Dr. Mabuse trilogy, 1924's five-hour Die Nibelungen, the famous 1927 film Metropolis, and the 1931 classic, M, his first " talking " picture.
She co-wrote, directed and starred in the film and produced it under the banner of her own company, Leni Riefenstahl Productions.
She had been working on the film, in which she appeared alongside 101 Dalmatians co-star Mark Williams, for 10 years, and aside from starring in it, she co-wrote the screenplay and produced the film.
She wrote or co-wrote songs for what would be the Minutemen's final album, 3-Way Tie ( For Last ), and to Watt's post-Minutemen band Firehose.
She starred in the 1916 silent film A Night Out, an adaptation of the play she co-wrote, The Three Lights.
She co-wrote the hardback reference book, Ace, The Inside Story of the End of An Era with Mike Tucker, published by Virgin Publishing in 1996.
She co-wrote and produced Grandmaster Flash & the Furious Five's most successful single, " The Message ", which is credited as the rap song that brought socially conscious lyrics into hip hop.
She also co-wrote the TV comedy film These Old Broads ( 2001 ), of which she was also co-executive producer.
Moving to New York, DeShannon co-wrote with Randy Newman, producing such songs as " She Don't Understand Him " and " Did He Call Today Mama?
She co-wrote and produced tracks for the following artists: Slumber Party Girls, Joanna Pacitti, Prima J, Girlicious, Pussycat Dolls, LaKisha Jones, Orianthi, Days Difference, Allison Iraheta, Vanessa Amorosi, Miley Cyrus, Christina Aguilera ( on the Burlesque Motion Picture Soundtrack ), and perhaps most interestingly, two tracks on Fergie's debut CD The Duchess.
She also worked with ex-offenders, co-wrote a book on housing for single homeless people in north London, and co-founded a refuge for battered women in West Sussex.
She did a duet with Rex Goudie on his new album Look Closer, on the song " Like I Was Dying ", which she also co-wrote.
She and her husband Collier Young formed an independent company, The Filmakers, and Lupino became a producer, director and screenwriter of low-budget, issue-oriented films. This company would go on to produce 12 feature films, six of which she directed or co-directed, five of which she wrote or co-wrote, three of which she acted in, and 1 of which she co-produced.
She and co-produced
She was in the movie The Seat Filler, co-produced by Will Smith and starring Destiny's Child star Kelly Rowland.
She co-produced that series through her production company, Shoot the Moon Enterprises Ltd., with Warner Brothers Television.
She then appeared in the original stage production of Chess, followed by a starring role in Anything Goes which she also co-produced.
She co-produced the album and collaborated with Glen Ballard, then boyfriend Dweezil Zappa, Randy Scruggs ( Vince Gill, Sawyer Brown, Waylon Jennings ), and Peter Collins ( Rush, Bon Jovi, Indigo Girls ).
She directed and co-produced American Hollow ( 1999 ) about a struggling Appalachian family which received critical acclaim and many awards.
She co-produced with Marilou Diaz-Abaya the movie Brutal with Peque Gallaga, Scorpio Nights ; and with Tikoy Aguiluz in The Boatman.
Brooks & Dunn co-wrote " Steady as She Goes " on Wade Hayes ' debut album Old Enough to Know Better and " Our Time Is Coming " ( originally an album cut from Brand New Man ) on his second album On a Good Night, while Dunn co-produced his 2001 album Highways & Heartaches.
She played Lee Rawlins, a woman who worked at a department store, in the ABC TV movie The Girls in The Office ( 1979 ), and starred in and co-produced with her own production company ( MI-Bar Productions ) the NBC TV movie romantic comedy The Secret Life of Kathy McCormick ( 1988 ), about " a simple grocery clerk, who finds her way into her local high society and the life of a wealthy suitor who thinks she's a stockbroker.
She attended University High School in West Los Angeles, California, and is married to her bass player Jim Akin, who co-writes and co-produced her solo albums since High Dive in 2003.
She made her directing debut in 1988 with the Renaissance Theatre Company's touring season, Renaissance Shakespeare on the Road, co-produced with the Birmingham Rep, and ending with a three-month repertory programme at the Phoenix Theatre in London.
She co-produced the multi-platform documentary project, Service: when women come marching home, and created True Rep, a repertory company that explores trauma and resilience through testimonial theater and film, bridging actors, writers, directors, musicians and artists with the human ( e ) service sector.
She has several films due for release in 2008-9: Splatter Disco, Psychosomatika, Beyond the Dunwich Horror, Basement Jack, and Schism, which she co-wrote and co-produced.
She has written nine consecutive New York Times Best Sellers and has written, co-produced and hosted seven PBS specials based on her books.
She also served as the executive producer of her daughter's second album, Pretty Little Head and co-produced fifth album Home Sweet Mobile Home with McKay herself.
She had leading roles in Roger Corman's Black Scorpion ( 1995 ) ( she later starred in and co-produced a sequel, Black Scorpion II: Aftershock ( 1997 )), and The Last Seduction 2 ( 1999 ).
She co-produced and performed in Broadway for Obama, a benefit concert during the 2008 presidential campaign.
She has also worked on solo music projects independently, including " Why Did You Call Me Again ", co-produced by original Exposé producer Lewis Martineé, and a remake of the Kenny Loggins song " This Is It ", produced by Anila R. Monterrey and Eric Nunez.
She wrote all the songs on the album, having composed the music on guitar and keyboards, and co-produced it with producers Bob Power and James Poyser.
She co-wrote and co-produced the entire album, which is a mixture of neo-soul, trip-hop, lieder, and jazz.
She also " conceived and co-produced " the 1994 film Widows ' Peak, which featured her sister, Mia Farrow, in a part originally written for their mother, Maureen O ' Sullivan.
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