Skyjacked ( 1972 ) was a lessor entry into the disaster film canon, following on the heels of Airport, though preceding its sequel Airport 1975.

* Skyjacked ( 1972 )

* Skyjacked ( 1972 ) – Elly Brewster

Her last films were Skyjacked ( 1972 ) and The Night God Screamed ( 1975 ).

In 1972 he starred as Peter Linder in Skyjacked alongside Walter Pidgeon and Charlton Heston.

* Skyjacked ( 1972 )

* Skyjacked ( 1972 )

** Skyjacked ( 1972 )

* Skyjacked ( 1972 )

A relative newcomer in outdoor signs is Mylar polyester film, now used as a printed overlay for trans-illuminated signs ( see below ).

The copy itself, including any text or illustrations, is reproduced in full color directly on a thin Mylar polyester film by a photo screen process.

For example, when the film is only four minutes old, Neitzbohr refers to a small, Victorian piano stool as `` Wilhelmina '', and we are thereupon subjected to a flashback that informs us that this very piano stool was once used by an epileptic governess whose name, of course, was Doris ( the English equivalent, when passed through middle-Gaelic derivations, of Wilhelmina ).

The effect, needless to say, is almost terrifying, and though at times a bit obscure, the film is certainly a much-needed catharsis for the `` repressed '' movie-goer.

Since the removal force is a function of coating thickness, a differential transformer pickup has been incorporated into the instrument to accurately measure film thickness.

If the force required to remove the coatings is plotted against film thickness, a graph as illustrated schematically in Fig. 5 may characteristically result.

Here, H is the coatings removal force measured parallel to the surface of the substrate and T is the film thickness.

If the cutting force, Af, is plotted against film thickness, a straight line should result passing through the origin and having slope Af.

This signifies that **yc, the rake angle, is no longer a constant to zero film thickness.

The resultant friction force, Af is thus directly proportional to Af and consequently also to film thickness.

The first two forces are directly interrelated and depend upon film thickness, whereas Af is independent of these two and is a constant for a given knife/coating combination.

Of the two, Porter is justly the better known, for he went far beyond the vital finding of fiction for films to take the first step toward fashioning a language of film, toward making the motion picture the intricate, efficient time machine that it has remained since, even in the most inept hands.

In a series of fairy tales and fantasies, Melies demonstrated that the film is superbly equipped to tell a straightforward story, with beginning, middle and end, complications, resolutions, climaxes, and conclusions.

In narrative, time is essential, as it is in film.

Almost everything about the movies that is peculiarly of the movies derives from a tension created and maintained between narrative time and film time.

The Great Train Robbery is a one-reel film.

The material of the Porter film is simplicity itself ; ;

The plane of the action in the scene is not parallel with the plane of the film in the camera or on the screen.

The physical film is cut with a knife at the end of one complete sequence, and the cut edge is joined physically, by cement, to the cut edge of the beginning of the next sequence.

The `` chase '' as a standard film device probably dates from The Great Train Robbery, and there is a reason for the continued popularity of the device.

Next were films such as The Winds of the Aures ( 1965 ) of Mohammed Lakhdar-Hamina, Patrol To The East ( 1972 ) of Amar Laskri, Prohibited Area of Ahmed Lallem, ( 1972 ), The Opium and the stick of Ahmed Rachedi, or The Battle of Algiers ( 1966 ) which is an Algerian-Italian film selected three times at the Oscars.

Arau appeared in the 1972 Mexican film El rincón de las vírgenes (" The Virgins ' Corner "), where he played the assistant of a fake mystical doctor traveling from town to town, who reminisce about their travels, when a group of women decide to propose the doctor for sainthood.

* Bloody Sunday ( TV film ), a 2002 film depicting a version of events of Bloody Sunday 1972

Although the film had originally been released in 1952, due to Chaplin's political difficulties at the time, it did not play for one week in Los Angeles, and thus did not meet the criterion for nomination until it was re-released in 1972.

* The Blood Spattered Bride ( La Novia Ensangrentada ) is a 1972 Spanish horror film written and directed by Vicente Aranda, is based on the text.

Two of his earliest film roles include small parts as uniformed police officers in both the 1972 film The Hot Rock and 1974's Death Wish.

Benedict's film debut was in the 1972 film Georgia, Georgia.

* 1888 – J. Arthur Rank, British film producer ( d. 1972 )

He sang in a duet of his 1972 song " Changes " with Butterfly Boucher for the 2004 animated film Shrek 2.

Commissioned by Philips to publicise the museum, it was shown as a trade test colour film on the BBC from 1968 to 1972.

Sinatra purportedly used pressure from his underworld connections to get the part, an incident that inspired the Johnny Fontane character in the classic 1972 film The Godfather.

His directorial fame escalated with the release of The Godfather ( 1972 ), a film which revolutionized movie-making in the gangster genre, earning praise from critics and public alike.

It was not until February 1973 that The New York Times first used the term, describing how the " moods and tensions " in the British private-eye parody Pulp ( 1972 film ) | Pulp came " out of the collective depths of the film noir ".

A planned 1972 U. S. network television screening of the 1966 Warner Bros. film The Brides of Fu Manchu was cancelled due to protests from an Asian anti-defamation group.

A scene from this film was reused as stock footage in the 1972 film Godzilla vs. Gigan.

Godzilla Vs. Megalon was originally planned as a non-Godzilla film, a solo vehicle for Jet Jaguar, which was the result of a contest Toho had for children in mid-to-late 1972.

Four years later came Groucho's last theatrical film appearance ; a brief, uncredited cameo in Michael Ritchie's The Candidate ( 1972 ).