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Page "Bairbre de Brún" ¶ 5
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She and was
She was amazingly light, and so relaxed in his arms that he wasn't even sure she was conscious.
She was carrying a quirt, and she started to raise it, then let it fall again and dangle from her wrist.
She glanced around the clearing, taking in the wagon and the load of supplies and trappings scattered over the ground, the two kids, the whiteface bull that was chewing its cud just within the far reaches of the firelight.
She said, and her tone had softened until it was almost friendly.
She had picked up the quirt and was twirling it around her wrist and smiling at him.
She was quick.
She brought up her free hand to hit him, but this time he was quicker.
She regarded them as signs that she was nearing the glen she sought, and she was glad to at last be doing something positive in her unenunciated, undefined struggle with the mountain and its darkling inhabitants.
She was sure she would reach the pool by climbing, and she clung to that belief despite the increasing number of obstacles.
She was bewildered.
She was standing in a thick grove.
She already knew this unwholesome, chilling atmosphere that was somehow grotesquely alive.
She was glad, completely and unselfishly glad, to see that things were working out the right way for both Sally and Dan.
She was still hugging the stained coat around her, so I said, `` Relax, let me take your things.
She was wearing nothing beneath the coat.
She was standing with her back to the glass door.
She was just not able to break the spell.
She was telling herself that this might just be her reward at the end of a long meaningful search for truth.
Meredith was irritated when the Grafin knocked at his door and told him, `` She is a great beauty!!
She confessed she was unhappy, he asked was it her husband??
She began to explain, `` There was this poet, in Italy '' He interrupted, `` Please don't judge all poets ''.
She was like charcoal, he thought -- dark, opaque, explosive.

She and critical
She possessed an observant eye, a retentive memory, and a critical faculty.
She began to receive critical success for her writing in the 1860s.
She appeared in previews of the Neil Simon play Rose's Dilemma at the off-Broadway Manhattan Theatre Club in December 2003 but quit the production after receiving a critical letter from Simon instructing her to " learn your lines or get out of my play ".
She has received critical acclaim for her roles in Volver ( 2006 ) and Nine ( 2009 ) receiving Golden Globe and Academy Award nominations for each.
She has been referenced in several historical novels, most notably in The French Lieutenant's Woman ( 1969 ) by John Fowles, who was critical of the fact that no British scientist had named a species after her in her lifetime.
She gained critical acclaim for her performances in the independent films She's the One ( 1996 ), Office Space ( 1999 ), The Good Girl ( 2002 ) and Friends with Money ( 2006 ).
She gained critical acclaim for her performances in The Object of My Affection ( 1998 ), a comedy-drama about a woman who falls for a gay man ( played by Paul Rudd ), and in the low-budget 2002 film The Good Girl, playing an unglamorous cashier in a small town.
She received critical acclaim for her performance in Being John Malkovich ( 1999 ), which earned her Best Supporting Actress nominations at the Golden Globe Award, the British Academy of Film and Television Arts Awards, and the Screen Actors Guild Awards ( SAG Awards ).
On October 29, 2006, Judd appeared at a " Women for Ford " event for Democratic Tennessee Senate candidate Harold Ford, Jr. She has also campaigned extensively locally and nationally for a variety of Democratic candidates, including President Barack Obama in critical swing states.
She played the role of Sunny von Bülow in the 1990 film Reversal of Fortune to critical acclaim.
She has also achieved critical and commercial success in TV movies such as Courage ( 1986 ).
She escaped the wrath of the critical community in London when her role of Aunt Dahlia was removed from Andrew Lloyd Webber's flop musical Jeeves ( 1975 ) before opening night.
She, along with other political poets of the early Modernist period, has been coming under increasing critical scrutiny at the beginning of the 21st century.
She received critical acclaim the next year for her role as Elizabeth Bennet in the 1940 film, Pride and Prejudice.
She is best known for her critical, standard edition of the Suda, which she published in 5 volumes ( Leipzig, 1928 – 1938 ).
She also garnered critical plaudits for her roles in several independent films including Mrs. Parker And The Vicious Circle, and The Opportunists.
She gained more critical acclaim for her performance in Lucas ( 1986 ).
She received vast critical acclaim for her performance and won the Best Actress Award from the National Society of Film Critics and the Online Film Critics Society, a first Golden Globe nomination and an Independent Spirit Award nomination.
She raised the question of whether evil is radical or simply a function of thoughtlessness, a tendency of ordinary people to obey orders and conform to mass opinion without a critical evaluation of the consequences of their actions and inaction.
She was also critical of the way that some Jewish leaders, notably M. C. Rumkowski, acted during the Holocaust.
She was later cast in the role of Elaine Benes on Seinfeld, for which she achieved critical and commercial success.
She also made comments critical of the war in Iraq and the role played in it by Ireland's Shannon Airport.
She drew critical notice for her performance in the film Life Is Sweet ( 1991 ), followed by her award-winning performance in the West End play The Rise and Fall of Little Voice in which she sang all the songs.
She has also published a critical study of contemporary Canadian women's texts,
She is a member of the Council of Women World Leaders, an International network of current and former female leaders whose mission is to mobilize the highest-level women leaders globally for collective action on issues of critical importance to women and equitable development.

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