#: A meditative episode which Shostakovich described as the " death of a child " ( letter to Boleslav Yavorsky ) killed on the Nevsky Prospekt.

#: In this movement, Shostakovich and Yevtushenko transform the mass murder by Nazis of Jews at Babi Yar, near Kiev, into a denunciation of anti-Semitism in all its forms.

#: The expressive second movement further quotes Symphony No. 11 and the composer's early Funeral March for the Victims of the Revolution.

#: the patient is handed over to an appropriate care setting, such as the emergency department at a hospital, in to the care of physicians

#: Robert Goulet

#: Mr. Burns

#: Mr. Burns

#: Mr. Burns

#: A wealthy elderly woman is murdered.

#: The first movement uses quotations from a revolutionary song with the words ' shame on you tyrants ' and the Polish song The Warsaw March, both of which appear in the finale of Symphony No. 11.

#: rules are rules of the form where and where is the CFG's variable alphabet.

#: has one rule.

#: Notice that we have to account for all possibilities of and so we actually end up adding 3 rules.

#: Replace with where are new variables.

#: If, replace in above rules with some new variable and add rule.

The chorus of the chant became the title of a compilation album from Anagram Records ( Catalog #: GRAM 28 ) released in 1987.

#: When tripping, rB ← $ 255 and $ 255 ← rJ.

#: Unsigned integer divide uses this as the left half of the 128-bit input that is to be divided by the other operand.

#: Used for floating comparisons with respect to epsilon.

#: Used to store the left half of the 128-bit result of unsigned integer multiplication.

#: Used by the multiplex instruction.

#: Is set to the remainder of integer division.

#: When trapping, rBB ← $ 255 and $ 255 ← rJ.

#: Incremented every cycle.

#: A constant identifying this particular < tt > MMIX </ tt > processor.

#: Used to implement the register stack.

#: Used to implement the register stack.

#: Decremented every cycle.

#: Used to store the address of the trip vector.

#: Used to store the address of the trap vector.

#: Used to enable and disable specific interrupts.

#: Used to record interrupts as they occur.

#: Used to keep a count of executed instructions.

#: Used to translate virtual addresses to physical addresses.

#: All general registers references with a number greater or equal to rG refer to global registers.

The work is filled with quotes of other pieces by Shostakovich: the first movement quotes his Symphony No. 1 and Symphony No. 5 ; the second movement uses a Jewish theme first used by Shostakovich in his Piano Trio No. 2 ; the third movement quotes the Cello Concerto No. 1 ; and the fourth movement quotes the 19th century revolutionary song " Tormented by Grievous Bondage " and the aria " Seryozha, my love " from Shostakovich's opera, Lady Macbeth of the Mtsensk District.

Several portions of the overture were used prominently in the films A Clockwork Orange and The Eagle Shooting Heroes ; in addition, Dmitri Shostakovich quotes the main theme of the finale in the first movement of his 15th symphony.

For its latter half, Shostakovich quotes Graf Danilo's entrance song, " Da geh ' ich zu Maxim ," from Franz Lehár's operetta The Merry Widow.

Yevtushenko added, about the composer's setting of Babi Yar that " if I were to able to write music I would have written it exactly the way Shostakovich did .... His music made the poem greater, more meaningful and powerful.

Among the most frequently performed piano quintets are those by Robert Schumann, Johannes Brahms, Antonín Dvořák and Dmitri Shostakovich.

** Robert M. Jones ( art director ) for Shostakovich: Symphony No. 5 conducted by Howard Mitchell

* Blokker, Roy, with Robert Dearling, The Music of Dmitri Shostakovich: The Symphonies ( Cranbury, New Jersey: Associated University Presses, Inc., 1979 ).

Some counterexamples are: Andrzej Panufnik ( 10 ; if one includes two early lost symphonies, 12 ), Hans Werner Henze ( 10 ; his ninth symphony was actually choral ), Eduard Tubin ( 10, died writing his eleventh symphony ), William Schuman ( 10 ; his first two were withdrawn ), Alun Hoddinott ( 10 ), David Diamond ( 11 ), Joachim Raff ( 11, as well as an early destroyed one ), Edmund Rubbra ( 11 ; his ninth symphony was choral ), Robert Simpson ( 11 ; his planned final 12th symphony was to be choral ), Heitor Villa-Lobos and Darius Milhaud ( 12 each ), Vagn Holmboe ( 13, as well as four additional symphonies for strings alone ), Roy Harris ( 13 ; he was more superstitious about the number 13 than the number 9, and so labelled his 13th as 14th ), Glenn Branca ( 14, although Branca's definition of " symphony " is somewhat untraditional ), Gloria Coates ( 15, although she only recognized and numbered her first six symphonies as " symphonies " after completing her 7th ), Dmitri Shostakovich ( 15 ), Rued Langgaard ( 16 plus an unnumbered choral symphony, Sinfonia Interna ), Henry Cowell ( 17 ), Allan Pettersson ( 17 ), Lev Knipper ( 20 ), Jānis Ivanovs ( 21 ), Mieczysław Weinberg ( 22 ), Nikolai Myaskovsky ( 27 ), Havergal Brian ( 32 ), Alan Hovhaness ( 67 ), Derek Bourgeois ( 72 ), and Leif Segerstam ( 253 ).

* Blokker, Roy, with Robert Dearling, The Music of Dmitri Shostakovich: The Symphonies ( London: The Tantivy Press, 1979 ).

Among the eminent conductors who have chosen Starr as soloist throughout her career are Charles Dutoit, Aldo Ceccato, Rafael Frühbeck de Burgos, Erich Kunzel, Raymond Leppard, Sir Neville Marriner, Gennady Rozhdestvensky, Maxim Shostakovich, Joseph Silverstein, Stanislaw Skrowaczewski, and Leonard Slatkin as well as the late conductors Leonard Bernstein, Arthur Fiedler, Eugene Ormandy, Max Rudolf, Robert Shaw, and William Steinberg.