She worked as a domestic, first in Newport for a year, and then in South Bethlehem, Pennsylvania, for another year.

She thought it was sometime during the second week she worked for Stanley.

She worked very hard.

She also worked for the government agent-turned-philanthropist, Parker Pyne.

She worked for Unilever ( 1973 – 75 ) and then as an administrator at the University of London ( 1975 – 87 ) before entering Parliament.

She spent two years in France, where she worked for Anne Willan, the founder of Ecole de Cuisine La Varenne.

She has also worked on the principal gene mutations causing neuromuscular diseases.

She also worked to bring the papacy of Gregory XI back to Rome from its displacement in France, and to establish peace among the Italian city-states.

She worked with Paramount Pictures for the comedy Teacher's Pet ( 1958 ), alongside Clark Gable and Mamie Van Doren.

She worked as a management trainee for Kmart in 1981 but quit after a few months and entered a beauty pageant.

She therefore always worked with parliament and advisers she could trust to tell her the truth — a style of government that her Stuart successors failed to follow.

She was a classics major at Scripps College, worked for the Delta Ministry in 1965 and taught at Howard University School of Religion from 1966 to 1976.

She worked for the Judiciary Circuit, and left the state's attorney's office in 1976 to become a partner in a private law firm.

She worked as a guest artist with Roland Petit's Le Ballet National de Marseilles, the Bolshoi Ballet, the London Festival Ballet, the Paris Opera Ballet, the Hamburg Ballet, the Vienna State Opera Ballet, and the Eliot Feld Ballet.

She reflected on her employment experiences to a group of children in 2003, saying, " I worked as a teacher and librarian and I learned how important reading is in school and in life.

She also worked extensively in live musical theatre as a band member and accompanist.

She moved to Greece in 1956, and worked as a professional saw musician.

She has worked for animal rights for many years.

She has worked with Farm Sanctuary to raise awareness about the cruelty of factory farming and to promote the compassionate treatment of farm animals.

She followed that up with the second novel with the same setting, The Warrior's Apprentice then worked on Ethan of Athos.

She and Billy Strange worked on the arrangement, and it was Sinatra's idea to change from a mid-tempo romp ( as sung in Cher's hit single ) to a ballad.

She then worked as a political adviser to Democrat senators John Coulter ( SA ) and Cheryl Kernot ( Qld ).

She worked as a model before she began a career in film.

She also worked with Urban Care to achieve Council approval for what is recognized as one of the best Landmarks Preservation Ordinances in the Nation.

She worked only two weeks on the film, early and late during the production that went from January to April 1997 while Sam Elliott was only on set for two days and did many takes of his final speech.

She draws comparisons with Thetis ' role in another work of the epic Cycle concerning Troy, the lost Aethiopis, which presents a strikingly similar relationship — that of the divine Dawn, Eos, with her slain son Memnon ; she supplements the parallels with images from the repertory of archaic vase-painters, where Eros and Thetis flank the symmetrically opposed heroes with a theme that may have been derived from traditional epic songs.

She subsequently spent seasons in repertory both with the Playhouse in Nottingham from January 1963 ( including a West African tour as Lady Macbeth for the British Council ), and with the Playhouse Company in Oxford from April 1964.

She subsequently expanded her repertory to include roles such as Oscar in Un ballo in maschera, Gilda in Rigoletto, and Blondchen in The Abduction from the Seraglio and began appearing in productions throughout Europe.

She began acting professionally in 1942, with supporting juvenile roles in repertory, progressing to West End roles in such works as Noël Coward's Sigh No More and Ace of Clubs, becoming an established lead in repertory in the early 1950s.

She traveled widely with minstrel and circus shows in the 1910s, and made her first phonograph recordings in New York of blues songs in 1922 – although Miles did not like to be referred to as a ' blues singer ', since she sang a wide repertory of music.

She worked as an actress in repertory and as a journalist in the Netherlands, learning fluent Dutch, before suffering a bout of tuberculosis.

She also ventured briefly into the spinto and dramatic soprano repertory with performances of Verdi's Lady Macbeth ( Macbeth ), Strauss's Dyer's Wife ( Die Frau ohne Schatten ), the Marschallin ( Der Rosenkavalier ) and Beethoven's Leonore ( Fidelio ).

She enrolled at a professional school ( Georgia Massey's School of Song and Dance in the San Fernando Valley ), sang professionally and appeared in local repertory theater.

She made her first stage appearance as a child in 1905, joining children's repertory theatre groups such as ' Haley's Garden of Girls ' and the ' Nine Dainty Dots '.

She joined a repertory group called the WorkShop Theater Company in 2004 and has had leading roles in several mainstage productions there.

She worked in repertory during the 1950s and made her West End debut in 1958, replacing Joan Sims in the play Breath of Spring.

She established the Abbey Theatre in Dublin and founded the first regional repertory theatre company in Britain at the Gaiety Theatre in Manchester.

She attended RADA, she appeared in repertory theatres, including 1, 000 performances in Brigadoon.

She was a writer and voice actor for several television shows, including Casper, Pinky and the Brain and Power Rangers: Zeo, before joining the cast of MADtv as a featured player, and later as a repertory player in 1997.

She originally joined the cast as a featured player, but was upgraded to the repertory mid-season.

She joined the Arts Theatre, Manchester, and other Northern repertory companies.

She went on to tour the U. S. in Shakespearean repertory for four years, playing some 112 roles.

She trained at the Bristol Old Vic Theatre School 1958 – 1960 and went on to consolidate her acting skills in repertory theatres around the United Kingdom.

She made her directing debut in 1988 with the Renaissance Theatre Company's touring season, Renaissance Shakespeare on the Road, co-produced with the Birmingham Rep, and ending with a three-month repertory programme at the Phoenix Theatre in London.

She began her acting career with touring repertory companies in 1946, changing her name to Katherine Brant.

She co-produced the multi-platform documentary project, Service: when women come marching home, and created True Rep, a repertory company that explores trauma and resilience through testimonial theater and film, bridging actors, writers, directors, musicians and artists with the human ( e ) service sector.

She then worked as an actress in repertory theatre for 9 months and for Frigidaire promoting the benefits of the refrigerator as a senior home economist.

She also essayed more adventurous repertory, including Zerlina in Auber's Fra Diavolo, the Queen of Shemakhan in Rimsky-Korsakov's The Golden Cockerel, Volkhova in his Sadko and the title role of Stravinsky's The Nightingale.

She was hired as a repertory performer in September 1995 as part of an almost entirely new cast, which was brought in after the show's disastrous 1994-1995 season.