She was amazingly light, and so relaxed in his arms that he wasn't even sure she was conscious.

She was carrying a quirt, and she started to raise it, then let it fall again and dangle from her wrist.

She glanced around the clearing, taking in the wagon and the load of supplies and trappings scattered over the ground, the two kids, the whiteface bull that was chewing its cud just within the far reaches of the firelight.

She said, and her tone had softened until it was almost friendly.

She had picked up the quirt and was twirling it around her wrist and smiling at him.

She was quick.

She brought up her free hand to hit him, but this time he was quicker.

She regarded them as signs that she was nearing the glen she sought, and she was glad to at last be doing something positive in her unenunciated, undefined struggle with the mountain and its darkling inhabitants.

She was sure she would reach the pool by climbing, and she clung to that belief despite the increasing number of obstacles.

She was bewildered.

She was standing in a thick grove.

She already knew this unwholesome, chilling atmosphere that was somehow grotesquely alive.

She was glad, completely and unselfishly glad, to see that things were working out the right way for both Sally and Dan.

She was still hugging the stained coat around her, so I said, `` Relax, let me take your things.

She was wearing nothing beneath the coat.

She was standing with her back to the glass door.

She was just not able to break the spell.

She was telling herself that this might just be her reward at the end of a long meaningful search for truth.

Meredith was irritated when the Grafin knocked at his door and told him, `` She is a great beauty!!

She confessed she was unhappy, he asked was it her husband??

She began to explain, `` There was this poet, in Italy '' He interrupted, `` Please don't judge all poets ''.

She was like charcoal, he thought -- dark, opaque, explosive.

She is often depicted nude in many of the images she is in.

She avoided urban and street scenes as well as the nude figure and, like her fellow female Impressionist Mary Cassatt, focused on domestic life and portraits in which she could use family and personal friends as models.

She appeared partially nude in Prime Suspect ( 1988 ) and Compelling Evidence ( 1995 ), but her most infamous film is 1997's Different Strokes: The Story of Jack and Jill ... and Jill.

She posed nude for Playboy magazine's May 1992 issue.

She forbade students from sketching nude models in life-drawing class, banned automobiles from campus, and did not allow a hospital to be constructed so that people would not form an impression that Stanford was unhealthy.

She appears nude in the film Amor y sexo ( Safo ' 63 ) in 1963.

She first worked in shops and bakeries, but by the age of fourteen, she was posing nude for sculptors, which created discord with her mother.

She sat for other paintings of the time, often topless or nude, other times in traditional poses.

She was seen as a star-covered nude woman arching over the earth, or as a cow.

: She female nude is the most beautiful thing there is in the world except a naked man, but I never yet saw a study of one exhibited ...

She also posed nude for many of his photos and took images of him.

She supported herself later in life by appearing in a few direct-to-video films, autographing her nude photos from Playboy magazine, and endorsing a psychic telephone hotline owned by her cousin Adiel Hemingway.

She was his model — with many stereoscopic photographs taken of a teenage Lee in the nude — and he also showed her technical aspects of the art.

She often used formal and narrative elements in her portraits and nude studies to produce overpowering effects of desire and seduction.

She has defended this by saying: " I have posed nude in the past and I will in the future, I'm not making porn, porn is when you do a video of sex.

She gained fame after starring in Gustav Machatý's Ecstasy, a film which featured closeups of her character during orgasm in one scene, as well as full frontal nude shots of her in another scene, both very unusual for the socially conservative period in which the bulk of her career took place.

She gained some notoriety for her refusal to disrobe at the end of Act I when the cast performs nude, even though nudity in the production was optional for actors ( Those who performed nude received a $ 50 bonus ).

She created many striking images, especially of nude or semi-nude young women in provocative poses ( her whipping scenes attracted the highest attention ).

She found that the work was financially unsatisfactory, so she moved on to modeling, first lingerie, then nude in magazines, and finally to pornographic films.

She appeared in several nude scenes performing dance numbers in the film, on working with Tomei, director Aronofsky said, " This role shows how courageous and brave Marisa is.

She then became the first actress to purposely display herself nude on American television by completely baring her breasts during the May 4, 1973, Public Broadcasting Service broadcast of Bruce Jay Friedman's Steambath on Hollywood Television Theater.

She also used the effect of sparkle on half nude bodies slathered in paint.

She later posed for a nude centerfold with a male action-hero TV actor, and was seduced by a scheming female journalist.