When working on Out of this World Shubik had made a valuable contact in John Carnell, a key figure in British science fiction publishing.

The latter two admitted to Shubik that they had run into similar difficulties in finding suitable material for television adaptation.

The last three years of the strand were predominantly produced by Irene Shubik and Graeme MacDonald, by this time the BBC Drama head Sydney Newman had left the BBC.

Shubik began work and soon found that finding science fiction stories suitable for adaptation was a difficult task.

Shubik received copies of science fiction anthologies from British publishers and also sought advice from many authors including Frederik Pohl, Alfred Bester and Robert Silverberg.

In March 1965, Shubik travelled to New York to negotiate rights with authors whose works she was considering, to seek ideas from US television, and to obtain more science fiction anthologies from US publishers.

The notion of bringing Professor Quatermass back for a fourth adventure dated back to at least 1965 when producer Irene Shubik asked Kneale to contribute a new Quatermass story for the first season of her science fiction anthology series, Out of the Unknown.

Shubik continued with the series until 1973 while MacDonald remained with the series until 1977 when he was promoted.

Along with the Shapley value, stochastic games, the Bondareva-Shapley theorem ( which implies that convex games have non-empty cores ), the Shapley – Shubik power index ( for weighted-or block voting power ), the Gale – Shapley algorithm ( for the stable marriage problem ), the concept of a potential game ( with Dov Monderer ), the Aumann – Shapley pricing, the Harsanyi – Shapley solution, and the Shapley – Folkman lemma & theorem bear his name.

* A Method for Evaluating the Distribution of Power in a Committee System ( with Martin Shubik ), American Political Science Review Vol.

* On Market Games ( with Martin Shubik ), Journal of Economic Theory Vol.

* The Assignment Game I: The Core ( with Martin Shubik ), International Journal of Game Theory Vol.

In 1950, Lloyd Shapley invented the board game So Long Sucker, along with Mel Hausner, John Forbes Nash, and Martin Shubik.

He read von Neumann and Morgenstern ’ s book: The Theory of Games and Economic Behavior, Edgeworth ’ s analysis of the contract curve with two goods and two types of traders in his book: Mathematical Psychics, and Shubik ’ s 1959 paper on this subject.

Today, the Banzhaf power index is an accepted way to measure voting power, along with the Shapley – Shubik power index.

2002 Nobel Laureate Vernon L. Smith lauded Plott in his speech of thanks at the Nobel Banquet, December 10, 2002 with a toast to " The pioneering influence of Sidney Siegel, Amos Tversky, Martin Shubik, and Charles Plott on the intellectual movement that culminated in the economics award for 2002.

Political Economy, Oligopoly And Experimental Games: The Selected Essays of Martin Shubik, v. 1, Edward Elgar.

The identification of an angiogenic diffusible factor derived from tumors was made initially by Greenblatt and Shubik in 1968.

Irene Shubik began her career working on educational films for Encyclopædia Britannica Inc in Chicago.

Carnell was able to suggest stories and authors for Shubik to consider.

Shubik considered asking Nigel Kneale if he would write a new Quatermass story for the series, and contacted Arthur C. Clarke regarding the possibility of adapting his novel The Deep Range.

The trip to New York would become an annual event for Shubik during her time on Out of the Unknown.

Using game-theoretic modeling, Professors Michael R. Powers ( Temple University ) and Martin Shubik ( Yale University ) have argued that the number of active reinsurers in a given national market should be approximately equal to the square-root of the number of primary insurers active in the same market.

The producers of The Wednesday Play, Graeme MacDonald and Irene Shubik, transferred to the new series.

If he had married her, he'd have been asking for trouble.

They had been seen as soon as they left the ranch, picked out of the darkness by the weary though watchful eyes of two men posted a few hundred yards away in the windless shelter of the trees.

They greeted the news angrily, as though they had been cheated of purpose.

With every leaping stride of the horse beneath him he crossed one more patch of earth that had been his, that he would never see again.

He had been carrying an Enfield rifle and a holstered navy cap-and-ball pistol.

But the luck that had been running their way left him.

His shout had been taken up and repeated.

A sizable supply of powder had been touched off.

The worst part had been the waiting ; ;

The war captain had been badly wounded and was fighting to hold his seat.

And one had been too many.

That afternoon when they had pulled up in front of the broken-down ranch house, his hopes had been high.

The place had been cheap -- just the little he had left after Amelia's burial -- and it would serve its purpose.

I had for some time been hoping, in vain, for one of the dim figures to pass between the fan vents and myself.

Although I had been inside it I had not yet seen it functioning.

No one was behind it, but in the rear wall of the office I noticed, for the first time, a door which had been left partially open.

He had been worried that with Miller and Rankin added to the escape party they would be short.

He had been one of the original Night Riders, one who had escaped the trial.

He had been the auditor for the mining syndicate, and he had stolen fifty thousand dollars of the syndicate's money.

Then the vein had petered out and the whole project had been abandoned.